There are few philosophers who have been so influential in their own lifetimes and had so much influence, only to be subsequently ignored, as Henri Bergson (1859-1941). When in April 1922, Bergson debated Einstein on the nature of time, it was Bergson who was far better known and respected. Now Einstein’s achievements are known to everyone, but very few people outside philosophy departments have even heard of Bergson. Following Friedrich Schelling and those he influenced, (...) class='Hi'>Bergson targeted the Cartesian dualism that permeates the culture of modernity. In doing so, he challenged deep assumptions rooted in and cemented in place by Descartes’ philosophy. It this article I will argue that Bergson made considerable progress in this attack on Cartesian dualism, and diverse philosophers subsequently built on his ideas. However, failure to appreciate the source of these ideas has weakened their impact, being scattered among different disciplines by diverse philosophers and scientists who drew upon Bergson’s work while forgetting details of his philosophy. This article is an effort to rectify this situation. (shrink)

The aim of this paper is to demonstrate that adjusting Stump and Kretzmann’s “atemporal duration” with la durée, a key concept in the philosophy of Henri Bergson, can respond to the most significant objections aimed at Stump and Kretzmann’s re-interpretation of Boethian eternity. This paper deals with three of these objections: the incoherence of the notion of “atemporal duration,” the impossibility of this duration being time-like, and the problems involved in conceiving it as being related to temporal duration (...) by a relation of analogy. I conclude that “atemporal duration” — when combined with Bergson’s durée to become an “atemporal durée” — is a coherent understanding of divine eternity. (shrink)

El siguiente trabajo tiene por objetivo exponer y problematizar la relación entre las nociones de temporalidad, imagen y libertad en el pensamiento del filósofo francés Henri Bergson, a la luz de la crı́tica desarrollada por Jean-Paul Sartre. Para ello, en primer lugar, se expone, de modo sintético, dos conceptos que dan forma al pensamiento bergsoniano, a saber, duración e intuición. Con esto, se pone de manifiesto el problema que suscita la definición de imagen entregada por Bergson, debido (...) a que entra en conflicto con la noción de duración. Es por esto que, en segundo lugar, se revisa la crı́tica desarrollada por Jean-Paul Sartre a las definiciones entregadas por Bergson, advirtiendo que el problema surgido de las definiciones de duración e imagen implican un empirismo y determinismo que supeditan la imagen a la percepción, lo que conduce a una contradicción relativa a la espontaneidad de la conciencia, que en Sartre se muestra como conciencia intrı́nsecamente libre. (shrink)

It is important for the theory of knowledge to understand the factors involved in the generation of the capacities of knowledge. In the history of modern philosophy, knowledge is generally held to originate in either one or two sources, and the debates about these sources between philosophers have concerned their existence, or legitimacy. Furthermore, some philosophers have advocated scepticism about the human capacity to understand the origins of knowledge altogether. However, the developmental aspects of knowledge have received relatively little attention (...) both by past philosophers and in current philosophical discussions. This dissertation provides a historical approach to this developmental problem of knowledge by interpreting the developmental theories of knowledge of Maine de Biran (1766–1824) and Henri Bergson (18591941) from the perspective of a theory of the ‘generative factors of knowledge.’ It first studies the philosophies of Maine de Biran and Bergson separately and then brings together and compares the metaphilosophical aims drawn from these philosophers. The dissertation’s novel analysis, provided by its theory and structure, has far-reaching consequences. From a wide point of view, it fills in considerable scholarly gaps and provides great opportunities for future research in the study of the history of philosophy. From more specific points of view, it provides its most decisive contributions in such metaphysical and epistemological topics as the nature of causality, self-generated activity, the role of effort in knowing and learning, the complementary relationship between philosophy and science, and the non-conceptual basis of knowledge. (shrink)

L’intérêt que Bergson porte aux arts est bien connu. À travers l’ensemble de son œuvre, les exemples souvent inspirés par la littérature et la lecture semblent révéler une certaine affinité pour cette forme d’art. Pourtant, malgré sa récurrence, ce thème n’est jamais étudié frontalement ni profondément. Cette brève étude se veut un tour d’horizon du répertoire bergsonien, une recherche d’éléments qui permettraient peut-être d’articuler une pensée bergsonienne de la lecture. Plus précisément, nous examinons les exemples utilisés par Bergson (...) pour illustrer les notions de suggestion, d’attention et de sympathie, pour déterminer si ces descriptions du phénomène de lecture ne sont que des exemples, ou s’ils ont une valeur philosophique propre. (shrink)

