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Audition.Casey O'Callaghan - 2009 - In Sarah Robins, John Francis Symons & Paco Calvo (eds.), The Routledge Companion to Philosophy of Psychology. New York, NY: Routledge.details
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Is twelve-tone music artistically defective?Diana Raffman - 2003 - Midwest Studies in Philosophy 27 (1):69–87.details
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Spatial aspects of olfactory experience.Solveig Aasen - 2019 - Canadian Journal of Philosophy 49 (8):1041-1061.details
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Lost in musical translation: A cross-cultural study of musical grammar and its relation to affective expression in two musical idioms between Chennai and Geneva.Constant Bonard - 2018 - In Réhault Sébastien & Cova Florian (eds.), Advances in Experimental Philosophy of Aesthetics. Bloomsbury.details
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Are Sounds Events? Materiality in Auditory Perception.Elia Gonnella - 2023 - Phenomenology and Mind 25 (25):226-240.details
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Skipping the tracks. The experience of musical improvisation online.Roberto Zanetti - 2016 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 9 (1):71-86.details
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II—Moral Dependence and Natural Properties.Nick Zangwill - 2017 - Aristotelian Society Supplementary Volume 91 (1):221-243.details
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Managing Authenticity: Mission Impossible?Nick Wilson - 2014 - Journal of Critical Realism 13 (3):286-303.details
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Can We Hear Silence?Daniela Šterbáková - 2020 - Philosophia 48 (1):33-53.details
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Vague Music.Roy Sorensen - 2011 - Philosophy 86 (2):231-248.details
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Plato: His Precursors, His Educational Philosophy, and His Legacy.Yaroslav Senyshyn - 2008 - Paideusis: Journal of the Canadian Philosophy of Education Society 17 (2):91-98.details
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Gaining Perspectives on Our Lives: Moods and Aesthetic Experience.Susanne Schmetkamp - 2017 - Philosophia 45 (4):1681-1695.details
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Sonic art and the nature of sonic events.David Roden - 2010 - Review of Philosophy and Psychology 1 (1):141-156.details
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Awful noises: evaluativism and the affective phenomenology of unpleasant auditory experience.Tom Roberts - 2020 - Philosophical Studies 178 (7):2133-2150.details
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Adorno’s Philosophy of New Music: A Thing of the Past?Kalle Puolakka - 2018 - Journal of Aesthetics and Phenomenology 5 (1):67-78.details
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Camus on the Value of Art.Thomas Pölzler - 2020 - Philosophia 48 (1):365-376.details
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Dignity and the Process of Social Innovation: Lessons from Social Entrepreneurship and Transformative Services for Humanistic Management.Michael Pirson, Mario Vázquez-Maguirre, Canan Corus, Erica Steckler & Andrew Wicks - 2019 - Humanistic Management Journal 4 (2):125-153.details
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XIII—Hearing Properties, Effects or Parts?Casey O'callaghan - 2011 - Proceedings of the Aristotelian Society 111 (3pt3):375-405.details
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What are auditory objects?Matthew Nudds - 2007 - Review of Philosophy and Psychology 1 (1):105-122.details
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Expressive perception as projective imagining.Paul Noordhof - 2008 - Mind and Language 23 (3):329–358.details
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The Overlooked Tradition of “Personal Music” and Its Place in the Evolution of Music.Aleksey Nikolsky, Eduard Alekseyev, Ivan Alekseev & Varvara Dyakonova - 2020 - Frontiers in Psychology 10:469843.details
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Derek Matravers.Derek Matravers & Jerrold Levinson - 2005 - Aristotelian Society Supplementary Volume 79 (1):191–210.details
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Cross-Domain Descriptions: The Sensory and the Psychological.Michelle Liu - 2023 - Philosophical Quarterly 73 (4):950-964.details
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The CODA Model: A Review and Skeptical Extension of the Constructionist Model of Emotional Episodes Induced by Music.Thomas M. Lennie & Tuomas Eerola - 2022 - Frontiers in Psychology 13.details
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Sonic Pictures.Jason P. Leddington - 2021 - Journal of Aesthetics and Art Criticism 79 (3):354-365.details
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Doing things with music.Joel W. Krueger - 2011 - Phenomenology and the Cognitive Sciences 10 (1):1-22.details
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Stimmung: From Mood to Atmosphere.Angelika Krebs - 2017 - Philosophia 45 (4):1419-1436.details
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Merging philosophical traditions for a new way to research music: On the ekphrastic description of musical experience.Andrzej Krawiec - 2024 - British Journal of Aesthetics 64 (1):107-125.details
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Musical Ecologies in Video Games.Michiel Kamp - 2014 - Philosophy and Technology 27 (2):235-249.details
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The Power of the Ordinary Subversive in Jackie Kay's Trumpet.Tracy Hargreaves - 2003 - Feminist Review 74 (1):2-16.details
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On the Ancient Idea that Music Shapes Character.James Harold - 2016 - Dao: A Journal of Comparative Philosophy 15 (3):341-354.details
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The Aesthetics of Imperfection Reconceived: Improvisations, Compositions, and Mistakes.Andy Hamilton - 2020 - Journal of Aesthetics and Art Criticism 78 (3):289-302.details
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Rhythm and Movement: The Conceptual Interdependence of Music, Dance, and Poetry.Andy Hamilton - 2019 - Midwest Studies in Philosophy 44 (1):161-182.details
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II—Rhythm and Stasis: A Major and Almost Entirely Neglected Philosophical Problem.Andy Hamilton - 2011 - Proceedings of the Aristotelian Society 111 (1pt1):25-42.details
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Is There an Aesthetics of Political Song?Vítor Guerreiro - 2021 - Disputatio 13 (62):299-328.details
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Branding the Role and Value of Intercollegiate Athletics.Randolph Feezell - 2015 - Journal of the Philosophy of Sport 42 (2):185-207.details
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Performing Works of Music Authentically.Julian Dodd - 2012 - European Journal of Philosophy 23 (3):485-508.details
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Perceiving melodies and perceiving musical colors.Stephen Davies - 2010 - Review of Philosophy and Psychology 1 (1):19-39.details
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Is it really possible to test all educationally significant achievements with high levels of reliability?Andrew Davis - 2015 - Ethics and Education 10 (3):372-379.details
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How far can we aspire to consistency when assessing learning?Andrew Davis - 2013 - Ethics and Education 8 (3):217-228.details
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Consistency, understanding and truth in educational research.Andrew Davis - 2006 - Journal of Philosophy of Education 40 (4):487–500.details
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Music, Nature and Ineffability.David E. Cooper - 2016 - Philosophia 44 (4):1257-1266.details
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Aesthetics and the Problem of Evil.Charles Nussbaum - 2003 - Metaphilosophy 34 (3):250-283.details
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Communication and the musical pyramid: On the nature and function of musical communities.Mark J. Butler - 2001 - Semiotica 2001 (133).details
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Improvisation in the Arts.Aili Bresnahan - 2015 - Philosophy Compass 10 (9):573-582.details
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Adorno, Heidegger and the Meaning of Music.Andrew Bowie - 1999 - Thesis Eleven 56 (1):1-23.details
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The crisis of musical aesthetics in the 21st century.Gianmario Borio - 2009 - Topoi 28 (2):109-117.details
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The Recognition of Emotions in Music and Landscapes: Extending Contour Theory.Marta Benenti & Cristina Meini - 2018 - Philosophia 46 (3):647-664.details
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Why Care about Emotions in Music.Gilead Bar-Elli - 2018 - Philosophia 46 (3):633-646.details
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