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Voicing the “communal heart”

Angelaki 14 (1):109 – 124 (2009)

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  1. Representation and its Discontents: The Critical Legacy of German Romanticism.Azade Seyhan - 1992 - University of California Press.
    Azade Seyhan provides a concise, elegantly argued introduction to the critical theory of German Romanticism and demonstrates how its approach to the metaphorical and linguistic nature of knowledge is very much alive in contemporary philosophy and literary theory. Her analysis of key thinkers such as Friedrich Schlegel and Novalis explores their views on rhetoric, systematicity, hermeneutics, and cultural interpretation. Seyhan examines German Romanticism as a critical intervention in the debates on representation, which developed in response to the philosophical revolution of (...)
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  • The Theory of Inspiration: Composition as a Crisis of Subjectivity in Romantic and Post-romantic Writing.Timothy Clark & Lecturer in English Timothy Clark - 1997
    Inspiration is a basic concept of western poetics, and deserves reassessment with all the tools of modern literary theory.
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  • Biographia Literaria: Or, Biographical Sketches of My Literary Life and Opinions.Samuel Taylor Coleridge & John Shawcross - 1975 - Dutton Adult.
    In addition to his poetry, Coleridge also wrote influential piece of literary criticism, Biographia Literaria, a collection of his thoughts and opinions on literature. The work delivered both biographical explanations of the author's life as well as his impressions on literature. The collection also contained an analysis of a broad range of philosophical principles of literature ranging from Aristotle to Immanuel Kant and Schelling and applied them to the poetry of peers such as William Wordsworth. Coleridge's explanations of metaphysical principles (...)
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  • The Romantic Sublime: Studies in the Structure and Psychology of Transcendence.Melvin Rader - 1976 - Journal of Aesthetics and Art Criticism 35 (2):253-255.
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  • (3 other versions)Very little-- almost nothing: death, philosophy, literature.Simon Critchley - 2004 - New York: Routledge.
    The 'death of man', the 'end of history' and even philosophy are strong and troubling currents running through contemporary debates. Yet since Nietzsche's heralding of the 'death of god', philosophy has been unable to explain the question of finitude. Very Little...Almost Nothing goes to the heart of this problem through an exploration of Blanchot's theory of literature, Stanley Cavell's interpretations of romanticism and the importance of death in the work of Samuel Beckett. Simon Critchley links these themes to the philosophy (...)
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