- On the Ancient Idea that Music Shapes Character.James Harold - 2016 - Dao: A Journal of Comparative Philosophy 15 (3):341-354.details
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Improvisation in the Arts.Aili Bresnahan - 2015 - Philosophy Compass 10 (9):573-582.details
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The Varieties of Musical Experience.Brandon Polite - 2014 - Pragmatism Today 5 (2):93-100.details
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The re-enchantment of the world: McDowell, Scruton and Heidegger.George Reynolds - unknowndetails
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Adorno, Heidegger and the Meaning of Music.Andrew Bowie - 1999 - Thesis Eleven 56 (1):1-23.details
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Musical Ecologies in Video Games.Michiel Kamp - 2014 - Philosophy and Technology 27 (2):235-249.details
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What We Hear.Jason Leddington - 2013 - In Richard Brown (ed.), Consciousness Inside and Out: Phenomenology, Neuroscience, and the Nature of Experience. Dordrecht: Springer Studies in Brain and Mind.details
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What are auditory objects?Matthew Nudds - 2007 - Review of Philosophy and Psychology 1 (1):105-122.details
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Sonic art and the nature of sonic events.David Roden - 2010 - Review of Philosophy and Psychology 1 (1):141-156.details
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Doing things with music.Joel W. Krueger - 2011 - Phenomenology and the Cognitive Sciences 10 (1):1-22.details
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Audition.Casey O'Callaghan - 2009 - In Sarah Robins, John Symons & Paco Calvo (eds.), The Routledge Companion to Philosophy of Psychology. New York, NY: Routledge.details
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The philosophy of music.Andrew Kania - 2008 - Stanford Encyclopedia of Philosophy.details
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Is twelve-tone music artistically defective?Diana Raffman - 2003 - Midwest Studies in Philosophy 27 (1):69–87.details
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Consistency, understanding and truth in educational research.Andrew Davis - 2006 - Journal of Philosophy of Education 40 (4):487–500.details
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Merging philosophical traditions for a new way to research music: On the ekphrastic description of musical experience.Andrzej Krawiec - 2024 - British Journal of Aesthetics 64 (1):107-125.details
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Schopenhauerian Musical Formalism: Meaningfulness without Meaning.Chenyu Bu - 2023 - Journal of Comparative Literature and Aesthetics 46 (4):70-79.details
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Hanslick's Formalism as the Beginning of Contemporary Aesthetics of Music.Sanja Sreckovic - 2021 - Kritika 2 (2):299-314.details
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The Music Sound.Sfetcu Nicolae - 2006 - Nicolae Sfetcu.details
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The morality of musical imitation in Jean-Jacques Rousseau.Guy Dammann - 2005 - Dissertation, King's College Londondetails
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Cross-Domain Descriptions: The Sensory and the Psychological.Michelle Liu - 2023 - Philosophical Quarterly 73 (4):950-964.details
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Lost in musical translation: A cross-cultural study of musical grammar and its relation to affective expression in two musical idioms between Chennai and Geneva.Constant Bonard - 2018 - In Florian Cova & Sébastien Réhault (eds.), Advances in Experimental Philosophy of Aesthetics. London: Bloomsbury Academic.details
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Ordinary Expression and Musical Expressiveness.María José Alcaraz León - 2014 - Aisthesis. Practiche, Linguaggi E Saperi Dell’Estetico 1 (6):267-284.details
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Hearing Waves: A Philosophy of Sound and Auditory Perception.Calvin K. W. Kwok - 2020 - Dissertation, The University of Hong Kongdetails
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Awful noises: evaluativism and the affective phenomenology of unpleasant auditory experience.Tom Roberts - 2020 - Philosophical Studies 178 (7):2133-2150.details
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The Aesthetics of Imperfection Reconceived: Improvisations, Compositions, and Mistakes.Andy Hamilton - 2020 - Journal of Aesthetics and Art Criticism 78 (3):289-302.details
