Results for 'Arthur Danto'

148 found
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  1. Dal mondo dell'arte al regno delle ombre (e ritorno). Arthur Danto, Maya Lin e la bellezza interna.Filippo Fimiani - 2010 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).
    Arthur Danto asserts that Maya Lin’s Vietnam Veterans Memorial in Washington embodies the rhetoric paradigm of internal beauty’s meaning. However, the relationship to the Kant’s pulchritudo adhaerens is not an easy one: Danto’s recalls against the self-referent formalism of Greenberg’s Modernism and his tacit issues about the environmental non-monumentality of Richard Serra’s Minimalism, are, most importantly, haunted by the unquestioned spectral logic of the image embodiment. The beholders’ reflecting shape on the funeral Wall is, finally, both a (...)
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  2. Arthur Danto’s Andy Warhol: The Embodiment of Theory in Art and the Pragmatic Turn.Stephen Snyder - 2010 - Leitmotiv:135-151.
    Arthur Danto’s recent book, Andy Warhol, leads the reader through the story of the iconic American’s artistic life highlighted by a philosophical commentary, a commentary that merges Danto’s aesthetic theory with the artist himself. Inspired by Warhol’s Brillo Box installation, art that in Danto’s eyes was indiscernible from the everyday boxes it represented, Danto developed a theory that is able to differentiate art from non-art by employing the body of conceptual art theory manifest in what (...)
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  3. Estetyka a Granice Języka. Ludwig Wittgenstein I Arthur C. Danto.Karolina Glazor-Pomykała - 2016 - Argument: Biannual Philosophical Journal 6 (2):455-476.
    The article is an attempt to pinpoint the areas of Ludwig Wittgenstein aesthetic thought, in which he is crossing the borders principally imposed upon the method and the language of his philosophy. I am directing my attention to metaphysical and mystical motifs of his reflection devoted to aesthetics, the essence of art and the essence of reality. I wish to discuss this issue based on the texts of Arthur C. Danto containing analysis of chosen notions of Wittgenstein’s aesthetic (...)
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  4.  74
    El problema de la demarcación en estética: Una crítica del criterio de Danto.Andrés Páez - 2008 - Revista de Estudios Sociales 29:146-155.
    El desarrollo de las artes visuales durante el siglo XX desdibujó la frontera entre aquellos objetos y artefactos que llamamos obras de arte, y aquéllos que no son merecedores de ese título. Arthur Danto ha propuesto una teoría estética a la luz de la cual sería posible volver a definir los límites del arte. En este ensayo examino dos de los aspectos más problemáticos de la teoría: la importancia excesiva que Danto le otorga al concepto de mímesis (...)
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  5.  33
    Apposite Bodies: Dancing with Danto.Joshua M. Hall - 2015 - Philosophy in the Contemporary World 22 (1):19-36.
    Though Arthur Danto has long been engaged with issues of embodiment in art and beyond, neither he nor most of his interlocutors have devoted significant attention to the art form in which art and embodiment most vividly intersect, namely dance. This article, first, considers Danto’s brief references to dance in his early magnum opus, The Transfiguration of the Commonplace. Second, it tracks the changes in Danto’s philosophy of art as evidenced in his later After the End (...)
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  6.  8
    Para una lectura crítica de la filosofía del arte de Arthur C. Danto.José Ramón Fabelo Corzo - 2012 - In José Ramón Fabelo Corzo & Berenize Galicia Isasmendi (eds.), La estética y el arte más allá de la academia. Puebla, Pue., México: pp. 73-89.
    Se fundamentan las razones por las cuales debe asumirse una actitud crítica ante la filosofía del arte de Arthur C. Danto, tomando algunas de sus tesis y al mismo tiempo rechazando críticamente otras. Para ello se muestra la unilateralidad con que el filósofo norteamericano aborda las relaciones del arte con su contexto histórico. En particular se valora críticamente la tesis sobre el fin del arte.
