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  1. Chorology: On Beginning in Plato's Timaeus.John Sallis - 1999 - Bloomington: Indiana University Press.
    "This excellent work... deserves the serious consideration of all who are interested in contemporary philosophy as well as those who concern themselves with ancient philosophy, especially Plato." —Review of Metaphysics In Chorology, John Sallis takes up one of the most enigmatic discourses in the history of philosophy. Plato's discourse on the chora—the chorology—forms the pivotal moment in the Timaeus. The implications of the chorology are momentous and communicate with many of the most decisive issues in contemporary philosophical discussions.
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  • La musique dans l'oeuvre de Platon.Irving Block - 1963 - Philosophy and Phenomenological Research 23 (3):465-465.
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  • Homo Ridens. Towards a Semiotic Theory of Humour and Laughter.G. B. Milner - 1972 - Semiotica 5 (1):1-30.
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  • A Communion of Subjects: Animals in Religion, Science, and Ethics.Paul Waldau (ed.) - 2006 - Columbia University Press.
    _A Communion of Subjects_ is the first comparative and interdisciplinary study of the conceptualization of animals in world religions. Scholars from a wide range of disciplines, including Thomas Berry (cultural history), Wendy Doniger (study of myth), Elizabeth Lawrence (veterinary medicine, ritual studies), Marc Bekoff (cognitive ethology), Marc Hauser (behavioral science), Steven Wise (animals and law), Peter Singer (animals and ethics), and Jane Goodall (primatology) consider how major religious traditions have incorporated animals into their belief systems, myths, rituals, and art. Their (...)
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  • A Communion of Subjects: Animals in Religion, Science, and Ethics.Paul Waldau (ed.) - 2006 - Cambridge University Press.
    _A Communion of Subjects_ is the first comparative and interdisciplinary study of the conceptualization of animals in world religions. Scholars from a wide range of disciplines, including Thomas Berry, Wendy Doniger, Elizabeth Lawrence, Marc Bekoff, Marc Hauser, Steven Wise, Peter Singer, and Jane Goodall consider how major religious traditions have incorporated animals into their belief systems, myths, rituals, and art. Their findings offer profound insights into humans' relationships with animals and a deeper understanding of the social and ecological web in (...)
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  • La musique dans l'œuvre de Platon.Evanghelos A. Moutsopoulos - 2016 - PUF.
    Dans le Phédon, Platon déclare que la philosophie est la musique suprême. C’est donc qu’à ses yeux l’art des sons possède des affinités avec la dialectique. De même, dans le Phèdre, le musicien est rapproché du philosophe, compte tenu de la ressemblance de leurs âmes, ce qui renforce l’hypothèse a priori que Platon conçoit des liens entre ces deux disciplines. Enfin, dans le neuvième livre de la République, il est questions des efforts continus de l’homme raisonnable pour maintenir en lui (...)
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  • Divine-Human Relations in the Aesopic Corpus.Teresa Morgan - 2013 - Journal of Ancient History 1 (1):3-26.
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  • Linnaeus as a second Adam? Taxonomy and the religious vocation.Peter Harrison - 2009 - Zygon 44 (4):879-893.
    Swedish naturalist Carl von Linné (1707–1778) became known during his lifetime as a "second Adam" because of his taxonomic endeavors. The significance of this epithet was that in Genesis Adam was reported to have named the beasts—an episode that was usually interpreted to mean that Adam possessed a scientific knowledge of nature and a perfect taxonomy. Linnaeus's soubriquet exemplifies the way in which the Genesis narratives of creation were used in the early modern period to give religious legitimacy to scientific (...)
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  • Les Mote et les Choses.Michel Foucault - 1969 - Revue de Métaphysique et de Morale 74 (2):250-251.
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  • Artificio e natura.Gillo Dorfles - 1970 - Journal of Aesthetics and Art Criticism 29 (1):138-139.
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  • Theorie der Unbegrifflichkeit.Hans Blumenberg - 2007 - Frankfurt am Main: Suhrkamp. Edited by Anselm Haverkamp.
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