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Peter Lamarque
University of York
  1. The application of narrative to the conservation of historic buildings.Peter Lamarque & Nigel Walter - 2019 - Estetika: The European Journal of Aesthetics (1):5–27.
    The paper is a dialogue between a conservation architect who works on medieval churches and an analytic aesthetician interested in the principles underlying restoration and conservation. The focus of the debate is the explanatory role of narrative in understanding and justifying elective changes to historic buildings. For the architect this is a fruitful model and offers a basis for a genuinely new approach to a philosophy of conservation. The philosopher, however, has been sceptical about appeals to narrative in other contexts (...)
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  2.  20
    Narrative and Conservation: A Response.Nigel Walter & Peter Lamarque - 2020 - Estetika: The European Journal of Aesthetics 1:104-115.
    This paper responds to Saul Fisher’s critical note (in the current volume) on Peter Lamarque and Nigel Walter’s ‘The Application of Narrative to the Conservation of Historic Buildings’ (Estetika 1/2019). Walter restates the argument, underlining the context of ‘living' buildings whose identities are still in formation. He then responds to points raised by Fisher, commenting on persistence and identity, Noël Carroll’s views on narrative connection, the usefulness of Carroll's engagement with spatial relations, and addressing some of Fisher’s specific challenges. Lamarque (...)
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  3.  91
    Narrative and Conservation: A Response.Peter Lamarque & Nigel Walter - 2020 - Estetika: The Central European Journal of Aestetics (1):104-115.
    A response to Saul Fisher’s critical note on Peter Lamarque and Nigel Walter’s ‘The Application of Narrative to the Conservation of Historic Buildings’.
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  4.  8
    The Application of Narrative to the Conservation of Historic Buildings.Peter Lamarque & Nigel Walter - 2020 - Estetika: The European Journal of Aesthetics 56 (1):5.
    The paper is a dialogue between a conservation architect who works on medieval churches and an analytic aesthetician interested in the principles underlying restoration and conservation. The focus of the debate is the explanatory role of narrative in understanding and justifying elective changes to historic buildings. For the architect this is a fruitful model and offers a basis for a genuinely new approach to a philosophy of conservation. The philosopher, however, has been sceptical about appeals to narrative in other contexts (...)
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