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  7. Surface Interpretation: Reply to Leddy.Peg Zeglin Brand & Myles Brand - 1999 - Journal of Aesthetics and Art Criticism 57 (4):463-465.
    In our paper "Surface and Deep Interpretation," we sought to provide detail and texture to Arthur Danto's views on interpretation, thereby explicating and defending them (as published in Mark Rollins, ed., Danto and His Critics (Blackwell, originally published 1993; second edition 2012). Leddy objects to our views; in the end, Danto's view, given our explication of it, remains tenable.
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  8.  53
    Danto on Perception.Sam Rose & Bence Nanay - forthcoming - In Jonathan Gilmore & Lydia Goehr (eds.), Blackwell Companion to Arthur Danto. Oxford: Blackwell.
    Jerry Fodor wrote the following assessment of Danto’s importance in 1993: “Danto has done something I’ve been very much wanting to do: namely, reconsider some hard problems in aesthetics in the light of the past 20 years or so of philosophical work on intentionality and representation” (Fodor 1993, p. 41). Fodor is absolutely right: some of Danto’s work could be thought of as the application of some influential ideas about perception that Fodor also shared. The problem is (...)
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  9. The Imperceptibility of Style in Danto's Theory of Art: Metaphor and the Artist's Knowledge.Stephen Snyder - 2015 - CounterText 1 (3).
    Arthur Danto’s analytic theory of art relies on a form of artistic interpretation that requires access to the art theoretical concepts of the artworld, ‘an atmosphere of artistic theory, a knowledge of the history of art: an artworld’. Art, in what Danto refers to as post-history, has become theoretical, yet it is here contended that his explanation of the artist’s creative style lacks a theoretical dimension. This article examines Danto’s account of style in light of the (...)
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  10.  50
    Por una estética apegada a la vida.José Ramón Fabelo Corzo - 2010 - Revista de Filosofía (Venezuela) 66 (3):89-100.
    Los actuales procesos de estetización del mundo de la vida y de transformación de objetos cotidianos en obras de arte tienden a ser interpretados teóricamente como una difuminación de las fronteras entre arte y vida. Cualquier cosa puede ser arte -afirma Arthur C. Danto, uno de los más reconocidos filósofos del arte de la actualidad-, pero ¿lo puede ser en realidad? Este ensayo se cuestiona esa afirmación basado en los límites axiológicos de la misma.
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  11.  46
    The Double Life of Jeff Koon's Made in Heaven Glass Artworks.Max Ryynanen - 2004 - Nordic Journal of Aesthetics 16 (29-30).
    This article owes a lot to Arthur C. Danto's heuristic writings about the Artworld, which have shown us, that the ontological status of works of art is, at least when we discuss some current, maybe even dominating trends in contemporary art, dependent on our more or less philosophical interpretations of them. The effects of the Dantoan atmosphere of theory and art historical consciousness are, still, decisive for just some contemporary art. Danto's interest in the philosophical side of (...)
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  12. Michael Kelly. Iconoclasm in Aesthetics.Stephen Snyder - 2006 - Modern Schoolman 83 (3):249-254.
    This is a review of Michael Kelly's _Iconoclasm in Aesthetics_.
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  13. WHY THE BRILLO BOX? THE RECOVERY OF THE AESTHETIC.Gizela Horvath - 2013 - In Applied Social Sciences: Philosophy and Theology.
    Arthur C. Danto convincingly argued that works of art are not differentiated from common objects by aesthetic properties. With this he broke down the system of aestheticism, which discussed art as a sub-category of the aesthetic experience, looked for the universal, historically and culturally unconditioned significant form in works of art. At the same time, Danto’s theory can also be read as one considering the aesthetic point of view irrelevant for the essence of art. The paradigmatic starting (...)
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  14. Glaring Omissions in Traditional Theories of Art.Peg Zeglin Brand Weiser - 2003 - In Steven Cahn (ed.), Philosophy for the 21st Century: A Comprehensive Reader. Oxford University Press. pp. 779-813.
