- Bad Faith and the Other.Jonathan Webber - 2010 - In Reading Sartre: On Phenomenology and Existentialism. New York: Routledge. pp. 180-194.details
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Visual pleasure and narrative cinema.Laura Mulvey - 2010 - In Marc Furstenau (ed.), The film theory reader: debates and arguments. New York: Routledge.details
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(1 other version)Being and nothingness.Jean-Paul Sartre - 1956 - Avenel, N.J.: Random House.details
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Identity, Authenticity, Survival: Multicultural Societies and Social Reproduction.Kwame Anthony Appiah - 1994 - In Amy Gutmann (ed.), Multiculturalism: Examining the Politics of Recognition. Princeton University Press. pp. 149--164.details
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Sartre's Ethics of Authenticity.Linda A. Bell - 1992 - Studies in Soviet Thought 43 (1):64-65.details
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Phenomenology and the future of film: rethinking subjectivity beyond French cinema.Jenny Chamarette - 2012 - New York: Palgrave-Macmillan.details
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Bad Faith and Sartre's Waiter.D. Z. Phillips - 1981 - Philosophy 56 (215):23 - 31.details
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Naked, bad faith and masculinity.Mark Stanton - 2011 - In Jean-Pierre Boulé & Enda McCaffrey (eds.), Existentialism and contemporary cinema: a Sartrean perspective. New York: Berghahn Books.details
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Sartre on Bad Faith.Leslie Stevenson - 1983 - Philosophy 58 (224):253 - 258.details
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Sartre: a guide for the perplexed.Gary Cox - 2006 - New York: Continuum.details
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Engaging Characters: Fiction, Emotion, and the Cinema. [REVIEW]Murray Smith - 1999 - Journal of Aesthetics and Art Criticism 57 (1):88-89.details
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How to read Sartre.Robert Bernasconi - 2007 - New York: W.W. Norton & Co..details
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Michael Haneke and the consequences of radical freedom.Kevin L. Stoehr - 2011 - In Jean-Pierre Boulé & Enda McCaffrey (eds.), Existentialism and contemporary cinema: a Sartrean perspective. New York: Berghahn Books.details
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