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  1. (1 other version)The Expression of Emotions in Man and Animals.Charles Darwin - 1872 - John Murray.
    Darwin discusses why different muscles are brought into action under different emotions and how particular animals have adapted for association with man.
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  • (1 other version)The expression of the emotions in man and animal.Charles Darwin - 1890 - Mineola, New York: Dover Publications. Edited by Francis Darwin.
    One of science's greatest intellects examines how people and animals display fear, anger, and pleasure. Darwin based this 1872 study on his personal observations, which anticipated later findings in neuroscience. Abounding in anecdotes and literary quotations, the book is illustrated with 21 figures and seven photographic plates. Its direct approach, accessible to professionals and amateurs alike, continues to inspire and inform modern research in psychology.
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  • Objectivity.Lorraine Daston & Peter Galison - 2007 - Cambridge, Mass.: Zone Books. Edited by Peter Galison.
    Objectivity has a history, and it is full of surprises. In Objectivity, Lorraine Daston and Peter Galison chart the emergence of objectivity in the mid-nineteenth-century sciences--and show how the concept differs from its alternatives, truth-to-nature and trained judgment. This is a story of lofty epistemic ideals fused with workaday practices in the making of scientific images. From the eighteenth through the early twenty-first centuries, the images that reveal the deepest commitments of the empirical sciences--from anatomy to crystallography--are those featured in (...)
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  • (1 other version)Parables for the Virtual: Movement, Affect, Sensation.Brian Massumi - 2002 - Durham: Duke University Press.
    Although the body has been the focus of much contemporary cultural theory, the models that are typically applied neglect the most salient characteristics of embodied existence—movement, affect, and sensation—in favor of concepts derived from linguistic theory. In _Parables for the Virtual_ Brian Massumi views the body and media such as television, film, and the Internet, as cultural formations that operate on multiple registers of sensation beyond the reach of the reading techniques founded on the standard rhetorical and semiotic models. Renewing (...)
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  • Burden of Representation: Essays on Photographies and Histories.John Tagg - 1988 - Univ of Minnesota Press.
    Photographs are used as documents, evidence, and records every day in courtrooms, hospitals, and police work, on passports, permits, and licenses. But how did such usages come to be established and accepted, and when? What kinds of photographs were seen seen as purely instrumental and able to function in this way? What sorts of agencies and institutions had the power to give them this status? And more generally, what conception of photographic representation did this involve, and what were its consequences?
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  • Spectral Evidence: The Photography of Trauma.Ulrich Baer - 2002 - MIT Press.
    An original analysis of the parallels between the arrested moment in photography and in the traumatized psyche.
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  • “Stand Up Straight”: Notes Toward a History of Posture.Sander L. Gilman - 2014 - Journal of Medical Humanities 35 (1):57-83.
    The essay presents a set of interlinked claims about posture in modern culture. Over the past two centuries it has come to define a wide range of assumptions in the West from what makes human beings human (from Lamarck to Darwin and beyond) to the efficacy of the body in warfare (from Dutch drill manuals in the 17th century to German military medical studies of soldiers in the 19th century). Dance and sport both are forms of posture training in terms (...)
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  • (1 other version)Introduction (FOCUS: THE EMOTIONAL ECONOMY OF SCIENCE).Paul White - 2009 - Isis 100:792-797.
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  • The pulse of modernism: experimental physiology and aesthetic avant-gardes circa 1900.Robert Michael Brain - 2008 - Studies in History and Philosophy of Science Part A 39 (3):393-417.
    When discussing the changing sense of reality around 1900 in the cultural arts the lexicon of early modernism reigns supreme. This essay contends that a critical condition for the possibility of many of the turn of the century modernist movements in the arts can be found in exchange of instruments, concepts, and media of representation between the sciences and the arts. One route of interaction came through physiological aesthetics, the attempt to ‘elucidate physiologically the nature of our Aesthetic feelings’ and (...)
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  • Regarding the pain of others.Susan Sontag - 2003 - Diogène 201 (1):127-.
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  • From Passions to Emotions: The Creation of a Secular Psychological Category.Thomas Dixon - 2003 - New York: Cambridge University Press.
    Today there is a thriving 'emotions industry' to which philosophers, psychologists and neuroscientists are contributing. Yet until two centuries ago 'the emotions' did not exist. In this path-breaking study Thomas Dixon shows how, during the nineteenth century, the emotions came into being as a distinct psychological category, replacing existing categories such as appetites, passions, sentiments and affections. By examining medieval and eighteenth-century theological psychologies and placing Charles Darwin and William James within a broader and more complex nineteenth-century setting, Thomas Dixon (...)
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  • The Affect of Experiment: The Turn to Emotions in Anglo-American Physiology, 1900-1940.Otniel Dror - 1999 - Isis 90 (2):205-237.
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  • Le Sourire.G. Dumas - 1907 - Revue de Métaphysique et de Morale 15 (1):1-2.
