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  1. (2 other versions)On the Very Idea of a Conceptual Scheme.Donald Davidson - 1973 - Proceedings and Addresses of the American Philosophical Association 47:5-20.
    Davidson attacks the intelligibility of conceptual relativism, i.e. of truth relative to a conceptual scheme. He defines the notion of a conceptual scheme as something ordering, organizing, and rendering intelligible empirical content, and calls the position that employs both notions scheme-content dualism. He argues that such dualism is untenable since: not only can we not parcel out empirical content sentence per sentence but also the notion of uninterpreted content to which several schemes are relative, and the related notion of a (...)
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  • Demonstratives: An Essay on the Semantics, Logic, Metaphysics and Epistemology of Demonstratives and other Indexicals.David Kaplan - 1989 - In Joseph Almog, John Perry & Howard Wettstein (eds.), Themes From Kaplan. New York: Oxford University Press. pp. 481-563.
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  • Three views of demonstrative reference.Marga Reimer - 1992 - Synthese 93 (3):373 - 402.
    Three views of demonstrative reference are examined: contextual, intentional, and quasi-intentional. According to the first, such reference is determined entirely by certain publicly accessible features of the context. According to the second, speaker intentions are criterial in demonstrative reference. And according to the third, both contextual features and intentions come into play in the determination of demonstrative reference. The first two views (both of which enjoy current popularity) are rejected as implausible; the third (originally proposed by Kaplan in Dthat) is (...)
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  • Categories of Art.Kendall L. Walton - 1970 - Philosophical Review 79 (3):334-367.
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  • Love as a moral emotion.J. David Velleman - 1999 - Ethics 109 (2):338-374.
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  • Aesthetic Concepts.Frank Sibley - 1959 - Philosophical Review 68 (4):421-450.
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  • (1 other version)Defining art historically.Jerrold Levinson - 1979 - British Journal of Aesthetics 19 (3):21-33.
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  • The alleged moral repugnance of acting from duty.Marcia Baron - 1984 - Journal of Philosophy 81 (4):197-220.
    Friends as well as foes of Kant have long been uneasy over his emphasis on duty, but lately the view that there is something morally repugnant about acting from duty seems to be gaining in popularity. More and more philosophers indicate their readiness to jettison duty and the moral 'ought' and to conceive of the perfectly moral person as someone who has all the right desires and acts accordingly without any notion that (s)he ought to act in this way. Elsewhere' (...)
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  • (4 other versions)The Fixation of Belief.Charles S. Peirce - 2011 - In Robert B. Talisse & Scott F. Aikin (eds.), The Pragmatism Reader: From Peirce Through the Present. Princeton University Press. pp. 37-49.
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  • (1 other version)The artworld.Arthur Danto - 1964 - Problemos 82:184-193.
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  • (1 other version)Persons, Character, and Morality.Bernard Williams - 1981 - In Moral Luck: Philosophical Papers 1973–1980. New York: Cambridge University Press.
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  • Demonstratives, demonstrations, and demonstrata.Marga Reimer - 1991 - Philosophical Studies 63 (2):187--202.
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  • Paving the road to reference.Kent Bach - 1992 - Philosophical Studies 67 (3):295--300.
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  • (1 other version)The transfiguration of the commonplace.Arthur C. Danto - 1974 - Journal of Aesthetics and Art Criticism 33 (2):139-148.
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  • Do Demonstrations Have Semantic Significance?Marga Reimer - 1991 - Analysis 51 (4):177--183.
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  • Afterthoughts.David Kaplan - 1989 - In Joseph Almog, John Perry & Howard Wettstein (eds.), Themes From Kaplan. New York: Oxford University Press. pp. 565-614.
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  • (1 other version)Persons, Character, and Morality.Bernard Williams - 1998 - In James Rachels (ed.), Ethical Theory 2: Theories About How We Should Live. Oxford University Press UK.
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  • A Formalist Theory of Art.John Valentine - 1998 - Southwest Philosophy Review 14 (2):139-150.
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