    I investigate the role of feminist theorizing in relation to traditionally-based aesthetics. Feminist artworks have arisen within the context of a patriarchal Artworld dominated for thousands of years by male artists, critics, theorists, and philosophers. I look at the history of that context as it impacts philosophical theorizing by pinpointing the narrow range of the paradigms used in defining “art.” I test the plausibility of Danto’s After the End of Art vision of a post-historical, pluralistic future in which “anything (...)
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  15. Surface and Deep Interpretation.Peg Brand & Myles Brand - 2012 - In Mark Rollins (ed.), Danto and His Critics, 2nd Edition. Wiley-Blackwell. pp. 69-83.
    Arthur C. Danto proposes a complex and controversial relationship between surface and deep interpretations in The Philosophical Disenfranchisement of Art (1986). We detail the analogy between understanding human actions and interpreting works of art that both develops a motivation for Danto's view and clarifies it. We object to the most plausible version of content dependency among surface and deep interpretations and in so doing, we also clarify the way in which an interpretation is constitutive of an artwork.
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  16.  29
    The End Of Art Revisited: A Response To Kalle Puolakka.Hans Maes - 2005 - Postgraduate Journal of Aesthetics 2 (3).
    In ‘The End of Art: A Real Problem or Not Really a Problem?’ I raised some questions about Arthur Danto’s famous ‘end of art’ thesis. A largely polemical paper, it was intended as an invitation to further discussion, and Kalle Puolakka has now taken up this invitation in ‘Playing The Game After The End of Art’. I thank him for his many insightful remarks. Critical comments are typically more interesting and helpful than simple praise, and Puolakka’s comments are (...)
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  17. Honest Illusion: Valuing for Nietzsche's Free Spirits.Nadeem J. Z. Hussain - 2007 - In Brian Leiter & Neil Sinhababu (eds.), Nietzsche and Morality. Oxford University Press.
    There is a widespread, popular view—and one I basically endorse—that Nietzsche is, in one sense of the word, a nihilist. As Arthur Danto put it some time ago, according to Nietzsche, “there is nothing in [the world] which might sensibly be supposed to have value.” As interpreters of Nietzsche, though, we cannot simply stop here. Nietzsche's higher men, Übermenschen, “genuine philosophers”, free spirits—the types Nietzsche wants to bring forth from the human, all-too-human herds he sees around him with (...)
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  18. World Hunger and Moral Obligation : The Case Against Singer.John Arthur - 2009 - In Steven M. Cahn (ed.), Exploring Philosophy: An Introductory Anthology. Oxford University Press.
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  19. Disgust’s Transparency.Filippo Contesi - 2016 - British Journal of Aesthetics 56 (4):347-354.
    The transparency thesis for disgust claims that what is disgusting in nature is always also disgusting in art. Versions of the thesis have been endorsed by, among others, Kant, Lessing, Mendelssohn, and, more recently, Arthur Danto, Carolyn Korsmeyer, and Jenefer Robinson. The present paper articulates and discusses different readings of the thesis. It concludes that the transparency thesis is false.
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  20.  55
    The End Of Art: A Real Problem Or Not Really A Problem?Hans Maes - 2004 - Postgraduate Journal of Aesthetics 1 (2):59-68.
    In 1984, Arthur Danto wrote an article with the telling title ‘The End of Art.’ Just a few years earlier, Richard Rorty had declared the end of philosophy and Michel Foucault, the end of politics. A few years later, Francis Fukuyama was to declare the end of history. So, on the face of it, Danto’s thesis fits in nicely with the ‘endism’ that was popular in the 1980s. In important ways, however, I believe it also stands out.
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  21.  47
    Directions For A New Aestheticism.Jeffrey Petts - 2005 - Postgraduate Journal of Aesthetics 2 (1):20-31.
    The idea of a new aestheticism is now explicit in both philosophical aesthetics and cultural theory with the publication of Gary Iseminger's The Aesthetic Function of Art and an anthology of essays edited by John Joughin and Simon Malpas critiquing the anti-aestheticism of literary theory. Both are significant in marking a wider trend reacting to, broadly speaking, intellectualised and historicised accounts of art, refocusing on the idea of appreciation itself, and working away from the emphasis on ideology and disregard for (...)
