Analysis of technological determinism by historians, sociologists, and philosophers has declined in recent years. Yet understanding this topic is necessary, particularly in examining the dynamics of emerging technologies and their associated research areas. This is especially true of nanotechnology, which, because of its roots in futurist traditions, employs unusual variants on classical determinist arguments. In particular, nanotechnology orients much more strongly to the past and future than most traditional disciplines. This non-presentism strongly colors its proponents' articulation of the field's definition, (...) purview, and likely development. This paper explores nano's non-presentism and suggests ways to further explore nano-determinism. (shrink)

In this paper, I provide an account of scientific representation that makes sense of the notion both at the nanoscale and at the quantum level: the partial mappings account. The account offers an extension of a proposal developed by R. I. G. Hughes in terms of denotation, demonstration, and interpretation (DDI). I first argue that the DDI account needs some amendments to accommodate representation of nano and quantum phenomena. I then introduce a generalized framework with the notions of unsharp denotation, (...) unsharp interpretation, and partial mappings. I conclude by arguing that the resulting view not only accommodates nano and quantum representations but also makes sense of representation by imaging in (scanning tunneling) microscopy. (shrink)

Images are objects of work in the laboratory. On its face, this work is achieved through talk Yet the talk attached to these images makes reference to other images, which are drawn from varcous environments. In this article, four such environments are identified: the domain of laboratory practice; the context of invisible physical reactions; the future image as it will appear in publication; and the domain of case precedents and reference scenarios from the field. The work of image analysis brings (...) the outside of the image into it and takes the inside out. Thus it can be seen that images are not just taken, they are designed and made. (shrink)