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Sonic Pictures.Jason P. Leddington - 2021 - Journal of Aesthetics and Art Criticism 79 (3):354-365.details
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Rhythm and Movement: The Conceptual Interdependence of Music, Dance, and Poetry.Andy Hamilton - 2019 - Midwest Studies in Philosophy 44 (1):161-182.details
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Explanation and Reduction in the Cognitive Neuroscience Approach to the Musical Meaning Problem.Tomasz Szubart - 2019 - In Andrej Démuth (ed.), The Cognitive Aspects of Aesthetic Experience – Selected Problems. pp. 39-50.details
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Musical Profundity: Wittgenstein's Paradigm Shift.Eran Guter - 2019 - Apeiron. Estudios de Filosofia 10:41-58.details
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Managing Authenticity: Mission Impossible?Nick Wilson - 2014 - Journal of Critical Realism 13 (3):286-303.details
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Stephen Davies on the Issue of Literalism.Matteo Ravasio - 2017 - Debates in Aesthetics 13 (1).details
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Prelude to a Theory of Musical Representation.Brandon Polite - 2017 - Revista Música 17 (1):89-108.details
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Le competenze e le disfunzioni genitoriali. Un quadro introduttivo dei concetti sociologici sensibilizzanti.Luca Corchia - 2016 - The Lab’s Quarterly 17 (3):143-178.details
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Why Care about Emotions in Music.Gilead Bar-Elli - 2018 - Philosophia 46 (3):633-646.details
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Music, Nature and Ineffability.David E. Cooper - 2016 - Philosophia 44 (4):1257-1266.details
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Consciousness and Mental Qualities for Auditory Sensations.Adriana Renero - 2014 - Journal of Consciousness Studies 21 (9-10):179-204.details
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Art as Microcosm: The Real Meaning of the Objectivist Concept of Art.Roger E. Bissell - 2004 - Journal of Ayn Rand Studies 5 (2):307-363.details
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Not all perceptual experience is modality specific.Casey O'Callaghan - 2014 - In Dustin Stokes, Mohan Matthen & Stephen Biggs (eds.), Perception and Its Modalities. New York, NY: Oxford University Press. pp. 133-165.details
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Vague Music.Roy Sorensen - 2011 - Philosophy 86 (2):231-248.details
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What is distinctive about the senses?Louise Fiona Richardson - unknowndetails
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History of the Ontology of Art.Paisley Nathan Livingston - 2011 - Stanford Encyclopedia of Philosophy.details
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Roger Scruton on “Why Beauty is not a Luxury but a Necessity for a Life Worth Living” Soeterbeeck Instituut, June 12, 2009.Rob van Gerwen - unknowndetails
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The crisis of musical aesthetics in the 21st century.Gianmario Borio - 2009 - Topoi 28 (2):109-117.details
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Introduction: The Philosophy of Sounds and Auditory Perception.Casey O'Callaghan - 2009 - In Matthew Nudds & Casey O'Callaghan (eds.), Sounds and Perception: New Philosophical Essays. Oxford, GB: Oxford University Press UK.details
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Expressive perception as projective imagining.Paul Noordhof - 2008 - Mind and Language 23 (3):329–358.details
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Are Sounds Events? Materiality in Auditory Perception.Elia Gonnella - 2023 - Phenomenology and Mind 25 (25):226-240.details
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The Overlooked Tradition of “Personal Music” and Its Place in the Evolution of Music.Aleksey Nikolsky, Eduard Alekseyev, Ivan Alekseev & Varvara Dyakonova - 2020 - Frontiers in Psychology 10:469843.details
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The Power of the Ordinary Subversive in Jackie Kay's Trumpet.Tracy Hargreaves - 2003 - Feminist Review 74 (1):2-16.details
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Adorno’s Philosophy of New Music: A Thing of the Past?Kalle Puolakka - 2018 - Journal of Aesthetics and Phenomenology 5 (1):67-78.details
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La critica di Adorno alla popular music.Luca Corchia - 2017 - The Lab's Quarterly 18 (4):31-56.details
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