The general concept of information does not belong in the category of universal and inexorable physical laws but in the category of initial conditions and boundary conditions. Boundary conditions formed by local structures are often called constraints. Informational structures such as symbol vehicles are a special type of constraint. It should be clear that the concepts of initial conditions and constraints in physics make no sense outside the context of the law-based physical dynamics to which they apply. This is also (...) the case for the concept of information. -/- . (shrink)

Drawing on the art, literature, and social sciences involved, Santayana discusses the nature of beauty, form, and expression.

This paper develops the ideas of the Swiss zoologist Adolf Portmann or, more precisely, his concept of organic self-representation, wherein Portmann considered the outer surface of living organisms as a specific organ that serves in a self-representational role. This idea is taken as a starting point from which to elaborate Portman’s ideas, so as to make them compatible with the theoretical framework of biosemiotics. Today, despite the many theories that help us understand aposematism, camouflage, deception and other phenomena related to (...) the category of mimicry, there still is a need for a general theory of self-representation that would re-synthesize evolutionary, morphogenetic and semiotic aspects of the surface of organisms. Here, Adolf Portmann’s concept of self-representation is considered as an important step towards the biosemiotics of animal form. (shrink)

Biosemiotics is the synthesis of biology and semiotics, and its main purpose is to show that semiosis is a fundamental component of life, i.e., that signs and meaning exist in all living systems. This idea started circulating in the 1960s and was proposed independently from enquires taking place at both ends of the Scala Naturae. At the molecular end it was expressed by Howard Pattee’s analysis of the genetic code, whereas at the human end it took the form of Thomas (...) Sebeok’s investigation into the biological roots of culture. Other proposals appeared in the years that followed and gave origin to different theoretical frameworks, or different schools, of biosemiotics. They are: (1) the physical biosemiotics of Howard Pattee and its extension in Darwinian biosemiotics by Howard Pattee and by Terrence Deacon, (2) the zoosemiotics proposed by Thomas Sebeok and its extension in sign biosemiotics developed by Thomas Sebeok and by Jesper Hoffmeyer, (3) the code biosemiotics of Marcello Barbieri and (4) the hermeneutic biosemiotics of Anton Markoš. The differences that exist between the schools are a consequence of their different models of semiosis, but that is only the tip of the iceberg. In reality they go much deeper and concern the very nature of the new discipline. Is biosemiotics only a new way of looking at the known facts of biology or does it predict new facts? Does biosemiotics consist of testable hypotheses? Does it add anything to the history of life and to our understanding of evolution? These are the major issues of the young discipline, and the purpose of the present paper is to illustrate them by describing the origin and the historical development of its main schools. (shrink)

Historians have long noted the importance of Victorian culture for the emergence of Darwin's ideas. This paper takes this understanding one step further by illustrating a deep cultural analysis for the underlying aesthetics framework which, on the one hand, is part of Darwin's notion of sexual selection while, at the same time, serving to give rise to a new "aesthetics semantics." While evolutionary biology avoids this language, it nevertheless had far-reaching influences in the decades following the publication of Darwin's work. (...) Additionally, evolutionary aesthetics from Darwin provides unique insights on the philosophical foundations it draws upon. (shrink)

The notion that our society, its education system and its intellectual life, is characterised by a split between two cultures – the arts or humanities on one hand and the sciences on the other – has a long history. But it was C. P. Snow's Rede lecture of 1959 that brought it to prominence and began a public debate that is still raging in the media today. This fiftieth anniversary printing of The Two Cultures and its successor piece, A Second (...) Look features an introduction by Stefan Collini, charting the history and context of the debate, its implications and its afterlife. The importance of science and technology in policy run largely by non-scientists, the future for education and research, and the problem of fragmentation threatening hopes for a common culture are just some of the subjects discussed. (shrink)