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Processual media theory

Symploke 11 (1):104-131 (2003)

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  1. Art as a social system.Niklas Luhmann - 2000 - Stanford, Calif.: Stanford University Press.
    Germany's leading contemporary social theorist provides a definitive analysis of art as a social and perceptual system which not only represents an important intellectual step in discussions of art but also an important advance in systems theory. Luhmann insists on the radical incommensurability between psychic systems (perception) and social systems (communication). Art is a special kind of communication that operates at the boundary between the social system and consciousness in ways that profoundly irritate communication while remaining strictly internal to the (...)
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  • The inhuman: reflections on time.Jean-François Lyotard - 1991 - Stanford, Calif.: Stanford University Press.
    "In a wide-ranging discussion the author examines the philosophy of Kant, Heidegger, Adorno and Derrida and looks at the works of modernist and postmodernist artists such as Cezanne, Debussy and Boulez. Lyotard addresses issues such as time and memory, the sublime and the avant-garde, and the relationship between aesthetics and politics. Throughout his discussion he considers the close but problematic links between modernity, progress and humanity, and the transition to postmodernity. Lyotard claims that it is the task of literature, philosophy (...)
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  • Order out of chaos: man's new dialogue with nature.I. Prigogine - 1984 - Boulder, CO: Random House. Edited by Isabelle Stengers & I. Prigogine.
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  • Parables for the Virtual: Movement, Affect, Sensation.Brian Massumi - 2002 - Durham: Duke University Press.
    Although the body has been the focus of much contemporary cultural theory, the models that are typically applied neglect the most salient characteristics of embodied existence—movement, affect, and sensation—in favor of concepts derived from linguistic theory. In _Parables for the Virtual_ Brian Massumi views the body and media such as television, film, and the Internet, as cultural formations that operate on multiple registers of sensation beyond the reach of the reading techniques founded on the standard rhetorical and semiotic models. Renewing (...)
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  • The Movement-Image.Gilles Deleuze - 1986
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  • Steps to an Ecology of Mind.G. Bateson - 1972 - Jason Aronson.
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  • A User's Guide to Capitalism and Schizophrenia: Deviations From Deleuze and Guattari.Brian Massumi - 1992 - MIT Press.
    A User's Guide to Capitalism and Schizophrenia is a playful and emphatically practical elaboration of the major collaborative work of the French philosophers Gilles Deleuze and Felix Guattari. When read along with its rigorous textual notes, the book also becomes the richest scholarly treatment of Deleuze's entire philosophical oeuvre available in any language. Finally, the dozens of explicit examples that Brian Massumi furnishes from contemporary artistic, scientific, and popular urban culture make the book an important, perhaps even central text within (...)
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  • Reading the Figural, or, Philosophy After the New Media.David Rodowick - 2001 - Duke University Press.
    In _Reading the Figural, or, Philosophy after the New Media_ D. N. Rodowick applies the concept of “the figural” to a variety of philosophical and aesthetic issues. Inspired by the aesthetic philosophy of Jean-François Lyotard, the figural defines a semiotic regime where the distinction between linguistic and plastic representation breaks down. This opposition, which has been the philosophical foundation of aesthetics since the eighteenth century, has been explicitly challenged by the new electronic, televisual, and digital media. Rodowick—one of the foremost (...)
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  • .Antony Flew - 1976 - In ``The Presumption of Atheism&Quot. New York: Barnes & Noble.
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