In the mid twentieth century the philosopher Ludwig Wittgenstein famously asserted that games are indefinable; there are no common threads that link them all. "Nonsense," says the sensible Bernard Suits: "playing a game is a voluntary attempt to overcome unnecessary obstacles." The short book Suits wrote demonstrating precisely that is as playful as it is insightful, as stimulating as it is delightful. Suits not only argues that games can be meaningfully defined; he also suggests that playing games is a central (...) part of the ideal of human existence, so games belong at the heart of any vision of Utopia. Originally published in 1978, The Grasshopper is now re-issued with a new introduction by Thomas Hurka and with additional material (much of it previously unpublished) by the author, in which he expands on the ideas put forward in The Grasshopper and answers some questions that have been raised by critics. (shrink)

Jürgen Habermas asserts, in the Preface to Knowledge and Human Interests, that a radical critique of knowledge, that is a metacritique of epistemology, is only possible as a social theory. In this essay, Garbin Kortian discusses the implications and philosophical import of this thesis, which is central to Habermas's work, through a critical account of the German philosophical tradition in which it stands. He relates the 'metacritical dimension' of Haberbas's thought to Hegel's critique of Kant, Marx's critique of Hegel, and (...) the Frankfurt school's critique of positivism. Kortian presents his perspective on the philosophical problems Habermas's argument faces: the primacy of practice, this philosophy of understanding and the hermeneutic concept of understanding. This book, which was originally published in French, will interest students of philosophy and of the social and political sciences. (shrink)

His argument rests on several premises: that achievement in sport has become a model for achievement in the workplace; that the two worlds share the same ...

'Search for a Method' is a separate and introductory essay published together with 'Critique of Dialectical Reason'.

The eminent critic and scholar analyzes a wide range of topics, including Aldous Huxley's Brave New World, jazz, the music of Bach, and museums.