Mary Midgley argues in her powerful new book that far from being the opposite of science, myth is a central part of it. In brilliant prose, she claims that myths are neither lies nor mere stories but a network of powerful symbols that suggest particular ways of interpreting the world.

This new edition of Karen O'Reilly's popular Ethnographic Methods provides a comprehensive and accessible introduction to the technical, practical and philosophical issues that arise when employing traditional and innovative research methods in relation to human agents. Using a wide range of case studies and source material to illustrate the dilemmas and resolutions that an ethnographic researcher may encounter, this textbook guides the reader from the initial design and planning stages through to the analysis and writing-up. It explores the historical and (...) philosophical foundations of ethnographic research and goes on to cover a range of relevant topics such as participant observation, qualitative interviews, (focus) group interviews and visual data collection and analysis. Having been substantially revised and updated, the second edition includes new discussions of emerging practices such as reflexive ethnography and autoethnographic accounts, as well as an entire chapter dedicated to new directions in the field - including virtual, mobile, multi-sited and global ethnography. (shrink)

"Dissanayake argues that art was central to human evolutionary adaptation and that the aesthetic faculty is a basic psychological component of every human being. In her view, art is intimately linked to the origins of religious practices and to ceremonies of birth, death, transition, and transcendence. Drawing on her years in Sri Lanka, Nigeria, and Papua New Guinea, she gives examples of painting, song, dance, and drama as behaviors that enable participants to grasp and reinforce what is important to their (...) cognitive world." --Publishers Weekly "A wide-ranging essay on the place of art in human evolution and in the future, at once learned and spirited."--Howard Gardner, Harvard University "Ellen Dissanayake's book is the most forceful rejoinder I've read so far to the trivializing pessimism of postmodernist art theory."--Kenneth Baker,San Francisco Chronicle "Affirm[s] the idea that art is for life's sake, for the fulfillment of fundamental human needs, and for human survival.... She gives us a coherent rationale for funding broadly based arts programs."--Art Therapy "Homo Aestheticusoffers a wealth of original and critical thinking. It will inform and irritate specialist, student, and lay reader alike."--American Anthropologist "Homo Aestheticus calls for a counterrevolution in our thinking about art. It is timely, provocative, and immensely valuable."--Philosophy and Literature. (shrink)