Readers of fiction tend to have better abilities of empathy and theory of mind. We present a study designed to replicate this finding, rule out one possible explanation, and extend the assessment of social outcomes. In order to rule out the role of personality, we first identified Openness as the most consistent correlate. This trait was then statistically controlled for, along with two other important individual differences: the tendency to be drawn into stories and gender. Even after accounting for these (...) variables, fiction exposure still predicted performance on an empathy task. Extending these results, we also found that exposure to fiction was positively correlated with social support. Exposure to nonfiction, in contrast, was associated with loneliness, and negatively related to social support. (shrink)

Imagine you are driving up a long and winding road in the mountains. It is nighttime; there are no streetlights or traffic lights, no moon illuminating the sky, and barely shining through a few clouds, the faint, flickering stars above grant you only a fraction of light to see the path ahead. The quiet, serene scene of this moonless, cool night coupled with the sweet scent of pine reminds you of the wonders and beauty of nature. Then, unexpectedly, as you (...) begin to steer around a sharp turn in the lane, flashing red and blue lights of emergency vehicles and police cars temporarily blind you. Once your eyes adjust to this onslaught of light, you see that rescue workers are quickly descending into the.. (shrink)

In "Upheavals of Thought", Martha Nussbaum offers a theory of the emotions. She argues that emotions are best conceived as thoughts, and she argues that emotion-thoughts can make valuable contributions to the moral life. She develops extensive accounts of compassion and erotic love as thoughts that are of great moral import. This paper seeks to elucidate what it means, for Nussbaum, to say that emotions are forms of thought. It raises critical questions about her conception of the structure of emotion, (...) and about her conception of compassion, in particular. Finally, the paper seeks to show how analyzing the structure, as well as the moral value, of the emotions ultimately requires entering the realm of religious ethics. (shrink)

Recent imaging results suggest that individuals automatically share the emotions of others when exposed to their emotions. We question the assumption of the automaticity and propose a contextual approach, suggesting several modulatory factors that might influence empathic brain responses. Contextual appraisal could occur early in emotional cue evaluation, which then might or might not lead to an empathic brain response, or not until after an empathic brain response is automatically elicited. We propose two major roles for empathy; its epistemological role (...) is to provide information about the future actions of other people, and important environmental properties. Its social role is to serve as the origin of the motivation for cooperative and prosocial behavior, as well as help for effective social communication. (shrink)

When we witness a great actor, musician, or sportsperson performing, we share something of their experience. Only recently has it become clear just how this sharing of experience is realised within the human brain. 'Mirrors in the brain' provides an accessible overview of mirror neurons, written by the man who first discovered them.

Alfred Gell puts forward a new anthropological theory of visual art, seen as a form of instrumental action: the making of things as a means of influencing the thoughts and actions of others. He shows how art objects embody complex intentionalities and mediate social agency, and he explores the psychology of patterns and perceptions, art and personhood, the control of knowledge, and the interpretation of meaning, drawing upon a diversity of artistic traditions--European, Indian, Polynesian, Melanesian, and Australian. Art and Agency (...) was completed just before Alfred Gell's death at the age of 51 in January 1997. It embodies the intellectual bravura, lively wit, vigour, and erudition for which he was admired, and will stand as an enduring testament to one of the most gifted anthropologists of his generation. (shrink)

A longstanding problem with the study of empathy is the lack of a clear and agreed upon definition. A trend in the recent literature is to respond to this problem by advancing a broad and all-encompassing view of empathy that applies to myriad processes ranging from mimicry and imitation to high-level perspective taking. I argue that this response takes us in the wrong direction and that what we need in order to better understand empathy is a narrower conceptualization, not a (...) broader one. I propose that empathy be conceptualized as a complex, imaginative process through which an observer simulates another person's situated psychological states while maintaining clear self–other differentiation. I defend my view through an examination of three processes: emotional contagion, a process of self-oriented perspective taking that I call “pseudo-empathy,” and empathy proper. Drawing on recent findings in social neuroscience, I highlight the differences among these processes and discuss conceptual, empirical, and normative reasons for keeping them theoretically and conceptually distinct. (shrink)

Introduction -- Historical essays -- The humanist brain : Alberti, Vitruvius, and Leonardo -- The enlightened brain : Perrault, Laugier, and Le Roy -- The sensational brain : Burke, Price, and Knight -- The transcendental brain : Kant and Schopenhauer -- The animate brain : Schinkel, Bötticher, and Semper -- The empathetic brain : Vischer, Wölfflin, and Göller -- The gestalt brain : the dynamics of the sensory field -- The neurological brain : Hayek, Hebb, and Neutra -- The phenomenal (...) brain : Merleau-Ponty, Rasmussen, and Pallasmaa -- Neuroscience and architecture -- Anatomy : architecture of the brain -- Ambiguity : architecture of vision -- Metaphor : architecture of embodiment -- Hapticity : architecture of the senses -- Epilogue: The architect's brain. (shrink)

The term “uncanny valley” goes back to an article of the Japanese roboticist Masahiro Mori. He put forward the hypothesis that humanlike objects like certain kinds of robots elicit emotional responses similar to real humans proportionate to their degree of human likeness. Yet, if a certain degree of similarity is reached emotional responses become all of a sudden very repulsive. The corresponding recess in the supposed function is called the uncanny valley. The present paper wants to propose a philosophical explanation (...) why we feel empathy with inanimate objects in the first place, and why the uncanny valley occurs when these objects become very humanlike. The core of this explanation—which is informed by the recently developing empirical research on the matter—will be a form of empathy involving a kind of imaginative perception. However, as will be shown, imaginative perception fails in cases of very humanlike objects. (shrink)