Henri Bergson is perhaps most remembered for his bold challenge to Einstein's theory of the relativity of simultaneity. Bergson maintained that Einstein's theory did not cope with our intuition of time, which is an intuition of duration. Einstein retorted that there may be psychological time, but there is no special philosopher's time. For Einstein, time forms the fourth dimension of a so-called Parmenidean "block universe". I argue that we must be on our guard not to read into (...) the work of even greatest intellectual predecessors ideas and levels of sophistication that we take for granted in modern theories. For example, it would be silly to suggest that Democritus's atomic theory - though important in the development of the testable modern atomic theory - has anything new to say about modern quantum theory. (shrink)

Henri Bergson (1859-1941) was one of the main exponents of evolutionary thinking in the later nineteenth and early twentieth century. He gave that kind of thinking an unprecedented metaphysical turn. In consequence of his versatility he also encountered the notion of truth-making, which he connected with his ever-present concerns about time and duration. Eager to stress the dimension of radical change and of novelty in the nature of things, he rejected (in one form) what he called “the retrograde (...) movement of the true” while championing it – with undeniable delight in the air of paradox – in a derivative form. In the paper I explain what “the retrograde movement of the true” consists in – in its two forms. (shrink)

This is a book about evolution from a post-Darwinian perspective. It recounts the core ideas of French philosopher Henri Bergson and his rediscovery and legacy in the poststructuralist critical philosophies of the 1960s, and explores the confluences of these ideas with those of complexity theory in environmental biology. The failings in the development of systems theory, many of which complex systems theory overcomes, are retold; with Bergson, this book proposes, some of the rest may be overcome too. (...) It asserts that Bergson’s ideas can further our understanding of evolution, and of complex systems, and aid the work of scientists working in the field of ecological complexity. See http://www.creativeemergence.info/ for more detail and sample chapter. "The claim is that Bergson's notions of duration and élan vital resonate with and provide interesting metaphysical speculations complementing a process structuralist biology of the Goodwin and Kauffman stripe. This is certainly provocative and worth further thought. The key claim is that the openness and unpredictability of systems "at the edge of chaos" (where a system can be said to "choose" at bifurcation points in its state space) meets the Bergsonian desideratum of an open universe that takes irreversible time and evolutionary difference seriously. In particular, Kreps stresses the way Bergson's insistence on the differentiating force of élan vital (which Kreps successfully defends from the charge of a substantialist vitalism along the lines of Hans Dreisch) puts him in line with those who see natural selection as a secondary pruning of a primary differentiation." -John Protevi, Notre Dame Philosophical Reviews 2016.01.20 'This is no ordinary introduction to Henri Bergson. What David Kreps' excellent study gives us is Bergson, complexe: first, because there is no simple way to take (or leave) Bergson's ideas - his thought of durée, élan, and 'multiplicity' demands the most subtle and nuanced reading to give them their full justice; and second, because only by intertwining his ideas with the most up-to-date research in systems thinking, complexity theory, and poststructuralism can we begin to understand their absolute contemporaneity. Kreps' work does all this and more: it gives us the Bergson we need for today.' -John Mullarkey, author of Bergson and Philosophy 'Kreps' book is a thoroughly researched and well-written work that shows how Bergson's philosophy of evolution and time can also reinvigorate our ideas about complexity and organization in the natural and physical sciences.' -Stephen Crocker, author of Bergson and the Metaphysics of Media. (shrink)

What is the persuasive basis for the doctrine of universal human rights - rights that pertain to all human beings, regardless of national, racial, or religious affiliation? This essay offers some reflections on the subject by considering the contrasting approaches of two thinkers: Vaclav Havel, the playwright, essayist, human rights advocate, and onetime President of Czechoslovakia; and Henri Bergson, the once influential French philosopher and apostle of creative evolution, unfortunately now often forgotten.

