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  1. Style and Idea.Arnold Schoenberg & Dika Newlin - 1951 - Journal of Aesthetics and Art Criticism 9 (3):275-276.
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  • Language, Music, and Mind.Stephen Davies - 1993 - Journal of Aesthetics and Art Criticism 52 (3):360-362.
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  • The representation of harmonic structure in music: Hierarchies of stability as a function of context.J. Bharucha - 1983 - Cognition 13 (1):63-102.
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  • The Meaning of Music.Diana Raffman - 1991 - Midwest Studies in Philosophy 16 (1):360-377.
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  • (1 other version)The principles of art.R. G. Collingwood - 1938 - New York,: Oxford University Press.
    This treatise on aesthetics criticizes various psychological theories of art, offers new theories and interpretations, and draws important inferences concerning ...
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  • (1 other version)Languages of Art: An Approach to a Theory of Symbols.Nelson Goodman - 1968 - Indianapolis,: Bobbs-Merrill.
    . . . Unlike Dewey, he has provided detailed incisive argumentation, and has shown just where the dogmas and dualisms break down." -- Richard Rorty, The Yale Review.
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  • The Aesthetics of Music.Roger Scruton - 1997 - Oxford, GB: Oxford University Press.
    What is music, what is its value, and what does it mean? In this stimulating volume, Roger Scruton offers a comprehensive account of the nature and significance of music from the perspective of modern philosophy. The study begins with the metaphysics of sound. Scruton distinguishes sound from tone; analyzes rhythm, melody, and harmony; and explores the various dimensions of musical organization and musical meaning. Taking on various fashionable theories in the philosophy and theory of music, he presents a compelling case (...)
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  • Music alone: philosophical reflections on the purely musical experience.Peter Kivy - 1990 - Ithaca: Cornell University Press.
    In the Essai sur Vorigine des langues (), Jean-Jacques Rousseau reports on an eighteenth-century curiosity that has, from time to time, fascinated musicians ...
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  • Categories of Art.Kendall L. Walton - 1970 - Philosophical Review 79 (3):334-367.
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