ABSTRACTIn recent years, studies on discourses of resistance in politics have become prevalent, focusing mainly on the language of radical movements and rebel groups, but not the discourses on colonialism, imperialism, and repression which can be considered as potential sites for discourses of resistance. To fill this gap, this paper critically explores how an independence leader utilized metaphor to construct a discourse of resistance against colonialism and imperialism. It analyzes a number of speeches delivered by Kwame Nkrumah, a pioneering Pan-African (...) and Ghana's independence leader, using a combination of models, including critical metaphor analysis and membership categorization analysis. The analysis illustrates that Nkrumah deployed war/conflict/military and religious metaphors in conjunction with other discursive strategies such as labeling or stereotyping, category work, sentimentalism, victim-playing, and negative other-presentation to formulate a resistance discourse against colonialism and imperialism. These metaphors were exploited through representations of vilification, enemification, demonization, freedom and justice, and attack and defense. This paper provides insight into the use of language in the service of resistance and activism, thereby demonstrating that the use of metaphor by political actors serves manipulative and/or ideological purposes and illustrating that metaphor is essential to a leader's persuasive force. (shrink)

In this article I consider a two-page autobiographical recount which appears at the end of Nelson Mandela's book Long Walk to Freedom as a summary of his life and what he has learned from it. My aim is to illustrate the role of a detailed analysis of single texts in the field of discourse analysis, as opposed to studies of selected variables across a corpus of texts. The analysis is conducted within the general theoretical framework of systemic functional linguistics, with (...) special attention to transitivity, mood, theme, grammatical metaphor, lexical relations, conjunction, tense, phase, process type, hierarchy of periodicity, polarity, continuity, elaboration, extension and the analysis of images in multimodal text. Through these procedures I show the way in which Mandela reconciles the linear unfolding of his life history with the deepening understanding of freedom that gives meaning to his life - by means of a spiral texture which returns again and again to the meaning of freedom at different levels of abstraction. The effect, I think, is inspirational - with no tinge of bitterness or betrayal; rather a message of hope and wisdom - grace personified. The approach exemplifies a positive style of discourse analysis that focuses on hope and change, by way of complementing the deconstructive exposé associated with critical discourse analysis. (shrink)