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  1. Arts and crafts in Plato and Collingwood.Christopher Janaway - 1992 - Journal of Aesthetics and Art Criticism 50 (1):45-54.
    R.G. Collingwood argues that what is properly called 'art' shares none of the features of craft. This article looks critically at his attribution to Plato of the sharply contrasting view that poetry is simply a craft. There is an important sense in which poetry is not a craft (techne) for Plato. Moreover, Plato's views are much closer to Collingwood's own than Collingwood appreciates.
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  • (1 other version)Making and Thinking: A Study of Intelligent Activities.Peter Lewis & Andrew Harrison - 1979 - Philosophical Quarterly 29 (117):362.
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  • Rightness and Reasons: Interpretation in Cultural Practices.Thomas Leddy - 1993 - Journal of Aesthetics and Art Criticism 53 (2):222-225.
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  • Rightness and reasons: interpretation in cultural practices.Michael Krausz - 1993 - Ithaca: Cornell University Press.
    Introduction Vv hich interpretation of Beethoven's First Symphony is the single right one: one that strictly adheres to the score or one that does not? ...
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  • Aesthetic essence.Marshall Cohen - 1964 - In Max Black (ed.), Philosophy in America. Ithaca: Routledge. pp. 115--33.
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  • (1 other version)Making and Thinking: A Study of Intelligent Activities.Andrew Harrison - 1979 - Philosophy 55 (211):128-130.
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