A standard interpretation of Plato’s metaphysics holds that sensible particulars are images of Forms. Such particulars are fairly independent, like Aristotelian substances. I argue that this is incorrect: Platonic particulars are not Form images but aggregates of Form images, which are property-instances. Timaeus 49e-50a focuses on “this-suches” and even goes so far as to claim that they compose other things. I argue that Form images are this-suches, which are tropes. I also examine the geometrical account, showing that the geometrical constituents (...) of the elements are also Form images. Thus everything in the sensible world is composed of tropes. (shrink)

Plato's late dialogues have often been neglected because they lack the literary charm of his earlier masterpieces. Charles Kahn proposes a unified view of these diverse and difficult works, from the Parmenides and Theaetetus to the Sophist and Timaeus, showing how they gradually develop the framework for Plato's late metaphysics and cosmology. The Parmenides, with its attack on the theory of Forms and its baffling series of antinomies, has generally been treated apart from the rest of Plato's late work. Kahn (...) shows that this perplexing dialogue is the curtain-raiser on Plato's last metaphysical enterprise: the step-by-step construction of a wider theory of Being that provides the background for the creation story of the Timaeus. This rich study, the natural successor to Kahn's earlier Plato and the Socratic Dialogue, will interest a wide range of readers in ancient philosophy and science. (shrink)

This paper examines Plato's ideas on cause-effect relations in the "Phaedo." It maintains that he sees causes as things (not events, states of affairs or the like), with any information as to how that thing brings about the effect relegated to a strictly secondary status. This is argued to make good sense, so long as we recognise that aition means the "thing responsible" and exploit legal analogies in order to understand what this amounts to. Furthermore, provided that we do not (...) pre-suppose that we already know what can and what cannot count as a cause, Plato proves to have an attractive case for his principle that all causation is a matter of like causing like. Once we appreciate this, we are a little closer to understanding his more idiosyncratic principle, which although puzzling is ubiquitous in his writings and often invoked as a premise in key arguments, that opposites cannot cause opposites. The last part of the paper turns to formal causes, defending Plato's advocacy of them, and examining their role in the "Parmenides'" Third Man Argument. The main proposal is that Plato's conception of Forms as causes opens the door to a better version of that argument's "Non-identity" premise than those currently available. (shrink)

An analysis of phaedo 96c-606c seeks to demonstrate that when forms are cited as either "safe" or "clever" aitiai they are not meant to function as either final or efficient causes, But as logico-Metaphysical essences which have no causal efficacy whatever, But which do have definite (and far-Reaching) implications for the causal order of the physical universe, For it is assumed that a causal statement, Such as "fire causes heat" will be true if, And only if, The asserted physical bond (...) between fire and heat instantiates the eternal and logically necessary relation of entailment between the instantiated forms, Fire, Heat. (shrink)

At 47e–53c of the Timaeus Plato presents his most detailed metaphysical analysis of particulars. We are told about the construction of the physical universe, the ways we can and cannot talk about the phenomena produced, and about the two causes – Necessity and Intelligence – which govern the processes and results of production. It seems to me that we are told too much and too little: too much, because we have two accounts of the generation of phenomenal particulars – one, (...) the ‘formal account’, which makes use of the receptacle, Forms and form-copies, and a second, the ‘geometrical account’, which appeals to geometrical shapes, the Demiurge and, apparently, matter; too little, because there is insufficient guidance as to how to relate the two accounts. (shrink)

Mit diesem Werk legt die geburtigen Berlinerin Eva Sachs eine umfassende Sammlung uber die Ideen des Platon vor. Nach ihrem Studium als eine der wenigen Frauen an der Berliner Universitat schafft sie ein Werk uber die Geschichte der Mathematik. Hierbei stellt sie fest, dass Platons Auseinandersetzung mit Demokrit eine wichtige Bedeutung hat: Der Unterschied zwischen Mathematik basierend auf den Naturwissenschaften und rein empirischer Forschung. Eva Sachs gelingt es die Ideen Platons frei von Seiteneinflussen darzustellen, was zu einem besseren Verstandnis der (...) Thematik fuhrt.". (shrink)

A tropel is a particular property: the redness of a rose, the roundness of the moon. It is generally supposed that tropes are individuated by primitive quantity: this redness, that roundness. I argme that the trope theorist is far better served by individuating tropes by spatiotemporal relation: here redness, there roundness. In short, tropes are not this-suches but here-suches.