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  1. The Body in Pain: The Making and Unmaking of the World.Elaine Scarry - 1985 - New York: Oxford University Press USA.
    Part philosophical meditation, part cultural critique, The Body in Pain is a profoundly original study that has already stirred excitement in a wide range of intellectual circles. The book is an analysis of physical suffering and its relation to the numerous vocabularies and cultural forces--literary, political, philosophical, medical, religious--that confront it.Elaine Scarry bases her study on a wide range of sources: literature and art, medical case histories, documents on torture compiled by Amnesty International, legal transcripts of personal injury trials, and (...)
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  • The Inner Touch: Archaeology of a Sensation.Daniel Heller-Roazen - 2007 - Cambridge, Mass.: Zone Books.
    The Inner Touch presents the archaeology of a single sense: the sense of being sentient. Aristotle was perhaps the first to define this faculty when in his treatise On the Soul he identified a sensory power, irreducible to the five senses, by which animals perceive that they are perceiving: the simple "sense," as he wrote, "that we are seeing and hearing." After him, thinkers returned, time and again, to define and redefine this curious sensation. The classical Greek and Roman philosophers (...)
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  • Steps to an Ecology of Mind.G. Bateson - 1972 - Jason Aronson.
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  • The pulse of modernism: experimental physiology and aesthetic avant-gardes circa 1900.Robert Michael Brain - 2008 - Studies in History and Philosophy of Science Part A 39 (3):393-417.
    When discussing the changing sense of reality around 1900 in the cultural arts the lexicon of early modernism reigns supreme. This essay contends that a critical condition for the possibility of many of the turn of the century modernist movements in the arts can be found in exchange of instruments, concepts, and media of representation between the sciences and the arts. One route of interaction came through physiological aesthetics, the attempt to ‘elucidate physiologically the nature of our Aesthetic feelings’ and (...)
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  • (1 other version)The expression of the emotions in man and animal.Charles Darwin - 1890 - Mineola, New York: Dover Publications. Edited by Francis Darwin.
    One of science's greatest intellects examines how people and animals display fear, anger, and pleasure. Darwin based this 1872 study on his personal observations, which anticipated later findings in neuroscience. Abounding in anecdotes and literary quotations, the book is illustrated with 21 figures and seven photographic plates. Its direct approach, accessible to professionals and amateurs alike, continues to inspire and inform modern research in psychology.
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  • The Senses of Modernism: Technology, Perception, and Aesthetics.Sara Danius - 2019 - Cornell University Press.
    In The Senses of Modernism, Sara Danius develops a radically new theoretical and historical understanding of high modernism. The author closely analyzes Thomas Mann's The Magic Mountain, Marcel Proust's Remembrance of Things Past, and James Joyce's Ulysses as narratives of the sweeping changes that affected high and low culture in the age of technological reproduction. In her discussion of the years from 1880 to 1930, Danius proposes that the high-modernist aesthetic is inseparable from a technologically mediated crisis of the senses. (...)
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  • Pain and the Mind-Body Dualism: A Sociological Approach.Gillian Bendelow & Simon Williams - 1995 - Body and Society 1 (2):83-103.
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  • Durkheim, Bernard and epistemology.Paul Q. Hirst - 1975 - Boston: Routledge and Kegan Paul.
    Includes a study of Durkheim's "The rules of Sociological method".
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  • Space and Embodied Experience: Rethinking the Body in Pain.Marja-Liisa Honkasalo - 1998 - Body and Society 4 (2):35-57.
    In this article I discuss the problem of embodied subjectivity, viewed from the perspective of spatiality. The questions I address arise from my ethnographic study on chronic pain. My main argument is that, in contrast to philosophical understanding of space as an a priori, or as a container, space and spatiality are shaped and reshaped through the body in pain. What characterizes most patients' experiences of space is movement. This can be understood through Merleau-Ponty's phenomenological theory of the lived body (...)
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  • The Myth of Pain.Valerie Gray Hardcastle - 1999 - MIT Press.
    or Browse over 3500 reviews in " by Valerie Hardcastle, Ph.D. " _Metapsychology_.
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