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  22. Internal Beauty.Jonathan Gilmore - unknown
    In the title essay of The Philosophical Disenfranchisement of Art Arthur Danto describes two dominant strains of the philosophy of art in its Platonic beginnings: one that art is dangerous, and thus subject to political censorship or control, and the other that art exists at several removes from the ordinary reality, impotent to effect any meaningful change in the human world.1 These two ways of understanding art, really two charges laid at art’s door, seem contradictory, he writes, until (...)
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  23.  19
    You Talking to Me?Hans Maes - 2019 - Debates in Aesthetics 14 (1).
    In May 2017, my book ‘Conversations on Art and Aesthetics’ appeared. It contains conversations with, and photographic portraits of, ten prominent philosophers of art. They are Noël Carroll, Gregory Currie, Arthur Danto, Cynthia Freeland, Paul Guyer, Carolyn Korsmeyer, Jerrold Levinson, Jenefer Robinson, Roger Scruton, and Kendall Walton. The book has two main aims. One is to provide a broad and accessible overview of what aesthetics as a subfield of philosophy has to offer. The other is to stimulate new (...)
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  24.  71
    Anti-mémoires. Noms, reflets et écritures.Filippo Fimiani - 2016 - IMAGES RE-VUES 5:1-32.
    Arthur Danto asserts that Maya Lin’s Vietnam Veterans Memorial in Washington really embodies the beauty of his meaning. For him, the Memorial’s “internal beauty” is felt and read because she is built as a text by the rhetoric of enthymeme, as a syllogism based on some tacit knowledges and highly probables communplaces. However, the relationship to the Kant’s pulchritudo adhaerens and philosophy of architecture is not an easy one : Danto rejects as unreadable the self-referent formalism of (...)
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  25.  26
    Postpositivism and the Logic of the Avant-Garde.Serge Grigoriev - 2019 - History and Theory 58 (1):89-111.
    The purpose of this paper is to explore the conditions under which the post-positivist interest in rewriting or reinterpreting history could operate legitimately from an historical point of view. The first part of the paper outlines and explains some of the key thematic elements of historical post-positivism. The second, proceeds to investigate how these elements can be configured and related to each other within Arthur Danto’s influential account of the development of contemporary art, and especially the avant-garde. The (...)
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  26.  49
    Individual Style After The End Of Art.Regina Wenninger - 2005 - Postgraduate Journal of Aesthetics 2 (3):105-115.
    In The Transfiguration of the Commonplace (1981)1 Arthur Danto construes individual style as something “given” that belongs to the artist “essentially” and “inseparably.” By contrast, his theory of the end of art, set forth in After the End of Art (1997) and elsewhere,2 suggests the liberation of artists from any stylistic commitments. How do these two theories go together? Can there be individual styles after the end of art? Examining the compatibility between Danto’s end of art thesis (...)
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  27.  52
    ESTHÉTIQUE DE L'ARTEFACT EXTATIQUE. Art et design.Allen Alain Viguier - 2013 - France: Hotel des Bains Editions.
    Cet essai propose une esthétique contextualiste de l'œuvre d'art dont le paradigme est rapporté à l'artefact de design. Présenté en deux livres, il maintient la spécificité de chacun des deux domaines tout en rendant compte de leurs échanges incessants depuis le début des avant-gardes historiques. Le premier livre débute par l'examen de neuf monochromes rouges imaginés par Arthur Danto et fait appel à l'esthétique institutionnelle de Howard Becker pour les placer dans le contexte des pratiques curatoriales et du (...)
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  28. Arthur Kaufmann – hermeneutyka prawnicza [Arthur Kaufmann – Legal Hermeneutics].Marek Piechowiak - 2008 - In Jerzy Zajadło (ed.), Przyszłość dziedzictwa. Robert Alexy, Ralf Dreier, Jürgen Habermas, Otfried Höffe, Arthur Kaufmann, Niklas Luhmann, Otta Weinberger: portrety filozofów prawa. Arche. pp. 135-167.
