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  1. (1 other version)The Field of Cultural Production.Pierre Bourdieu (ed.) - 1993 - Columbia University Press.
    During the last two decades, sociologist Pierre Bourdieu has become a dominant force in cultural activity ranging from taste in music and art to choices in food and lifestyles. _The Field of Cultural Production_ brings together Bourdieu's major essays on art and literature and provides the first introduction to Bourdieu's writings and theory of a cultural field that situates artistic works within the social conditions of their production, circulation, and consumption. Bourdieu develops a highly original approach to the study of (...)
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  • Cosmopolitans and Locals in World Culture.Ulf Hannerz - 1990 - Theory, Culture and Society 7 (2-3):237-251.
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  • Recognition without Ethics?Nancy Fraser - 2001 - Theory, Culture and Society 18 (2-3):21-42.
    In the course of the last 30 years, feminist theories of gender have shifted from quasi-Marxist, labor-centered conceptions to putatively ‘post-Marxist’ culture-and identity-based conceptions. Reflecting a broader political move from redistribution to recognition, this shift has been double edged. On the one hand, it has broadened feminist politics to encompass legitimate issues of representation, identity and difference. Yet, in the context of an ascendant neoliberalism, feminist struggles for recognition may be serving less to enrich struggles for redistribution than to displace (...)
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  • Rock Aesthetics and Musics of the World.Motti Regev - 1997 - Theory, Culture and Society 14 (3):125-142.
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  • (1 other version)Ordinary Cosmopolitanisms: Strategies for Bridging Racial Boundaries among Working-Class Men.Michèle Lamont & Sada Aksartova - 2002 - Theory, Culture and Society 19 (4):1-25.
    In contrast to most literature on cosmopolitanism, which focuses on its elite forms, this article analyzes how ordinary people bridge racial boundaries in everyday life. It is based on interviews with 150 non-college-educated white and black workers in the United States and white and North African workers in France. The comparison of the four groups shows how differences in cultural repertoires across national context and structural location shape distinct anti-racist rhetorics. Market-based arguments are salient among American workers, while arguments based (...)
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  • The Great War of Recognition.Zygmunt Bauman - 2001 - Theory, Culture and Society 18 (2-3):137-150.
    With the removal of the ‘final state’ vision from the perception of historical process recasts the coexistence of differences as a perpetual condition of modernity. Given that ‘difference’ masks all too often inequality, perpetuity of the ‘wars of recognition’ is therefore a likely prospect, since the instability of all extant and emerging power settings triggers reconnaissance-through-battle. The politics of recognition, though, tends to be viewed and practiced, wrongly, as an alternative rather than complement of distributive justice, thereby inflaming rather than (...)
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  • (1 other version)The Field of Cultural Production: Essays on Art and Literature.Pierre Bourdieu (ed.) - 1993 - Cambridge University Press.
    Replete with madwomen, murderers, musicians, and mystics, "Lonely Woman" dramatically interweaves the lives of five women. It remains Takako Takahashi's most sustained and multifaceted fictional realization of her concept of "loneliness.".
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