- Picturing Knowledge: Historical and Philosophical Problems Concerning the Use of Art in Science.Brian Scott Baigrie (ed.) - 1996 - University of Toronto Press.details
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Beyond the Atrium to Ariadne: Erotic Painting and Visual Pleasure in the Roman House.David Fredrick - 1995 - Classical Antiquity 14 (2):266-288.details
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The Gender of Buddhist Truth.Chin Gail - 1998 - Japanese Journal of Religious Studies 25:3-4.details
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The granny: Public representations and creative performance.Justine Coupland - 2013 - Pragmatics and Society 4 (1):82-104.details
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Oppression, Privilege, & Aesthetics: The Use of the Aesthetic in Theories of Race, Gender, and Sexuality, and the Role of Race, Gender, and Sexuality in Philosophical Aesthetics.Robin James - 2013 - Philosophy Compass 8 (2):101-116.details
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(1 other version)The Speaking Abject in Kristeva's "Powers of Horror".Thea Harrington - 1998 - Hypatia 13 (1):138-157.details
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A crisis of recognition: gender, race, and the struggle to be seen in pre-modernity.Hannah Dawson - 2024 - British Journal for the History of Philosophy 32 (2):319-351.details
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Introduction to the Special Issue on Caste and Cinema.Arijeet Mandal - 2022 - All About Ambedkar: A Journal on Theory and Praxis 3 (1):1-39.details
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El espacio de la ficción es el tiempo del espectador: la reflexividad de la mirada a la cámara en 'Un verano con Mónica'.David Vázquez Couto - 2021 - Ars Longa. Cuadernos de Arte 30:309-323.details
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A World of Muscle, Bone & Organs: Research and Scholarship in Dance.Simon Ellis, Hetty Blades & Charlotte Waelde (eds.) - 2018 - Coventry, United Kingdom: Coventry University.details
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Adolescent desires. Between teen dramas, online pornography and sexual fluidity.Giuseppe Burgio - 2021 - ENCYCLOPAIDEIA 25 (61):43-52.details
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“Click Here”: A Content Analysis of Internet Rape Sites.Sarah Byrne & Jennifer Lynn Gossett - 2002 - Gender and Society 16 (5):689-709.details
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Wanda Jakubowska’s Cinema of Commitment.Ewa Mazierska - 2001 - European Journal of Women's Studies 8 (2):221-238.details
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Gendered discourses on the ‘problem’ of ageing: consumerized solutions.Justine Coupland - 2007 - Discourse and Communication 1 (1):37-61.details
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Beauty and Woolf.Maggie Humm - 2006 - Feminist Theory 7 (2):237-254.details
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How do Women Look? The Female Nude in the Work of Suzanne Valadon.Rosemary Betterton - 1985 - Feminist Review 19 (1):3-24.details
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Colluding with Neo-Liberalism: Post-Feminist Subjectivities, Whiteness and Expressions of Entitlement.Karen Wilkes - 2015 - Feminist Review 110 (1):18-33.details
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Beautiful Dead Bodies: Gender, Migration and Representation in Anti-Trafficking Campaigns.Rutvica Andrijasevic - 2007 - Feminist Review 86 (1):24-44.details
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The Role of Phantasy in Relation to the Socially Innovative Potential of Filmic Experience.Federico Giorgi - 2020 - Eidos. A Journal for Philosophy of Culture 4 (1):57-69.details
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"Second Life" Librarianship and the Gendered Work of Care in Technology.Scout Calvert - 2014 - PhaenEx 9 (2):24-42.details
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‘If you look at me like at a piece of meat, then that’s a problem’ – women in the center of the male gaze. Feminist Poststructuralist Discourse Analysis as a tool of critique.Ewa Glapka - 2018 - Critical Discourse Studies 15 (1):87-103.details
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Autonomy, Universality, and Playing the Guitar: On the Politics and Aesthetics of Contemporary Feminist Deployments of the “Master's Tools”.Robin M. James - 2009 - Hypatia 24 (2):77-100.details
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(1 other version)Existential feelings: How cinema makes us feel alive.Dina Mendonça - 2012 - Cinema 3:211-228.details
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Sex and Muscle: The Female Bodybuilder Meets Lacan.Doug Aoki - 1996 - Body and Society 2 (4):59-74.details
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The Aesthetics of Violence: Myth and Danger in Roman Domestic Landscapes.Zahra Newby - 2012 - Classical Antiquity 31 (2):349-389.details
