This book examines the strengths and limitations of the two main strands in feminist criticism, the Anglo-American and the French, paying particular attention to the works of Cixous, Irigaray and Kristeva.What are the political implications of a feminist critical practice? How do the problems of the literary text relate to the priorities and perspectives of feminist politics as a whole?Sexual/Textual Politics addresses these fundamental questions and examines the strengths and limitations of the two main strands in feminist criticism, the Anglo-American (...) and the French. It pays particular attention to the works of Cixous, Irigaray and Kristeva, and since publication this book has rightly attained the status of a classic. Although written for readers with little knowledge of the subject, Sexual/Textual Politics makes its own intervention into key debates, arguing provocatively for commitedly political and theoretical criticism rather than a textual or apolitical approach.With a new afterword in this edition, Sexual/Textual Politics is a brilliantly accessible must-read for all those interested in feminist literary theory. (shrink)

Explores the various metaphoric uses of travel and displacement in literary and feminist theory, traces the political implications of this "travelling theory," and shows how discourses of displacement link modernism and postmodernism. This book is of interest to scholars in a literary criticism, cultural studies, feminist theory, and more.

Published in France as La jeune nee in 1975, and now translated for the first time into English, The Newly Born Woman seeks to uncover the veiled structures of language and society that have situated women in the position called 'woman's place.'.

In November 1996, Catherine Clément and Julia Kristeva began a correspondence exploring the subject of the sacred. In this collection of those letters Catherine Clément approaches the topic from an anthropologist's point of view while Julia Kristeva responds from a psychoanalytic perspective. Their correspondence leads them to a controversial and fundamental question: is there anything sacred that can at the same time be considered strictly feminine? The two voices of the book work in tandem, fleshing out ideas and blending together (...) into a melody of experience. The result is a dialogue that delves into the mysteries of belief -- the relationship between faith and sexuality, the body and the senses -- which, Clément and Kristeva argue, women feel with special intensity. Although their discourse is not necessarily about theology, the authors consider the role of women and femininity in the religions of the world, from Christianity and Judaism to Confucianism and African animism. They are the first to admit that what they have undertaken is "as impossible to accomplish as it is fascinating." Nevertheless, their wide-ranging and exhilarating dialogue succeeds in raising questions that are perhaps more important to ask than to answer. (shrink)

A radically subversive critique brings to the fore the masculine ideology implicit in psychoanalytic theory and in Western discourse in general: woman is defined as a disadvantaged man, a male construct with no status of her own.

Global feminism has been criticized as a form of cultural imperialism, whereby a white, western model of feminism is imposed upon women in non-western contexts under the banner of universal sisterhood. In order to provide this theoretical critique with some empirical grounding, this article focuses on the worldwide impact of one of the most influential books ever to be published in the US, Our Bodies, Ourselves. This book not only had a decisive impact on how generations of American women felt (...) about their bodies, their sexuality and their health, but it was translated and adapted in 20 languages, both within and outside Europe. The dissemination of Our Bodies, Ourselves, particularly in the so-called `third world', makes it a perfect site for exploring the possibilities and the pitfalls of the globalization of feminist knowledge. After showing how Our Bodies, Ourselves travelled and was adapted to meet the needs of women in specific contexts, conclusions are drawn about the viability of the `feminism-as-culturalimperialism' critique as well as about the empowering potential of transnational feminist alliances in the field of body/politics. (shrink)

Ever since feminist theory introduced the distinction between sex and gender, the question of what it means to be a woman has preoccupied feminist thought. In ____Gender__ ____Trouble ____ Judith Butler questions whether it is possible to "be" a woman at all or, for that matter, any gender.