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  1. Technics and time.Bernard Stiegler - 1998 - Stanford, Calif.: Stanford University Press.
    At the beginning of Western philosophy, Aristotle contrasted made objects, which did not have the source of their own production within themselves, with beings formed by nature. This distinction persisted until Marx, who conceived of the possibility of an evolution of the technical object. This philosophy developed while industrialisation was in the process of overthrowing the contemporary order of social organisation, which highlighted technology's new place in philosophical enquiry. Bernard Stiegler goes back to the beginning of Western philosophy and revises (...)
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  • Multitude: War and Democracy in the Age of Empire.Michael Hardt & Antonio Negri - 2004 - Science and Society 71 (2):259-262.
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  • Music to the inner ears: Exploring individual differences in musical imagery.Roger E. Beaty, Chris J. Burgin, Emily C. Nusbaum, Thomas R. Kwapil, Donald A. Hodges & Paul J. Silvia - 2013 - Consciousness and Cognition 22 (4):1163-1173.
    In two studies, we explored the frequency and phenomenology of musical imagery. Study 1 used retrospective reports of musical imagery to assess the contribution of individual differences to imagery characteristics. Study 2 used an experience sampling design to assess the phenomenology of musical imagery over the course of one week in a sample of musicians and non-musicians. Both studies found episodes of musical imagery to be common and positive: people rarely wanted such experiences to end and often heard music that (...)
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  • Feeling and Form. By Susanne K. langer, Visiting Professor at the University of Washington. (Routledge and Kegan Paul. Pp. xvi + 431. With 6 plates. Price 28s.). [REVIEW]E. F. Carritt - 1955 - Philosophy 30 (112):75-.
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  • The Illusion of the End.Michel Valentin, Jean Baudrillard & Chris Turner - 1996 - Substance 25 (2):128.
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