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  1. Brief report.Johannes Hewig, Dirk Hagemann, Jan Seifert, Mario Gollwitzer, Ewald Naumann & Dieter Bartussek - 2005 - Cognition and Emotion 19 (7):1095-1109.
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  • Pleasure, displeasure, and mixed feelings: Are semantic opposites mutually exclusive?Ulrich Schimmack - 2001 - Cognition and Emotion 15 (1):81-97.
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  • That's disgusting!…, but very amusing: Mixed feelings of amusement and disgust.Scott H. Hemenover & Ulrich Schimmack - 2007 - Cognition and Emotion 21 (5):1102-1113.
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  • Response latencies of pleasure and displeasure ratings: Further evidence for mixed feelings.Ulrich Schimmack - 2005 - Cognition and Emotion 19 (5):671-691.
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  • Drawing mixed emotions: Sequential or simultaneous experiences?Pilar Carrera & Luis Oceja - 2007 - Cognition and Emotion 21 (2):422-441.
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  • Emotion elicitation using films.James J. Gross & Robert W. Levenson - 1995 - Cognition and Emotion 9 (1):87-108.
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  • Mixed affective responses to music with conflicting cues.Patrick G. Hunter, E. Glenn Schellenberg & Ulrich Schimmack - 2008 - Cognition and Emotion 22 (2):327-352.
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  • Assessing the effectiveness of a large database of emotion-eliciting films: A new tool for emotion researchers.Alexandre Schaefer, Frédéric Nils, Xavier Sanchez & Pierre Philippot - 2010 - Cognition and Emotion 24 (7):1153-1172.
    Using emotional film clips is one of the most popular and effective methods of emotion elicitation. The main goal of the present study was to develop and test the effectiveness of a new and comprehensive set of emotional film excerpts. Fifty film experts were asked to remember specific film scenes that elicited fear, anger, sadness, disgust, amusement, tenderness, as well as emotionally neutral scenes. For each emotion, the 10 most frequently mentioned scenes were selected and cut into film clips. Next, (...)
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