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The Work of Music and the Problem of its Identity

University of California Press (1986)

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  1. Why Machines Will Never Rule the World: Artificial Intelligence without Fear.Jobst Landgrebe & Barry Smith - 2022 - Abingdon, England: Routledge.
    The book’s core argument is that an artificial intelligence that could equal or exceed human intelligence—sometimes called artificial general intelligence (AGI)—is for mathematical reasons impossible. It offers two specific reasons for this claim: Human intelligence is a capability of a complex dynamic system—the human brain and central nervous system. Systems of this sort cannot be modelled mathematically in a way that allows them to operate inside a computer. In supporting their claim, the authors, Jobst Landgrebe and Barry Smith, marshal evidence (...)
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  • C. S. Peirce and Intersemiotic Translation.Joao Queiroz & Daniella Aguiar - 2015 - In Peter Pericles Trifonas (ed.), International Handbook of Semiotics. Dordrecht: Springer. pp. 201-215.
    Intersemiotic translation (IT) was defined by Roman Jakobson (The Translation Studies Reader, Routledge, London, p. 114, 2000) as “transmutation of signs”—“an interpretation of verbal signs by means of signs of nonverbal sign systems.” Despite its theoretical relevance, and in spite of the frequency in which it is practiced, the phenomenon remains virtually unexplored in terms of conceptual modeling, especially from a semiotic perspective. Our approach is based on two premises: (i) IT is fundamentally a semiotic operation process (semiosis) and (ii) (...)
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  • Dinge und Eigenschaften: Versuch zur Ontologie.Daniel von Wachter - 2000 - Verlag J.H. Röll.
    Discusses Armstrong's and Roman Ingarden's ontology, criticises substance ontology, and defends tropes and a field ontology.
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  • (1 other version)Institutionen als Ingardensche intentionale Gegenstände.Daniel von Wachter - 2005 - In Gerhard Schönrich (ed.), Institutionen Und Ihre Ontologie. Frankfurt: Ontos Verlag. pp. 61-72, http://epub.ub.uni-muench.
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  • Roman Ingarden’s Aesthetics.Jeff Mitscherling - 2012 - Philosophy Compass 7 (7):436-447.
    While Roman Ingarden remains best known among English‐speaking philosophers and literary theorists for his work in aesthetics, and primarily for his study of the literary work of art, his studies in aesthetics and art belong in fact to the comprehensive program of phenomenological research in ontology and metaphysics that occupied him for his entire career. In this article I briefly describe this program of phenomenological research, then I discuss some of the major features of Ingarden’s analyses of works of art (...)
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  • Instructions and Artworks: Musical Scores, Theatrical Scripts, Architectural Plans, and Screenplays.Ted Nannicelli - 2011 - British Journal of Aesthetics 51 (4):399-414.
    This essay offers an account of the relationship between screenplay and film, and it does so by comparing this relationship to the relationships that hold between other sets of instructions and artworks: score and musical work, theatrical script and theatrical work, architectural plan and architectural work. I argue that musical scores and theatrical scripts are work-determinative documents—manuscripts whose existence entails the existence of musical works and theatrical works, respectively, and which determine the facts about what those works are like. On (...)
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  • Music and metaphysics.Saam Trivedi - 2008 - Metaphilosophy 39 (1):124–143.
    In this article, I assume that musical works are abstract types, and I raise and address a new question concerning musical ontology that may take the types view at least a step further: When do musical works cease to exist? I then propound my view about musical works as types, which is somewhat like the Aristotelian Realist position concerning universals. Next, I address some objections to that view. Finally, I provide some grounds for rejecting alternative views that see Western classical (...)
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  • Types, Styles, and Spaces of Possibility : Phenomenology and Musical Improvisation.Mitchell Atkinson - 2020 - Gestalt Theory 42 (3):253-270.
    Summary I outline an approach to the phenomenology of improvised music which takes typification and the development of multi‐ordered phenomenological structures as central. My approach here is firmly in line with classical Husserlian phenomenology, taking the discussion of types in Experience and Judgment (Husserl, 1973) and Brudzińska (2015) as guide. I provide a phenomenological analysis of musical types as they are found in improvisational contexts, focusing on jazz in the 20th century. Styles are higher‐order musical types. Musical types are structures (...)
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  • Roman ingarden’s contribution to solving the ontological and methodological problems of phenomenology of music.Anastasia Medova & Anna Kirichenko - 2020 - HORIZON. Studies in Phenomenology 9 (2):662-682.
    Phenomenology of music has been a perspective trend of phenomenological aesthetics for more than a hundred years. The topic of the paper is fixation the main problems and vectors of development of phenomenology of music. The authors execute an analysis of Roman Ingarden’s position in the discussions concerning the methodological and ontological problems of phenomenology of music. The paper aims at revealing succession in Roman Ingarden’s solutions to the phenomenology of music problems. The other aim is reflection on the originality (...)
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  • Musical Phenomenology: Artistic Traditions and Everyday Experience.Małgorzata A. Szyszkowska - 2018 - Avant: Trends in Interdisciplinary Studies 9 (2):141-155.
    The work begins by asking the questions of how contemporary phenomenology is concerned with music, and how phenomenological descriptions of music and musical experiences are helpful in grasping the concreteness of these experiences. I then proceed with minor findings from phenomenological authorities, who seem to somehow need music to explain their phenomenology. From Maurice Merleau-Ponty to Jean-Luc Nancy and back to Edmund Husserl and Martin Heidegger, there are musical findings to be asserted. I propose to look at phenomenological studies of (...)
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