This paper is a contribution to the small but growing body of scholarship dedicated to a reappraisal of German occultism in the period prior to the Second World War. Moving beyond those analyses of the German occult movement which have viewed it solely in terms of its links--often tenuous--to National Socialism, this paper considers German occultism, specifically parapsychology, as a mode of cultural critique utilised by Germans from across the political spectrum. Concentrating on the experimental study of materialisation and its (...) theorisation as "supernormal biology," this paper argues for strong links, forged primarily by the biologist, philosopher, and neo-vitalist Hans Driesch, between parapsychology, as a way of understanding life and mind, and epistemological reforms within biology and psychology. It argues, furthermore, that for Driesch, as for a number of European scholars, parapsychology provided scientific validation of a belief in the naturalness of liberalism and pacifism. (shrink)

Henri Bergson (1859-1941) is one of the truly great philosophers of the modernist period, and there is currently a major renaissance of interest in his unduly neglected texts and ideas amongst philosophers, literary theorists, and social theorists. Creative Evolution (1907) is the text that made Bergson world-famous in his own lifetime; in it Bergson responds to the challenge presented to our habits of thought by modern evolutionary theory, and attempts to show that the theory of knowledge must have its basis (...) in a theory of life. (shrink)

Henri Bergson (1859-1941) is one of the truly great philosophers of the modernist period, and there is currently a major renaissance of interest in his unduly neglected texts and ideas amongst philosophers, literary theorists, and social theorists. Creative Evolution (1907) is the text that made Bergson world-famous in his own lifetime; in it Bergson responds to the challenge presented to our habits of thought by modern evolutionary theory, and attempts to show that the theory of knowledge must have its basis (...) in a theory of life. (shrink)

The first English-language publication of a classic French book on the relationship between the development of photography and of the medical category of hysteria. In this classic of French cultural studies, Georges Didi-Huberman traces the intimate and reciprocal relationship between the disciplines of psychiatry and photography in the late nineteenth century. Focusing on the immense photographic output of the Salpetriere hospital, the notorious Parisian asylum for insane and incurable women, Didi-Huberman shows the crucial role played by photography in the invention (...) of the category of hysteria. Under the direction of the medical teacher and clinician Jean-Martin Charcot, the inmates of Salpetriere identified as hysterics were methodically photographed, providing skeptical colleagues with visual proof of hysteria's specific form. These images, many of which appear in this book, provided the materials for the multivolume album Iconographie photographique de la Salpetriere. As Didi-Huberman shows, these photographs were far from simply objective documentation. The subjects were required to portray their hysterical "type"—they performed their own hysteria. Bribed by the special status they enjoyed in the purgatory of experimentation and threatened with transfer back to the inferno of the incurables, the women patiently posed for the photographs and submitted to presentations of hysterical attacks before the crowds that gathered for Charcot's "Tuesday Lectures." Charcot did not stop at voyeuristic observation. Through techniques such as hypnosis, electroshock therapy, and genital manipulation, he instigated the hysterical symptoms in his patients, eventually giving rise to hatred and resistance on their part. Didi-Huberman follows this path from complicity to antipathy in one of Charcot's favorite "cases," that of Augustine, whose image crops up again and again in the Iconographie. Augustine's virtuosic performance of hysteria ultimately became one of self-sacrifice, seen in pictures of ecstasy, crucifixion, and silent cries. (shrink)

Recent studies in nineteenth-century spiritualism have illuminated the social practice of the occult in various cultural contexts. Richard Noakes in his latest study on telegraphy and the occult in Victorian England, for instance, shows how the world of spiritualism and the world of technology were welded together by Victorian engineering schemes and money. 2 This paper looks at another culture of occult practice which has often been neglected by historians of science: the role of spiritism in the making of German (...) experimental psychology. Based on a debate focusing on the German astrophysicist Karl Friedrich Zöllner and the American medium Henry Slade, I will show how spiritistic experiments were situated in the emerging contexts of scientific practice, laboratories and disciplines. 3 This study will also take a close look at the perception of spiritistic mediums as instruments by experimenters such as Zöllner. 4Things were in control and then they were not and then they were.Sally Bushell, Under the Breadfruit Tree. (shrink)

Abstract—German philosopher Carl du Prel (1839–1899) was a leading theoretician and proponent of research into dissociation, hypothetical postmortem survival, alleged psi phenomena and related areas. The impact of his works on several more widely known authors within and outside psychical research was often considerable. This article provides a concise biography of du Prel, gives an overview of his model of mind, and fi nally suggests avenues of research which were pursued by du Prel but nowadays are largely forgotten. Keywords: Carl (...) du Prel—Eduard von Hartmann—altered states of consciousness—survival research. (shrink)