Emotions are viewed as having evolved through their adaptive value in dealing with fundamental life-tasks. Each emotion has unique features: signal, physiology, and antecedent events. Each emotion also has characteristics in common with other emotions: rapid onset, short duration, unbidden occurrence, automatic appraisal, and coherence among responses. These shared and unique characteristics are the product of our evolution, and distinguish emotions from other affective phenomena.

A provocative assessment of human thought and behavior, reissued with a new afterword, explores a range of conundrums from the ability of the mind to perceive three dimensions to the nature of consciousness, in an account that draws on ...

In this book, I make use of an idea from economics to suggest how noble human tendencies might not only have survived the ruthless pressures of the material world, but actually have been nurtured by them.

This is a new release of the original 1949 edition.

The editors of this unique volume have brought together 24 leading emotion theorists with a wide variety of perspectives to address 12 fundamental questions about the subject.

“William James is a towering figure in the history of American thought--without doubt the foremost psychologist this country has produced. His depiction of mental life is faithful, vital, and subtle. In verve, he has no equal.... “There is a sharp contrast between the expanding horizon of James and the constricting horizon of much contemporary psychology. The one opens doors to discovery, the other closes them. Much psychology today is written in terms of reaction, little in terms of becoming. James would (...) say that a balance is needed, but that only by assuming that man has the capacity for growth are we likely to discover the scope of this same capacity.” —from the introduction by Gordon W. Allport. (shrink)

ACTION, EMOTION AND WILL "This a clear and persuasive book which contains as many sharp points as a thorn bush and an array of arguments that as neat and ...

One of science's greatest intellects examines how people and animals display fear, anger, and pleasure. Darwin based this 1872 study on his personal observations, which anticipated later findings in neuroscience. Abounding in anecdotes and literary quotations, the book is illustrated with 21 figures and seven photographic plates. Its direct approach, accessible to professionals and amateurs alike, continues to inspire and inform modern research in psychology.

Are emotions like sneezes, unwilled, mechanical, or are they like judgments; are they entirely social constructions? Harré and Gillett believe that emotions are exclusively judgments. We argue that their view misses something important. Imagine a person quaking in anger. Both we and Harré and Gillett believe that he is angry only if he has made an implicit judgment, such as I have been transgressed against. But it is the quaking, not the judgment, that gives authenticity and force to the expression (...) of anger. The quaking does not clarify what the actor means but rather it clarifies the relation of the actor to the meaning of his display. What makes it a genuine expression of anger and not a joke or performance is that the quaking is beyond the will. Bodily displays are not necessary to make expressions authentic; anything that shows that the expression is beyond the will will do, for instance, obsessive thoughts, intrusions, or an inability to concentrate. For Harré and Gillett emotions both as displays and feelings do not merely embody judgments but are also speech acts. We argue that an expression, a feeling or flitting through the mind, cannot be a speech act since only the overt can fit into the convention, the strictures of a community. Nor is the display merely a speech act. Since for an emotional display to be genuine it must slip from the lips unbidden. Further, a speech act account makes the emotions arbitrary; they imply that the set of possible emotions is open. We think, on the other hand, that only some sorts of judgments can become part of an emotion; judgments that relate to things that are important enough in a particular culture that judgment display and feeling are linked together involuntarily. (shrink)