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  1. Color constancy and the complexity of color.David Hilbert - 2005 - Philosophical Topics 33 (1):141-158.
    We can start with a definition. “[C]olour constancy is the constancy of the perceived colours of surfaces under changes in the intensity and spectral composition of the illumination.” (Foster et al. 1997) Given the definition we can now ask a question: Does human color vision exhibit color constancy?1 The answer to the question depends in part on how we interpret it. If the question is understood as asking whether human color vision displays constancy for every possible scene across every possible (...)
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  • (1 other version)How to define theoretical terms.David Lewis - 1970 - Journal of Philosophy 67 (13):427-446.
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  • Color realism and color science.Alex Byrne & David R. Hilbert - 2003 - Behavioral and Brain Sciences 26 (1):3-21.
    The target article is an attempt to make some progress on the problem of color realism. Are objects colored? And what is the nature of the color properties? We defend the view that physical objects (for instance, tomatoes, radishes, and rubies) are colored, and that colors are physical properties, specifically types of reflectance. This is probably a minority opinion, at least among color scientists. Textbooks frequently claim that physical objects are not colored, and that the colors are "subjective" or "in (...)
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  • (1 other version)Colors and reflectances.Alex Byrne & David R. Hilbert - 1997 - In Alex Byrne & David R. Hilbert (eds.), Readings on Color, Volume 1: The Philosophy of Color. Cambridge, MA, USA: MIT Press.
    When we open our eyes, the world seems full of colored opaque objects, light sources, and transparent volumes. One historically popular view, _eliminativism_, is that the world is not in this respect as it appears to be: nothing has any color. Color _realism_, the denial of eliminativism, comes in three mutually exclusive varieties, which may be taken to exhaust the space of plausible realist theories. Acccording to _dispositionalism_, colors are _psychological_ dispositions: dispositions to produce certain kinds of visual experiences. According (...)
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  • The particularity of visual perception.Matthew Soteriou - 2000 - European Journal of Philosophy 8 (2):173-189.
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  • (2 other versions)Perception and the fall from Eden.David J. Chalmers - 2006 - In Tamar Gendler & John Hawthorne (eds.), Perceptual experience. New York: Oxford University Press. pp. 49--125.
    In the Garden of Eden, we had unmediated contact with the world. We were directly acquainted with objects in the world and with their properties. Objects were simply presented to us without causal mediation, and properties were revealed to us in their true intrinsic glory.
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  • The limits of self-awareness.Michael G. F. Martin - 2004 - Philosophical Studies 120 (1-3):37-89.
    The disjunctive theory of perception claims that we should understand statements about how things appear to a perceiver to be equivalent to statements of a disjunction that either one is perceiving such and such or one is suffering an illusion (or hallucination); and that such statements are not to be viewed as introducing a report of a distinctive mental event or state common to these various disjoint situations. When Michael Hinton first introduced the idea, he suggested that the burden of (...)
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  • The silence of the senses.Charles Travis - 2004 - Mind 113 (449):57-94.
    There is a view abroad on which perceptual experience has representational content in this sense: in it something is represented to the perceiver as so. On the view, a perceptual experience has a face value at which it may be taken, or which may be rejected. This paper argues that that view is mistaken: there is nothing in perceptual experience which makes it so that in it anything is represented as so. In that sense, the senses are silent, or, in (...)
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  • The objects of intentionality.Colin McGinn - 2004 - In Richard Schantz (ed.), The Externalist Challenge. De Gruyter.
    A sketch is given of the view that there are non-existent intentional objects: such things as Pegasus and Zeus, which do not exist but which can be the subject of thought, which can be referred to, and to which true predicates can be applied. It is claimed that non-existent objects are the foundation of all intentionality: whenever there is intentionality towards an existent object, there is concurrent intentionality towards a non-existent one. The consequences of this view for perception and reference (...)
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  • Intentionalism and perceptual presence.Adam Pautz - 2007 - Philosophical Perspectives 21 (1):495-541.
    H. H. Price (1932) held that experience is essentially presentational. According to Price, when one has an experience of a tomato, nothing can be more certain than that there is something of which one is aware. Price claimed that the same applies to hallucination. In general, whenever one has a visual experience, there is something of which one is aware, according to Price. Call this thesis Item-Awareness.
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  • Qualia and intentional content: Reply to Block.Tyler Burge - 2003 - In Martin Hahn & Björn T. Ramberg (eds.), Reflections and Replies: Essays on the Philosophy of Tyler Burge. MIT Press. pp. 405--415.
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  • (1 other version)Back to the Theory of Appearing.William P. Alston - 1999 - Noûs 33 (s13):181-203.
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  • (1 other version)Perception and content.Bill Brewer - 2006 - European Journal of Philosophy 14 (2):165-181.
    It is close to current orthodoxy that perceptual experience is to be characterized, at least in part, by its representational content, roughly, by the way it represents things as being in the world around the perceiver. Call this basic idea the content view.
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  • (1 other version)How to Define Theoretical Terms.David Lewis - 1970 - Journal of Symbolic Logic 36 (2):321-321.
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  • (1 other version)Intentionalism Defended.Alex Byrne - 2001 - Philosophical Review 110 (2):199-240.
    Traditionally, perceptual experiences—for example, the experience of seeing a cat—were thought to have two quite distinct components. When one sees a cat, one’s experience is “about” the cat: this is the representational or intentional component of the experience. One’s experience also has phenomenal character: this is the sensational component of the experience. Although the intentional and sensational components at least typically go together, in principle they might come apart: the intentional component could be present without the sensational component or vice (...)
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