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  1. Categories of Art.Kendall L. Walton - 1970 - Philosophical Review 79 (3):334-367.
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  • The principles of art.R. G. Collingwood - 1938 - New York,: Oxford University Press.
    This treatise on aesthetics criticizes various psychological theories of art, offers new theories and interpretations, and draws important inferences concerning ...
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  • The transfiguration of the commonplace: a philosophy of art.Arthur Coleman Danto - 1981 - Cambridge: Harvard University Press.
    Mr. Danto argues that recent developments in the artworld, in particular the production of works of art that cannot be told from ordinary things, make urgent the need for a new theory of art and make plain the factors such a theory can and cannot involve. In the course of constructing such a theory, he seeks to demonstrate the relationship between philosophy and art, as well as the connections that hold between art and social institutions and art history. The book (...)
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  • Freedom and Resentment and Other Essays.Peter Frederick Strawson - 1974 - London, England: Routledge.
    By the time of his death in 2006, Sir Peter Strawson was regarded as one of the world's most distinguished philosophers. First published thirty years ago but long since unavailable, _Freedom and Resentment_ collects some of Strawson's most important work and is an ideal introduction to his thinking on such topics as the philosophy of language, metaphysics, epistemology and aesthetics. Beginning with the title essay _Freedom and Resentment_, this invaluable collection is testament to the astonishing range of Strawson's thought as (...)
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  • An ontology of art.Gregory Currie - 1989 - New York: St. Martin's Press.
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  • Self, mind, and body.Peter F. Strawson - 1974 - In Peter Frederick Strawson (ed.), Freedom and Resentment and Other Essays. London, England: Routledge.
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  • Languages of Art: An Approach to a Theory of Symbols.B. C. O'Neill - 1971 - Philosophical Quarterly 21 (85):361.
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  • (1 other version)The Transfiguration of the Commonplace.Warren Quinn & Arthur C. Danto - 1983 - Philosophical Review 92 (3):481.
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  • Art and Its Objects.Jeffrey Wieand - 1981 - Journal of Aesthetics and Art Criticism 40 (1):91-93.
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  • An Ontology of Art.Nicholas Wolterstorff - 1991 - Journal of Aesthetics and Art Criticism 49 (1):79-81.
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  • Work and Object.Peter Lamarque - 2002 - Proceedings of the Aristotelian Society 102 (1):141-162.
    The paper considers what kinds of things are musical, literary, pictorial and sculptural works, how they relate to physical objects or abstract types, and what their identity and survival conditions are. Works are shown to be cultural objects with essential intentional and relational properties. These essential properties are connected to conditions of production and conditions of reception, of both a generic and work-specific kind. It is argued that work-identity is value-laden, whereby essential to the survival of a work is the (...)
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  • Labyrinths: Selected Stories and Other Writings.Jorge Luis Borges - 1942 - Penguin Books.
    Jorge Luis Borges's Labyrinths is a collection of short stories and essays showcasing one of Latin America's most influential and imaginative writers. This Penguin Modern Classics edition is edited by Donald A. Yates and James E. Irby, with an introduction by James E. Irby and a preface by André Maurois. Jorge Luis Borges was a literary spellbinder whose tales of magic, mystery and murder are shot through with deep philosophical paradoxes. This collection brings together many of his stories, including the (...)
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  • Northanger Abbey and Persuasion: Jane Austen ; Edited by R.W. Chapman.Jane Austen - 1933 - Oxford University Press USA.
    This is part of a complete set of Jane Austen's novels collating the editions published during the author's lifetime and previously unpublished manuscripts. The books are illustrated with 19th century plates and incorporate revisions by experts in the light of subsequent research.
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