    Arthura Kaufmanna filozofia prawa wyrasta przede wszystkim z neokantyzmu aksjologicznego reprezentowanego przez „późnego” Gustava Radbrucha, którego uważał on za najważniejszego ze swych nauczycieli, oraz z hermeneutyki filozoficznej Hansa-Georga Gadamera. W późniejszym okresie znaczący wpływ na Kaufmanna wywarł Charles S. Peirce, którego pracami posiłkował się opracowując problematykę analogii (wiążąc ją z opracowanym przez Pierca zagadnieniem abdukcji) oraz ontologii relacji. Niektóre wątki poglądów Kaufmanna nawiązują do egzystencjalizmu Karla Jaspersa oraz antropologii Karla Löwitha. Obecne są także inspiracje tomistyczne i arystotelesowskie. Jest to filozofia (...)
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  29.  93
    Feminism and Tradition in Aesthetics "Introduction".Carolyn Korsmeyer (ed.) - 1995 - Pennsylvania State University Press.
    Feminism and Tradition in Aesthetics takes a fresh look at the history of aesthetics and at current debates within the philosophy of art by exploring the ways in which gender informs notions of art and creativity, evaluation and interpretation, and concepts of aesthetic value. Multiple intellectual traditions have formed this field, and the discussions herein range from consideration of eighteenth century legacies of ideas about taste, beauty, and sublimity to debates about the relevance of postmodern analyses for feminist aesthetics. Forward (...)
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  30.  39
    Playing The Game After The End Of Art: Comments For Hans Maes.Kalle Puolakka - 2005 - Postgraduate Journal of Aesthetics 2 (1):12-19.
    In his philosophy of art history, Arthur C. Danto claims that in the 1960 ́s the master narrative of art had come to an end, and that we had reached the end of art. This conception has been widely considered, but also misunderstood. Hans Maes has recently discussed Danto's conception of the end of art in his article, where he clears some misconceptions about the thesis, but at the same time challenges Danto's analysis of contemporary art.
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  31. Beauty Matters.Peg Zeglin Brand - 2000 - Indiana University Press.
    Beauty has captured human interest since before Plato, but how, why, and to whom does beauty matter in today's world? Whose standard of beauty motivates African Americans to straighten their hair? What inspires beauty queens to measure up as flawless objects for the male gaze? Why does a French performance artist use cosmetic surgery to remake her face into a composite of the master painters' version of beauty? How does beauty culture perceive the disabled body? Is the constant effort to (...)
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  32. W poszukiwaniu ontologicznych podstaw prawa. Arthura Kaufmanna teoria sprawiedliwości [In Search for Ontological Foundations of Law: Arthur Kaufmann’s Theory of Justice].Marek Piechowiak - 1992 - Instytut Nauk Prawnych PAN.
    Arthur Kaufmann is one of the most prominent figures among the contemporary philosophers of law in German speaking countries. For many years he was a director of the Institute of Philosophy of Law and Computer Sciences for Law at the University in Munich. Presently, he is a retired professor of this university. Rare in the contemporary legal thought, Arthur Kaufmann's philosophy of law is one with the highest ambitions — it aspires to pinpoint the ultimate foundations of law (...)
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  33. Feminism and Tradition in Aesthetics.Peg Zeglin Brand Weiser & Carolyn Korsmeyer (eds.) - 1995 - Pennsylvania State University Press.
    Feminism and Tradition in Aesthetics takes a fresh look at the history of aesthetics and at current debates within the philosophy of art by exploring the ways in which gender informs notions of art and creativity, evaluation and interpretation, and concepts of aesthetic value. Multiple intellectual traditions have formed this field, and the discussions herein range from consideration of eighteenth century legacies of ideas about taste, beauty, and sublimity to debates about the relevance of postmodern analyses for feminist aesthetics. Forward (...)
