Analyzes the relationship of power, bureaucracy, and change in modern society.

Two methodological remarks are needed at the outset. First, while I am going to treat the redemptive paradigm in full, I will — for obvious reasons of length — analyze the democratic paradigm only insofar as it is related to the alternative under discussion. Second, under the heading of “redemptive paradigm in radical politics,” I will address both left and right political theories. It is, however, only to the degree that conservatives embrace the redemptive paradigm that I speak of “conservative (...) political radicalism.” Redemptive politics was born at the end of the 18th century. It entered the theater mundi in the person of the hero whom Hegel appropriately called Weltgeist zu Pferde and on whom Weber modeled his principle of “charismatic legitimation.”. (shrink)

In this book, one of Italy's most important and original contemporary philosophers considers the status of art in the modern era. He takes seriously Hegel's claim that art has exhausted its spiritual vocation. He argues, however, that Hegel by no means proclaimed the 'death of art' (as many still imagine) but proclaimed rather the indefinite continuation of art in a 'self-annulling' mode. With astonishing breadth and originality, he probes the meaning, aesthetics, and historical consequences of that self-annulment. He argues that (...) the birth of modern aesthetics is the result of a series of schisms - such as between artist and spectator, genius and taste, and form and matter - that are manifestations of the deeper, self-negating yet self-perpetuating movement of irony. He offers an imaginative reinterpretation of the history of aesthetic theory from Kant to Heidegger. The final chapter offers a dazzling interpretation of Dürer's Melancholia. (shrink)

In this major work, Blumenberg takes issue with Karl Lowith's well-known thesis that the idea of progress is a secularized version of Christian eschatology, which promises a dramatic intervention that will consummate the history of the ...

In this groundbreaking book David Roberts sets out to demonstrate the centrality of the total work of art to European modernism since the French Revolution.