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  1. (2 other versions)Speed, Accuracy, and Serial Order in Sequence Production.Peter Q. Pfordresher, Caroline Palmer & Melissa K. Jungers - 2007 - Cognitive Science 31 (1):63-98.
    The production of complex sequences like music or speech requires the rapid and temporally precise production of events (e.g., notes and chords), often at fast rates. Memory retrieval in these circumstances may rely on the simultaneous activation of both the current event and the surrounding context (Lashley, 1951). We describe an extension to a model of incremental retrieval in sequence production (Palmer & Pfordresher, 2003) that incorporates this logic to predict overall error rates and speed—accuracy trade-offs, as well as types (...)
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  • (1 other version)Forward Models: Supervised Learning with a Distal Teacher.Michael I. Jordan & David E. Rumelhart - 1992 - Cognitive Science 16 (3):307-354.
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  • Illusion of sense of self-agency: discrepancy between the predicted and actual sensory consequences of actions modulates the sense of self-agency, but not the sense of self-ownership.Atsushi Sato & Asako Yasuda - 2005 - Cognition 94 (3):241-255.
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  • The theory of event coding (TEC): A framework for perception and action planning.Bernhard Hommel, Jochen Müsseler, Gisa Aschersleben & Wolfgang Prinz - 2001 - Behavioral and Brain Sciences 24 (5):849-878.
    Traditional approaches to human information processing tend to deal with perception and action planning in isolation, so that an adequate account of the perception-action interface is still missing. On the perceptual side, the dominant cognitive view largely underestimates, and thus fails to account for, the impact of action-related processes on both the processing of perceptual information and on perceptual learning. On the action side, most approaches conceive of action planning as a mere continuation of stimulus processing, thus failing to account (...)
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  • Basic principles, systems, and phenomena. Cognition and action.Wolfgang Prinz, Gisa Aschersleben & Iring Koch - 2009 - In Ezequiel Morsella, John A. Bargh & Peter M. Gollwitzer (eds.), Oxford handbook of human action. New York: Oxford University Press.
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  • Conflict monitoring and cognitive control.Matthew M. Botvinick, Todd S. Braver, Deanna M. Barch, Cameron S. Carter & Jonathan D. Cohen - 2001 - Psychological Review 108 (3):624-652.
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  • Cognition and action.Wolfgang Prinz, Gisa Aschersleben & Iring Koch - 2009 - In Ezequiel Morsella, John A. Bargh & Peter M. Gollwitzer (eds.), Oxford handbook of human action. New York: Oxford University Press. pp. 2.
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  • Incremental planning in sequence production.Caroline Palmer & Peter Q. Pfordresher - 2003 - Psychological Review 110 (4):683-712.
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  • Predictive error detection in pianists: a combined ERP and motion capture study.Clemens Maidhof - 2013 - Frontiers in Human Neuroscience 7.
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  • The experience of agency in sequence production with altered auditory feedback.Justin J. Couchman, Robertson Beasley & Peter Q. Pfordresher - 2012 - Consciousness and Cognition 21 (1):186-203.
    When speaking or producing music, people rely in part on auditory feedback – the sounds associated with the performed action. Three experiments investigated the degree to which alterations of auditory feedback during music performances influence the experience of agency and the possible link between agency and the disruptive effect of AAF on production. Participants performed short novel melodies from memory on a keyboard. Auditory feedback during performances was manipulated with respect to its pitch contents and/or its synchrony with actions. Participants (...)
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