How does a poet repeatedly over a lifetime make art out of an arbitrary assignment of fate? By asking this question of the work of four American poets - two men of the postwar generation, two young women writing today - Helen Vendler suggests a fruitful way of looking at a poet's career and a new way of understanding poetic strategies as both mastery of forms and forms of mastery.

In arguing against a supposed ambiguity, philosophers often rely on the zeugma test. In an application of the zeugma test, a supposedly ambiguous expression is placed in a sentence in which several of its supposed meanings are forced together. If the resulting sentence sounds zeugmatic, that is taken as evidence for ambiguity; if it does not sound zeugmatic, that is taken as evidence against ambiguity. The aim of this article is to show that arguments based on the second direction of (...) the test are misguided: ambiguous expressions, and in particular philosophically contested ones, do not reliably lead to zeugmaticity, so an absence of zeugmaticity provides no meaningful evidence for an absence of ambiguity. (shrink)

Suppose you have an infinite past. If you had banked the spare dollar you have always had, then the interest would have made you rich by now. Your procrastination is inexcusable. But what should you have done? At any time at which you invest the dollar you would regret not investing it earlier. Satisficers can solve prospective puzzles involving infinite choice but cannot solve this retrospective puzzle about regret. A moral version of the puzzle suggests that there can be inevitable (...) moral failure. It does so without appeal to moral luck, moral dilemmas or original sin. (shrink)

The so-called optimising conception of rationality includes (amongst other things) the following two claims: (i) that it is irrational to choose an option if you know there is a better one, and (ii) there are no situations in which an agent, through no practical fault of her own, cannot avoid acting irrationally. As part of his ongoing attempt to explain why we need to go beyond the optimising conception, Michael Slote discusses a number of examples in which it seems that (...) (i) and (ii) are inconsistent. According to Slote, these situations seem to involve the existence of rational supererogation (a denial of (i)), or rational dilemmas (a denial of (ii)). The purpose of this paper is to examine Slote''s arguments for these claims, and to propose an alternative solution to the problem he presents. (shrink)

It is a truism that people speak ‘loosely’——that is, that they often say things that we can recognize not to be true, but which come close enough to the truth for practical purposes. Certain expressions. such as those including ‘exactly’, ‘all’ and ‘perfectly’, appear to serve as signals of the intended degree of approximation to the truth. This article presents a novel formalism for representing the notion of approximation to the truth, and analyzes the meanings of these expressions in terms (...) of this formalism. Pragmatic loosencss of this kind should be distinguished from authentic truth-conditional vagueness. (shrink)

This paper investigates the way that linguistic expressions influence vagueness, focusing on the interpretation of the positive (unmarked) form of gradable adjectives. I begin by developing a semantic analysis of the positive form of ‘relative’ gradable adjectives, expanding on previous proposals by further motivating a semantic basis for vagueness and by precisely identifying and characterizing the division of labor between the compositional and contextual aspects of its interpretation. I then introduce a challenge to the analysis from the class of ‘absolute’ (...) gradable adjectives: adjectives that are demonstrably gradable, but which have positive forms that relate objects to maximal or minimal degrees, and do not give rise to vagueness. I argue that the truth conditional difference between relative and absolute adjectives in the positive form stems from the interaction of lexical semantic properties of gradable adjectives—the structure of the scales they use—and a general constraint on interpretive economy that requires truth conditions to be computed on the basis of conventional meaning to the extent possible, allowing for context dependent truth conditions only as a last resort. (shrink)