It seems odd to say that photography is not a mode of representation. For a photograph has in common with a painting the property by which the painting represents the world, the property of sharing, in some sense, the appearance of its subject. Indeed, it is sometimes thought that since a photograph more effectively shares the appearance of its subject than a typical painting, photography is a better mode of representation. Photography might even be thought of as having replaced painting (...) as a mode of visual representation. Painters have felt that if the aim of painting is really to reproduce the appearances of things, then painting must give way to whatever means are available to reproduce an appearance more accurately. It has therefore been said that painting aims to record the appearances of things only so as to capture the experience of observing them and that the accurate copying of appearances will normally be at variance with this aim. Here we have the seeds of expressionism and the origin of the view that painting is somehow purer when it is abstract and closer to its essence as an art. Roger Scruton is the author of Art and Imagination, The Aesthetics of Architecture, The Meaning of Conservatism, From Descartes to Wittgenstein, and The Politics of Culture and Other Essays. (shrink)

_Possible Worlds_ presents the first up-to-date and comprehensive examination of one of the most important topics in metaphysics. John Divers considers the prevalent philosophical positions, including realism, antirealism and the work of important writers on possible worlds such as David Lewis, evaluating them in detail.

In this paper I explore the relationship between the idea of possible worlds and the notion of the beauty of God. I argue that there is a clear contradiction between the idea that God is utterly and completely beautiful on the one hand and the notion that He contains within himself all possible worlds on the other. Since some of the possible worlds residing in the mind of the deity are ugly, their presence seems to compromise God's complete and utter (...) beauty. (shrink)

This text offers a reflection on the nature and significance of narrative in human communication.

In this paper I defend the Anselmian conception of God as a necessary being who is necessarily omnipotent, omniscient, and perfectly good against arguments that attempt to show that we have good reason to think there are evil possible worlds in which either God does not exist or in which He lacks at least one of these attributes. I argue that the critics of Anselmianism have failed to provide any compelling reason to think such worlds are possible. The best the (...) critic of Anselmianism can achieve is a stand-off of competing modal intuitions. I conclude by suggesting some ways of resolving such a stand-off in favor of the Anselmian view. (shrink)

The long debate -- Aesthetics and ethics : basic concepts -- A conceptual map -- Autonomism -- Artistic and critical practices -- Questions of character -- The cognitive argument : the epistemic claim -- The cognitive argument : the aesthetic claim -- Emotion and imagination -- The merited response argument.

This paper examines the relationship between the classical theistic conception of God and modal realism. I suggest that realism about possible worlds has unwelcome consequences for that conception. First, that modal realism entails the necessity of divine existence eludes explanation in a way congenial to a commitment to both modal realism and classical theism. Second, divine knowledge is dependent on worlds independent of the creative role and action of God, thereby suggesting a limitation on the nature of divine knowledge and (...) on the nature of God's creative role. Third, modal realism indicates the existence of real, albeit non-actual, worlds of appalling evil threatening the classical conception of divine omnipotence and benevolence. (Published Online July 10 2006). (shrink)

Using four principles common to several theories about possible worlds, It is argued that the necessary existence of a divine being that is essentially omnipotent, Omniscient, And morally perfect is impossible. The central argument employs the premise that there are possible worlds that any divine being ought not to actualize (because of their evil contents). This premise is then defended on the grounds that the same sort of justification that we give for other modal statements that we accept can be (...) given for modal statements which entail the premise. It is concluded that we must reject the guiding principle that gives rise to the traditional theistic concept, Viz., That if a property p of an individual is an excellence of it and hence its having p is good, Then its having p necessarily or essentially is better. (shrink)

The capacity to represent things to ourselves as possible plays a crucial role both in everyday thinking and in philosophical reasoning; this volume offers much-needed philosophical illumination of conceivability, possibility, and the relations between them.

The paper begins with a clarification of the notions of intuition (and, in particular, modal intuition), modal error, conceivability, metaphysical possibility, and epistemic possibility. It is argued that two-dimensionalism is the wrong framework for modal epistemology and that a certain nonreductionist approach to the theory of concepts and propositions is required instead. Finally, there is an examination of moderate rationalism’s impact on modal arguments in the philosophy of mind -- for example, Yablo’s disembodiment argument and Chalmers’s zombie argument. A less (...) vulnerable style of modal argument is defended, which nevertheless wins the same anti-materialist conclusions sought by these other arguments. (shrink)

Paul Sheehy has argued that the modal realist cannot satisfactorily allow for the necessity of God's existence. In this short paper I show that she can, and that Sheehy only sees a problem because he has failed to appreciate all the resources available to the modal realist. God may be an abstract existent outside spacetime or He may not be: but either way, there is no problem for the modal realist to admit that He exists at every concrete possible world.

Many important metaphysical arguments validly deduce an actuality from a possibility. For example: Because it is possible for me to exist in the absence of anything material, I am not my body. I argue that there is no reason to suppose that our capacity for modal judgment is equal to the task of determining whether the "possibility" premise of any of these arguments is true. I connect this thesis with Stephen Yablo's recent work on the epistemology of modal statements.

Ross Cameron has argued that the modal realism of David Lewis furnishes the theist with the resources to explain divine necessity. Cameron is successful in identifying two theistic strategies, but neither is attractive in light of a commitment to modal realism. The first theistic strategy is to treat God as an abstract entity in the same way that the modal realist treats pure sets. This is undermotivated in light of the nominalistic spirit of modal realism. The second strategy is to (...) regard God as enjoying trans-world identity because the divine nature can possess no accidental intrinsic properties. This approach raises a problem of how one is to understand the notion of actuality. (shrink)

Prize: One hundred dollars to the first person who identifies a picture of a logical impossibility. I may be willing to pay more for the painting itself. This finder’s fee is simply for pointing out the picture. Let me explain more precisely what I seek.