It is often thought that consciousness has a qualitative dimension that cannot be tracked by science. Recently, however, some philosophers have argued that this worry stems not from an elusive feature of the mind, but from the special nature of the concepts used to describe conscious states. Marc Champagne draws on the neglected branch of philosophy of signs or semiotics to develop a new take on this strategy. The term “semiotics” was introduced by John Locke in the modern period – (...) its etymology is ancient Greek, and its theoretical underpinnings are medieval. Charles Sanders Peirce made major advances in semiotics, so he can act as a pipeline for these forgotten ideas. Most philosophers know Peirce as the founder of American pragmatism, but few know that he also coined the term “qualia,” which is meant to capture the intrinsic feel of an experience. Since pragmatic verification and qualia are now seen as conflicting commitments, Champagne endeavors to understand how Peirce could (or thought he could) have it both ways. The key, he suggests, is to understand how humans can insert distinctions between features that are always bound. Recent attempts to take qualities seriously have resulted in versions of panpsychism, but Champagne outlines a more plausible way to achieve this. So, while semiotics has until now been the least known branch of philosophy ending in –ics, his book shows how a better understanding of that branch can move one of the liveliest debates in philosophy forward. (shrink)

This book challenges the standard view that modern hermeneutics begins with Friedrich Ast and Friedrich Schleiermacher, arguing instead that it is the dialectic of reflective and teleological reason in Kant’s Critique of Judgment that provides the actual proto-hermeneutic foundation. It is revolutionary in doing so by replacing interpretive truth claims by the more appropriate claim of rendering opaque contexts intelligible. Taking Gadamer’s comprehensive analysis of hermeneutics in Truth and Method (1960) as its point of departure, the book turns to Kant’s (...) Critiques, reviewing his major concepts as a coherent system in relation to his sensus communis. At the heart of the book is the interaction between reflective, bottom-up search and teleological, top-down interpretative projection as provided in Part II of the third Critique. This text contends that Kant’s broad definition of nature invites the liberation of the reflective-teleological judgment from its biological exemplifications and so permits us to establish its generalised status as a path-breaking, methodological tool. Kant’s dialectic of reflective search and meaning bestowing, stipulated teleology is asserted to anticipate a series of motifs commonly associated with hermeneutics. Figures covered include Dilthey, Husserl, Ingarden, Heidegger, Gadamer, Apel, Habermas, Ricoeur, Derrida, Foucault, Lyotard, Deleuze, Vattimo, Nancy and Caputo. Their collective contributions to interpretation allow for a review of the evolution of hermeneutics from the perspective of the Kantian critique of the limitations of human cognition. The book is written for the informed, general reader, but will likewise appeal to advanced undergraduate and graduate students as well as researchers in the humanities and social sciences. (shrink)

In his 1903 Syllabus, Charles S. Peirce makes a distinction between icons and iconic signs, or hypoicons, and briefly introduces a division of the latter into images, diagrams, and metaphors. Peirce scholars have tried to make better sense of those concepts by understanding iconic signs in the context of the ten classes of signs described in the same Syllabus. We will argue, however, that the three kinds of hypoicons can better be understood in the context of Peirce's sixty-six classes of (...) signs. We analyze examples of hypoicons taken from the field of information design, describing them in the framework of the sixty-six classes, and discuss the consequences of those descriptions to the debate about the order of determination of the 10 trichotomies that form those classes. (shrink)

This book presents a remarkable diversity of contemporary opinions on the prospects of addressing philosophical topics from a psychological perspective. It considers the history and philosophical merits of psychologism, and looks systematically at psychologism in phenomenology, cognitive science, epistemology, logic, philosophy of language, philosophical semantics, and artificial intelligence.

Die Frage nach der Seinsweise der realen Welt gehört zu den zentralen und am meisten umstrittenen Themen der europäischen Philosophie. Weder die Argumente des Idealismus noch die des Realismus haben das Problem gelöst. Auch die Frage nach dem Wesen und dem Schicksal des Menschen und seiner Stellung in der Welt ist nicht ablösbar von der Grundfrage nach dem Wesen der Natur und der Existenzweise der realen Welt. Eine kritische Prüfung der Problemsituation ergibt, daß die seit mehr als zweihundert Jahren herrschende (...) Neigung, das Problem der Existenz der Welt erkenntnistheoretisch aufzufassen, eine Verschiebung und Verfälschung des eigentlichen Problems mit sich gebracht hat, das kein erkenntnistheoretisches, sondern im Kern ein echt metaphysisches ist. Seine Lösung kann deshalb nur durch eine ontologische Untersuchung vorbereitet werden. Das ist das Ziel von Roman Ingardens »Streit um die Existenz der Welt«. (shrink)