Are our efforts to help others ever driven solely by altruistic motivation, or is our ultimate goal always some form of self- benefit (egoistic motivation)? This volume reports the development of an empirically-testable theory of altruistic motivation and a series of experiments designed to test that theory. It sets the issue of egoism versus altruism in its larger historical and philosophical context, and brings diverse experiments into a single, integrated argument. Readers will find that this book provides a solid base (...) of information from which questions surrounding the existence of altruistic motivation can be further investigated. (shrink)

Animism is an important part of many religions - from Shinto, Hinduism and Buddhism to Paganism and a range of indigenous religions - which connects the spiritual and material and holds that humans might not be unique in possessing souls or in being intentional agents. Over recent decades, research into animism has broadened its scope to consider, at one end, the vibrant roles of objects in human lives and, at the other, the possible similarities between humans and other species. "The (...) Handbook of Contemporary Animism" brings together an international team of scholars to examine the full range of animist worldviews and practices. The Handbook opens with an examination of recent approaches to animism. This is followed by evaluations of ethnographic, cognitive, literary, performative, and material culture approaches as well as advances in activist and indigenous thinking about animism. "The Handbook of Contemporary Animism" invites readers to think creatively and critically about the world around us and will be invaluable to students and scholars of Religion, Sociology and Anthropology. (shrink)

Recent discoveries in neuroscience, among which that of mirror neurons,have strongly influenced the debate on spatial cognition, action, emotion andempathy, all aspects that in recent years have been deeply reconsidered within film studies. This article focuses on the role embodied simulation theory—triggered by the discovery of MNs—plays in film experience. ES has beenproposed to constitute a basic functional mechanism of humans’ brain.Because of a shared bodily representational format, we map the actions of others onto our own motor representations, as well (...) as others’ emotions and sensations onto our own viscero-motor and sensory-motor representations. We wonder how relevant this mechanism is in our film experience reconsidering both classical and recent theories that to some extent have foreshadowed ES, and testing our hypotheses through the stylistic analysis of two sequences from Hitchcock’s Notorious and Antonioni’s Il grido. (shrink)

Recent discoveries in neuroscience, among which that of mirror neurons ,have strongly influenced the debate on spatial cognition, action, emotion andempathy, all aspects that in recent years have been deeply reconsidered within film studies. This article focuses on the role embodied simulation theory—triggered by the discovery of MNs—plays in film experience. ES has beenproposed to constitute a basic functional mechanism of humans’ brain.Because of a shared bodily representational format, we map the actions of others onto our own motor representations, as (...) well as others’ emotions and sensations onto our own viscero-motor and sensory-motor representations. We wonder how relevant this mechanism is in our film experience reconsidering both classical and recent theories that to some extent have foreshadowed ES, and testing our hypotheses through the stylistic analysis of two sequences from Hitchcock’s Notorious and Antonioni’s Il grido. (shrink)

In what follows, I wish to discuss empathy and sympathy’s relevance to ethics, taking recent findings into account. In particular, I want to consider sympathy’s relation to the idea of a person’s good or well-being. It is obvious and uncontroversial that sympathetic concern for a person involves some concern for her good and some desire to promote it. What I want to suggest is that the concept of a person’s good or well-being is one we have because we are capable (...) of care and sympathetic concern. Well-being is normative for care in the sense that it is intrinsic to the very idea of a person’s good that threats to it are what it makes sense to be concerned about for that person for her sake. (shrink)

E-mail and Ethics explores the ways in which interpersonal relations are affected by being conducted via computer-mediated communication. The advent of this channel of communication has prompted a renewed investigation into the nature and value of forms of human association. Rooksby addresses these concerns in her rigorous investigation of the benefits, limitations and implications of computer-mediated communication. With its depth of research and clarity of style, this book will be of essential interest to philosophers, scholars of communication, cultural and media (...) studies, and all those interested in the importance and implications of computer-mediated communication. (shrink)

The inconsistent definition of empathy has had a negative impact on both research and practice. The aim of this article is to review and critically appraise a range of definitions of empathy and, through considered analysis, to develop a new conceptualisation. From the examination of 43 discrete definitions, 8 themes relating to the nature of empathy emerged: “distinguishing empathy from other concepts”; “cognitive or affective?”; “congruent or incongruent?”; “subject to other stimuli?”; “self/other distinction or merging?”; “trait or state influences?”; “has (...) a behavioural outcome?”; and “automatic or controlled?” The relevance and validity of each theme is assessed and a new conceptualisation of empathy is offered. The benefits of employing a more consistent and complete definition of empathy are discussed. (shrink)

There has been a good deal of interest in moral sentimentalism in recent years, but most of that interest has been exclusively either in meta-ethical questions or in normative issues about caring or benevolence. The present book seeks to offer a systematically unified picture of both sorts of topics by making central use of the notion of empathy. The hope is that such an approach will give sentimentalism a "second chance" against the ethical rationalism that has typically dominated the landscape (...) of ethical theory. (shrink)

There has been a good deal of interest in moral sentimentalism in recent years, but most of that interest has been exclusively either in meta-ethical questions or in normative issues about caring or benevolence. This book presents a systematic revival of moral sentimentalism across both normative and meta-ethical issues.