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  34. Sprawiedliwe prawo – niesprawiedliwe wyroki. Uwagi na marginesie Arthura Kaufmanna koncepcji prawa do sprzeciwu wobec władzy [Just Laws and Unjust Judgments: Notes on Arthur Kaufmann’s Conception of a Right to Civil Disobedience].Marek Piechowiak - 2017 - In Grażyna Baranowska, Aleksandra Gliszczyńska-Grabias, Anna Hernandez-Połczyńska & Katarzyna Sękowska-Kozłowska (eds.), O prawach człowieka. Księga jubileuszowa Profesora Romana Wieruszewskiego. Warszawa: Wolters Kluwer. pp. 107-127.
    Tekst dotyczy zaproponowanej przez Arthura Kaufmanna koncepcji prawa do sprzeciwu (wobec władzy - wobec niesprawiedliwych ustaw) "w drobnej monecie". Koncepcja ta stanowi punkt wyjścia do refleksji nad formułą Radbrucha (nad czymś, co określam mianem "ciemnej strony" formuły Radbrucha), nad możliwością modyfikacji tej formuły i nad rozproszoną kontrolą konstytucyjności jako sposobem realizacji prawa do sprzeciwu "w drobnej monecie".
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  35. Rewolucja w nauce i sztuce T.S. Danto.Leszek Sosnowski - forthcoming - Estetyka I Krytyka 9 (9/10):224-242.
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  36. From Grace to Disgrace: The Rise and Fall of Arthur Andersen.N. Craig Smith & Michelle Quirk - 2004 - Journal of Business Ethics Education 1 (1):91-130.
    In June 2002, Arthur Andersen LLP became the first accounting firm in history to be criminally convicted. The repercussions were immense. From a position as one of the leading professional services firms in the world, with 85,000 staff in 84 countries and revenues in excess of $9 billion, Andersen effectively ceased to exist within a matter of months. Although Andersen’s conviction related specifically to a charge of obstructing justice, public attention focused on the audit relationship between Andersen and its (...)
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  37. Georges Canguilhem, A Vital Rationalist: Selected Writings From Georges Canguilhem, Edited by François Delaporte and Translated by Arthur Goldhammer. New York: Zone Books, 1994. Pp. 481. ISBN 0-942299-72-8. £24.25, $36.25. [REVIEW]John Sutton - 1997 - British Journal for the History of Science 30 (1):101-121.
    Georges Canguilhem, A Vital Rationalist: Selected Writings from Georges Canguilhem, edited by François Delaporte and translated by Arthur Goldhammer. New York: Zone Books, 1994. Pp. 481. ISBN 0-942299-72-8. £24.25, $36.25.
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  38. Review of Arthur Ripstein, Force and Freedom. [REVIEW]Andrew Botterell - 2011 - Canadian Journal of Political Science 44:457-458.
    A review of Arthur Ripstein, Force and Freedom: Kant's Legal and Political Philosophy (Harvard University Press, 2009).
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  39. Machine Art or Machine Artists? Dennett, Danto, and the Expressive Stance.Adam Linson - 2016 - In Vincent Müller (ed.), Fundamental Issues of Artificial Intelligence (Synthese Library). Berlin: Springer. pp. 441-456.
    As art produced by autonomous machines becomes increasingly common, and as such machines grow increasingly sophisticated, we risk a confusion between art produced by a person but mediated by a machine, and art produced by what might be legitimately considered a machine artist. This distinction will be examined here. In particular, my argument seeks to close a gap between, on one hand, a philosophically grounded theory of art and, on the other hand, theories concerned with behavior, intentionality, expression, and creativity (...)
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  40.  31
    Monads, Composition, and Force. Ariadnean Threads Through Leibniz's Labyrinth by Richard T. W. Arthur[REVIEW]Stephen Puryear - 2019 - Journal of the History of Philosophy 57 (4):761-762.
    Leibniz describes the problem of the composition of the continuum as one of the two famous labyrinths of the human mind. The problem is in brief that matter and motion appear to be continuous and thus would seem to be composed of an infinity of spatial or temporal points, which is absurd. Leibniz's strategy for escaping from this labyrinth involves distinguishing the realm of the real or actual from that of the ideal. In the former there is composition from parts (...)