This volume aims to provide the elements for a systematic exploration of certain fundamental notions of Peirce and Husserl in respect with foundations of science by means of drawing a parallelism between their works. Tackling a largely understudied comparison between these two contemporary philosophers, the authors highlight the significant similarities in some of their fundamental ideas. This volume consists of eleven chapters under four parts. The first part concerns methodologies and main principles of the two philosophers. An introductory chapter outlines (...) central historical and systematical themes arising out of the recent scholarship on Peirce and Husserl. The second part is on logic, its Chapters dedicated to the topics from Peirce’s Existential Graphs and the philosophy of notation to Husserl’s notions of pure logic and transcendental logic. The third part includes contributions on philosophy of mathematics. Chapters in the final part deal with the theory of cognition, consciousness and intentionality. The closing chapter provides an extended glossary of central terms of Peirce’s theory of phaneroscopy, explaining them from the viewpoint of the theory of cognition. (shrink)

: Is Peirce's esthetic relevant for the philosophy of art—what is usually referred to today as aesthetics? At first glance Peirce's idiosyncratic esthetic seems quite unconcerned with issues of art. Yet a careful examination reveals that this is not the case. Thus, rather than attempt to "apply" Peirce's views to some aspect of the practice or the theory of art (e.g., creativity, historiography of art, style, genre), or even to a particular work of art, my intention is to examine how (...) art fits into Peirce's own conception of his esthetic theory. The argument is divided into two parts. In the first section I present Peirce's conception of esthetics in the context of the normative sciences. I argue that esthetics connects with various strands of Peirce's philosophy, most notably his cosmology, his agapasm and with the way that important aspects of them hang together around the principle of abduction and the corresponding notion insight. In the second section, I consider in what way art may be said to be admirable, to contribute to the summum bonum. I try to show that Peirce's esthetic suggests that what attracts us towards art is first and foremost a semeiotic quality qua quality of mind or quality of Thirdness. (shrink)

According to the received view, Charles S. Peirce's theory of diagrammatic reasoning is derived from Kant's philosophy of mathematics. For Kant, only mathematics is constructive/synthetic, logic being instead discursive/analytic, while for Peirce, the entire domain of necessary reasoning, comprising mathematics and deductive logic, is diagrammatic, i.e. constructive in the Kantian sense. This shift was stimulated, as Peirce himself acknowledged, by the doctrines contained in Friedrich Albert Lange's Logische Studien (1877). The present paper reconstructs Peirce's reading of Lange's book, and illustrates (...) what, according to Peirce, was right and what was problematic in Lange's account of reasoning. It further seeks to explain how Peirce's theory of deductive reasoning was a combination of Kant's philosophy of mathematics and Lange's philosophy of logic. (shrink)

In an earlier paper, I set out to apply to animal mimicry the definition of the sign, and, more specifically, of the iconic sign, which I originally elaborated in the study of pictures, and which was then extended by myself and others to language, gesture, and music. The present contribution, however, while summarizing some of the results of those earlier studies, is dedicated to the demonstration that animal mimicry, as well as phenomena of the human Lifeworld comparable to it, are (...) in a sense the opposite of signs. It has often been observed, not only within speech act philosophy, but also by the semiotician Luis Prieto, that as sign can only function as such once it is recognized to be a sign. Animal mimicry, camouflage, and the like, in contrast, only work as such, to the extent that they are not perceived as signs. Unlike what speech act philosophy claims, nevertheless, the “difference which makes a difference” is not the recognition of a purpose attributed to the subject producing the sign. A footprint, for example, has to be recognized as a sign in order to function as such. Nevertheless, to the extent that a purpose is attributed to the subject setting the sign, it may be considered a sign, but one that hides its nature, a fake footprint. Mimicry and camouflage, however, are similar to such “natural meanings” as footprints in entertaining a different relation to the agent initiating the act and the agent perceiving it. Classical studies of mimicry distinguish its varieties according to what is rather vaguely called function. In this paper, we will investigate whether these classifications can be recuperated from a semiotic point of view, or whether a semiotically valid classification should start from scratch. (shrink)

Of the many teachings on triadic semiotic that I was fortunate to receive in my life, none was more long-lasting and stimulating than what I learned by reading and exchanging ideas with Joseph Ransdell. And most salient among the ideas he explained with such admirable clarity were those related to iconicity, that apparently simple but most enigmatic relationship of formal identity between a sign and its object. That is why the main objective of this article is a discussion of the (...) semiotic quality that is embodied in some kind of material substance, called ‘hypoicon’ in Peircean semiotic.1 The hypoicon is the kind of sign whose functioning is based on its likeness to its dynamical object,2.. (shrink)