In this paper, we present a reinterpretation of Roman Ingarden's theory of intentional objects. There are four types of intentional objects in Ingarden's ontology, we offer a detailed analyses of an intentional object that is a correlate of a text. Such an object is characterised by Ingarden as a two-sided and schematised formation. We focus on the notion of schematism. We classify different interpretations of schematism and propose our own definition of schematism of a purely intentional object.

. ACT, CONTENT, AND OBJECT OF THE PRESENTATION It is one of the best known positions of psychology, hardly contested by anyone, that every mental phenomenon ...

Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus: the literary work, its structure and ...

Roman Ingarden (1893 -- 1970) was a Polish phenomenologist, ontologist and aesthetician. A student of Edmund Husserl's from the Göttingen period, Ingarden was a realist phenomenologist who spent much of his career working against what he took to be Husserl's turn to transcendental idealism. As preparatory work for narrowing down possible solutions to the realism/idealism problem, Ingarden developed ontological studies unmatched in scope and detail, distinguishing different kinds of dependence and different modes of being. He is best known, however, for (...) his work in aesthetics, particularly on the ontology of the work of art and the status of aesthetic values, and is credited with being the founder of phenomenological aesthetics. His work.. (shrink)

This article presents the development of the phenomenological movement in Poland in the period 1895–1945. It focuses on the early reactions to phenomenology and the later consolidation of the group of phenomenologists in Lvov. The article also explores the context of Polish phenomenology, its main figures, and their texts. The author suggests that early phenomenology in Poland was a pluralistic discipline that developed in polemical discussions, including discussions with members of the Lvov–Warsaw school. Finally, the article summarizes the major contributions (...) of phenomenologists to philosophy, psychology, and aesthetics in Poland. (shrink)

Roman Ingarden, one of Husserl's closest students and friends, ranks among the most eminent of the first generation of phenomenologists. His magisterial <I>Controversy over the Existence of the World, written during the years of World War II in occupied Poland, consists of a fundamental defense of realism in phenomenology. Volume I, which receives here its first complete and critical translation into English, initiates the grand project of refuting transcendental idealism, and begins by setting the foundations for an elaborate and precise (...) ontological system. This is Ingarden's greatest accomplishment, who is rather known as a theoretician of literature than an ontologist outside of Poland. The most important achievement of Ingarden's ontology is an analysis of the modes of being of various types of objects - things, processes, events, purely intentional objects and ideas. The three-volume <I>Controversy is perhaps the last great systematic work in the history of philosophy, and undoubtedly one of the most important works in 20th century philosophical literature. (shrink)

This paper seeks to determine the intuitive meaning of the concept of information by indicating its essential (definitional) features and relations with other concepts, such as that of knowledge. The term “information” – as with many other concepts, such as “process”, “force”, “energy” and “matter” – has a certain established meaning in natural languages, which allows it to be used, in science as well as in everyday life, without our possessing any somewhat stricter definition of it. The basic aim here (...) is thus to explicate what it amounts to in the context of its intuitive meaning as encountered in natural languages, what the subject of cognition implicitly presumes when using the term, and to which ontological situations it can be applied. I demonstrate that the essential features of the notion of information include the presence of a material medium, its transformation, the recording and reading of information encoded in the medium, and the grasp of what is recorded, coded and transmitted as an intentional object, where the latter is construed in terms broadly in line with the ontologies of Husserl and Ingarden. Along the way, a number of issues relating to the notion of information are also pointed out: the problem of informational identity, of the existence of virtual objects, and of the choice of an adequate information carrier, as well as formal-ontological problems, including those which concern relations between information carriers and intentional objects. (shrink)