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  41. Religion als Trug und als metaphysisches Bedürfnis. Zur Religionsphilosophie Arthur Schopenhauers.Alfred Schmidt - 2010 - Schopenhauer Jahrbuch 91:67-92.
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  42. Arthur G. Tansley’s ‘New Psychology’ and its Relation to Ecology.Joachim L. Dagg - 2007 - Web Ecology 2007.
    In 1935, A. G. Tansley, who was knighted later, proposed the ecosystem concept. Nevertheless, this concept was not without predecessors. Why did Tansley’s ecosystem prevail and not one of its competitors? The purpose of this article is to pin the distinguishing features of Tansley’s ecosystem down, as far as the published record allows. It is an exercise in finding the difference that made a difference. Besides being a pioneering ecologist, Tansley was an adept of psychoanalysis. His interest even led him (...)
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  43. Seeing Together: Mind, Matter, and the Experimental Outlook of John Dewey and Arthur F. Bentley.Frank Ryan - 2011 - Great Barrington, MA: The American Institute for Economic Research.
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  44.  27
    Book Review Of: C. Robinson, Arthur Seldon: A Life for Liberty. [REVIEW]Gary James Jason - 2009 - Liberty (November):42-43.
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  45. Noção de Representação na Ciência da Informação: Concepções a Partir da Filosofia de Arthur Schopenhauer.Julianne Teixeira E. Silva - 2016 - Dissertation, UFPB, Brazil
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  46.  69
    É Possível Definir Arte? - As Abordagens de Weitz e Danto ao Projeto Definitório.Fernanda Azevedo Silva - 2019 - Dissertation, UFG, Brazil
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  47. Explanatory Rivals and the Ultimate Argument.Finnur Dellsén - 2015 - Theoria 82 (3):217-237.
    Although many aspects of Inference to the Best Explanation have been extensively discussed, very little has so far been said about what it takes for a hypothesis to count as a rival explanatory hypothesis in the context of IBE. The primary aim of this article is to rectify this situation by arguing for a specific account of explanatory rivalry. On this account, explanatory rivals are complete explanations of a given explanandum. When explanatory rivals are conceived of in this way, I (...)
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  48. Unit-Ideas Unleashed: A Reinterpretation and Reassessment of Lovejovian Methodology in the History of Ideas.Carl Knight - 2012 - Journal of the Philosophy of History 6 (2):195-217.
    This article argues for an unconventional interpretation of Arthur O. Lovejoy’s distinctive approach to method in the history of ideas. It is maintained that the value of the central concept of the ‘unit-idea’ has been misunderstood by friends and foes alike. The commonality of unit-ideas at different times and places is often defined in terms of familial resemblance. But such an approach must necessarily define unit-ideas as being something other than the smallest conceptual unit. It is therefore in tension (...)
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  49. The Pasts.Paul A. Roth - 2012 - History and Theory 51 (3):313-339.
    ABSTRACTThis essay offers a reconfiguration of the possibility‐space of positions regarding the metaphysics and epistemology associated with historical knowledge. A tradition within analytic philosophy from Danto to Dummett attempts to answer questions about the reality of the past on the basis of two shared assumptions. The first takes individual statements as the relevant unit of semantic and philosophical analysis. The second presumes that variants of realism and antirealism about the past exhaust the metaphysical options . This essay argues that (...)
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  50. Tense and the Psychology of Relief.Christoph Hoerl - 2015 - Topoi 34 (1):217-231.
    At the centre of Arthur Prior’s ‘Thank goodness’ argument for the A-theory of time is a particular form of relief. Time must objectively pass, Prior argues, or else the relief felt when a painful experience has ended is not intelligible. In this paper, I offer a detailed analysis of the type of relief at issue in this argument, which I call temporal relief, and distinguish it from another form of relief, which I refer to as counterfactual relief. I also (...)
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