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  1. Creating Time: Social Collaboration in Music Improvisation.Ashley E. Walton, Auriel Washburn, Peter Langland-Hassan, Anthony Chemero, Heidi Kloos & Michael J. Richardson - 2018 - Topics in Cognitive Science 10 (1):95-119.
    Musical improvisation is a natural case of human pattern formation, and Walton and colleagues investigate the way that different contextual constraints affect patterns of improvisation and their aesthetic quality. The authors find that coordination patterns are more diversified between two musicians when the musical space in which to improvise is relatively more constrained. They also find that listeners experience more diversified, complementary patterns between musicians as more enjoyable and harmonious.
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  • Improvisation and the self-organization of multiple musical bodies.Ashley E. Walton, Michael J. Richardson, Peter Langland-Hassan & Anthony Chemero - 2015 - Frontiers in Psychology 6:1-9.
    Understanding everyday behavior relies heavily upon understanding our ability to improvise, how we are able to continuously anticipate and adapt in order to coordinate with our environment and others. Here we consider the ability of musicians to improvise, where they must spontaneously coordinate their actions with co-performers in order to produce novel musical expressions. Investigations of this behavior have traditionally focused on describing the organization of cognitive structures. The focus, here, however, is on the ability of the time-evolving patterns of (...)
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  • Time-Series Analysis of Embodied Interaction: Movement Variability and Complexity Matching As Dyadic Properties.Leonardo Zapata-Fonseca, Dobromir Dotov, Ruben Fossion & Tom Froese - 2016 - Frontiers in Psychology 7.
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  • The Dynamics of Reference and Shared Visual Attention.Rick Dale, Natasha Z. Kirkham & Daniel C. Richardson - 2011 - Frontiers in Psychology 2.
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  • The biology and evolution of music: A comparative perspective.W. Tecumseh Fitch - 2006 - Cognition 100 (1):173-215.
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  • Behavior matching in multimodal communication is synchronized.Max M. Louwerse, Rick Dale, Ellen G. Bard & Patrick Jeuniaux - 2012 - Cognitive Science 36 (8):1404-1426.
    A variety of theoretical frameworks predict the resemblance of behaviors between two people engaged in communication, in the form of coordination, mimicry, or alignment. However, little is known about the time course of the behavior matching, even though there is evidence that dyads synchronize oscillatory motions (e.g., postural sway). This study examined the temporal structure of nonoscillatory actions—language, facial, and gestural behaviors—produced during a route communication task. The focus was the temporal relationship between matching behaviors in the interlocutors (e.g., facial (...)
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  • Simultaneous Cooperation and Competition in the Evolution of Musical Behavior: Sex-Related Modulations of the Singer's Formant in Human Chorusing.Peter E. Keller, Rasmus König & Giacomo Novembre - 2017 - Frontiers in Psychology 8.
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  • Chorusing, synchrony, and the evolutionary functions of rhythm.Andrea Ravignani - 2014 - Frontiers in Psychology 5.
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  • Evaluating Interpersonal Synchrony: Wavelet Transform Toward an Unstructured Conversation.Ken Fujiwara & Ikuo Daibo - 2016 - Frontiers in Psychology 7.
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  • Interpersonal Movement Synchrony Responds to High- and Low-Level Conversational Constraints.Alexandra Paxton & Rick Dale - 2017 - Frontiers in Psychology 8.
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