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Feminist Phenomenology and the Film World of Agnès Varda.Kate Ince - 2013 - Hypatia 28 (3):602-617.details
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Horror Films and the Argument from Reactive Attitudes.Scott Woodcock - 2013 - Ethical Theory and Moral Practice 16 (2):309-324.details
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Hitting the barriers – Women in Formula 1 and W series racing.Olivia R. Howe - 2022 - European Journal of Women's Studies 29 (3):454-469.details
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Reality, Fiction, and Make-Believe in Kendall Walton.Emanuele Arielli - 2021 - In Krešimir Purgar (ed.), The Palgrave Handbook of Image Studies. Palgrave-Macmillan. pp. 363-377.details
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Beauty and the Belles: Discourses of Feminism and Femininity in Disneyland.Allison Craven - 2002 - European Journal of Women's Studies 9 (2):123-142.details
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The Social Construction of Space and Gender.Martina Löw - 2006 - European Journal of Women's Studies 13 (2):119-133.details
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The optical unconscious of Big Data: Datafication of vision and care for unknown futures.Daniela Agostinho - 2019 - Big Data and Society 6 (1).details
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Not Sick: Liberal, Trans, and Crip Feminist Critiques of Medicalization.Cristina S. Richie - 2019 - Journal of Bioethical Inquiry 16 (3):375-387.details
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Missed Revolutions, Non-Revolutions, Revolutions to Come: An Encounter with Mourning Sickness: Hegel and the French Revolution, Rebecca Comay.Rebecca Comay In Conversation With Joshua Nichols - 2012 - PhaenEx 7 (1):309-346.details
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White Material: Ivory tiles, white womanhood, and white supremacy in Jean-Marc Vallée’s Sharp Objects.Emily Sanders - 2023 - Film-Philosophy 27 (1):98-114.details
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Kiki and the ‘girl’: A Moment of Reading between Deleuze and Feminism.Ritu Sen Chaudhuri - 2018 - Deleuze and Guattari Studies 12 (4):486-504.details
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Visionary Philosophy.Malin Jörnvi - unknowndetails
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Hetero-Romantic Love and Heterosexiness in Children's G-Rated Films.Emily Kazyak & Karin A. Martin - 2009 - Gender and Society 23 (3):315-336.details
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The social organization of sexuality and gender in alternative hard rock: An analysis of intersectionality.Mimi Schippers - 2000 - Gender and Society 14 (6):747-764.details
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‘Miss Hepburn is Humanized’: The Star Persona of Katharine Hepburn.Janet Thumim - 1986 - Feminist Review 24 (1):71-102.details
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Sexualisation, or the queer feminist provocations of Miley Cyrus.Kate McNicholas Smith - 2017 - Feminist Theory 18 (3):281-298.details
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Vertiginous Hauntings: The Ghosts of Vertigo.Kriss Ravetto-Biagioli & Martine Beugnet - 2019 - Film-Philosophy 23 (3):227-246.details
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The Gaze of the Spectral Setting in the 1968 BBC Adaptation of M. R. James’s “Oh, Whistle, and I’ll Come to You, My Lad”.Anne Keithline & Jacek Mydla - 2017 - Avant: Trends in Interdisciplinary Studies 8 (2):121-132.details
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A Visual Dionysian: Nietzsche's Aesthetics and Pan's Labyrinth.Lorraine Markotic - 2016 - Comparative and Continental Philosophy 8 (2):180-198.details
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Translations of Blind Perception in the Films Monika (2012) and Antoine (2008).Robert Stock & Beate Ochsner - 2013 - Invisible Culture (19).details
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Adolescent Daughters and Ritual Abjection: Narrative Analysis of Self-injury in Four US Films.Warren Bareiss - 2017 - Journal of Medical Humanities 38 (3):319-337.details
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Noël Carroll.Maisie Knew - 2008 - In Paisley Livingston & Carl R. Plantinga (eds.), The Routledge Companion to Philosophy and Film. New York: Routledge. pp. 196.details
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The Painted Screen.Wu Hung - 1996 - Critical Inquiry 23 (1):37-79.details
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Whence Muslim Women? A Response to Alia Al-Saji’s “The Racialization of Muslim Veils: A Philosophical Analysis”.Namita Goswami - 2012 - Symposia on Gender, Race, and Philosophy 9 (1):875-902.details
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The Female Subject of Popular Culture.Diane Shoos - 1992 - Hypatia 7 (2):215-226.details
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