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  • Essai sur les Passions.Th Ribot - 1907 - Revue de Métaphysique et de Morale 15 (1):1-1.
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  • Photography and Science.Kelley Elizabeth Wilder - 2009 - Reaktion Books.
    How do we know what an amoeba looks like? How can doctors see the details of our skeletons and internal organs? All of these things are made possible through the innovations of photography. The author provides a primer on the applications of photography to science as she explores the multiple facets of this complex relationship.
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  • The 'scientific artworks' of Doctor Paul Richer.Natasha Ruiz-Gómez - 2013 - Medical Humanities 39 (1):4-10.
    This article examines the little-known sculptures of pathology created by Doctor Paul Richer (1849–1933) in the 1890s for the so-called Musée Charcot at the Hôpital de la Salpêtrière in Paris. Under the direction of Doctor Jean-Martin Charcot (1825–1893), one of the founders of modern neurology, Richer was the head of the hospital's museum of pathological anatomy, as well as the Salpêtrière's resident artist. His ‘series of figural representations of the principal types of nervous pathology’ included busts of patients suffering from (...)
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  • Visualizing radiation : the photographs of Henri Becquerel.Kelley Wilder - 2011 - In Lorraine Daston & Elizabeth Lunbeck (eds.), Histories of scientific observation. London: University of Chicago Press.
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  • (1 other version)Introduction.Paul White - 2009 - Isis 100 (4):792-797.
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  • Darwin's Emotions: The Scientific Self and the Sentiment of Objectivity.Paul White - 2009 - Isis 100 (4):811-826.
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  • Entwined practices: Engagements with photography in historical inquiry.Jennifer Tucker - 2009 - History and Theory 48 (4):1-8.
    The status of photographs as keystones of historical explanation has become a topic of urgent intellectual and cultural interest around the world, at the same time as methods of shaping historical narratives are also changing in ways that compel attention to the employment of photographs in historiography. By exposing the questions we ought to raise about all historical evidence, photographs reveal not simply the potential and limits of photography as a historical source, but the potential and limits of all historical (...)
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  • Emotional Communities in the Early Middle Ages. [REVIEW]Barbara H. Rosenwein - 2006 - Speculum 82 (3):759-761.
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  • Invention de l'hysterie.Dana Polan & Georges Didi-Huberman - 1988 - Substance 17 (1):84.
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  • From Charcot to Charlot: Unconscious Imitation and Spectatorship in French Cabaret and Early Cinema.Rae Beth Gordon - 2001 - Critical Inquiry 27 (3):515-549.
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  • Seeing the blush : feeling emotions.Otniel E. Dror - 2011 - In Lorraine Daston & Elizabeth Lunbeck (eds.), Histories of scientific observation. London: University of Chicago Press.
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  • (1 other version)From Passions to Emotions. The Creation of a Secular Psychological Category.Thomas Dixon - 2005 - Tijdschrift Voor Filosofie 67 (2):384-385.
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  • (1 other version)From Passions to Emotions: The Creation of a Secular Psychological Category.Thomas Dixon & William M. Reddy - 2005 - Philosophy 80 (311):156-159.
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  • Darwin's camera: art and photography in the theory of evolution.Phillip Prodger - 2009 - New York: Oxford University Press.
    Darwin's art collection : the prints, drawings, and photographs Darwin collected in the 1860s and 70s -- Illustrations and illusion : strategies Darwin used in illustrating his books -- Art, experience, and observation : Darwin's knowledge of art history and use of illustration in his books -- Darwin and the passions : how passion manuals informed Darwin's research -- Photography and evolution meet : connections between photography and biology in the 1860s -- Method to their madness : how photography in (...)
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  • Histories of scientific observation.Lorraine Daston & Elizabeth Lunbeck (eds.) - 2011 - London: University of Chicago Press.
    This book makes a compelling case for the significance of the long, surprising, and epistemologically significant history of scientific observation, a history ...
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  • La fabrique du visage: de la physiognomonie antique à la première greffe : avec un inédit de Duchenne de Boulogne.F. Delaporte, E. Fournier & B. Devauchelle - 2010 - Brepols Publishers.
    La diversité des études ici rassemblées s’ordonne autour de deux moments forts pour la réflexion : la publication d’un manuscrit inédit de Duchenne de Boulogne, Considérations sur la mécanique de la physionomie , et la première greffe de la face, effectuée par Bernard Devauchelle et son équipe en novembre 2005 à Amiens. Ces événements soulèvent de nombreuses questions, tant en histoire des sciences biologiques et médicales qu’en histoire de la civilisation. Questions que suscite le vivant humain comme sujet d’intervention, mais (...)
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  • Pathologie du sourire.G. Dumas - 1905 - Revue Philosophique de la France Et de l'Etranger 59:580.
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  • (1 other version)Le sourire. Psychologie et physiologie.G. Dumas - 1953 - Tijdschrift Voor Filosofie 15 (4):685-686.
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