Though one of anti-intellectualism’s key historical figures, Henri Bergson’s thought has not played a significant role in ongoing discussions of that topic. This paper attempts to help change this situation by discussing the notion at the centre of Bergson’s anti-intellectualism (namely, intuition) alongside the notion at the centre of a central form of contemporary anti-intellectualism (namely, know-how or skill). In doing so, it focuses on perhaps the most common objection to both Bergson and contemporary anti-intellectualists: that (...) their anti-intellectualisms are rather forms of irrationalism. It argues that in fact only a narrow charge of irrationalism applies to Bergsonian intuition and that a form of contemporary anti-intellectualism may offer help in responding to this remaining accusation. (shrink)

I attend to the temporal schema of open/closed by examining its elaboration in Bergson's philosophy and critically parsing the possibilities for its destabilization. Though Bergson wrote in a colonial context, this context barely receives acknowledgement in his work. This obscures the uncomfortable resonances between Bergson's late work, The Two Sources of Morality and Religion, and the temporal narratives that justify French colonialism. Given Bergson's uptake by philosophers, such as Gilles Deleuze, and by contemporary feminist and political (...) theorists (especially “new materialists”), a critical re-examination is called for. The Two Sources not only introduces a new dichotomy into Bergsonian philosophy—that of open/closed—it puts an end to the movement of duration by defining its possibilities as goals already given in advance. By turning the tools of Bergsonian critique onto The Two Sources, I propose an alternative to the open/closed—that of the “half-open”—creating in this way the conditions for decolonizing duration. (shrink)

James a maintes fois célébré les rencontres philosophiques et l’on sait les efforts de James et de Bergson pour se voir, lors des passages de James en Europe. Proximité physique ne signifie évidemment pas convergence ni capillarité philosophiques, comme l’apprend à ses dépens Agathon dans le Banquet de Platon. Or, le rapprochement, mais aussi les confusions, entre la philosophie de Bergson et celle de James, voire entre « bergsonisme » et « pragmatisme », restent un passage obligé de (...) l’étude des deux hommes. Si cette confusion — peut-être ces familles de confusions — sont caractéristiques du début du XXe siècle , il serait sans doute illusoire de croire que nous en sommes sortis aujourd’hui. C’est en France une expérience encore très répandue chez le jamesien que devoir se justifier par rapport au « bergsonisme », et c’en est une autre pour le « bergsonien » que de devoir dire qu’il n’est pas forcément « pragmatiste ». Ces glissements ont déjà été maintes fois analysés et je tiendrai ici pour acquis que Horace Kallen , Floris Delattre , Ralph Barton Perry et Millic Capek , qui ont procédé à la revue de détail, nous ont donné suffisamment d’éléments pour qu’il ne soit pas nécessaire de reprendre le dossier dans son ensemble. Le propos sera plutôt de décomposer un travers de lecture que l’on inflige généralement aux deux auteurs à partir d’un terrain plus limité : le thème du « courant », ou flux (stream), de conscience, thème prétendument commun aux deux hommes. Je vais pour cela tenter d’identifier, dans la première section, deux grandes manières d’aborder le rapport entre les deux hommes qui ont conduit à méconnaître leur apport propre. L’une interdit tout simplement de les lire comme philosophes, même si elle est couramment pratiquée, ce que j’illustrerai à la lumière de deux exemples. L’autre type de lecture engage, lui, un contresens sur la thèse même de James, et c’est ici que la face critique de ce chapitre se retourne en argument positif. Le cœur de ce contresens est de croire que James aurait introduit le thème du courant de pensée ou de conscience, et que ce serait là son originalité. Or, comme il est normal chez un auteur pragmatiste après tout, l’originalité réside dans l’usage qui est fait de ce thème. En examinant dans la deuxième section les rouages de ce contresens, dont il n’est pas certain que tous les lecteurs de Bergson l’aient totalement évité alors même qu’ils pensaient le déposer, on tentera donc de préciser tout d’abord en quoi le thème lui-même n’est pas spécifiquement jamesien, ensuite en quoi le propos de James n’est pas tant de décrire ce flux pour lui-même que de nous expliquer ce qui nous guette si nous le négligeons systématiquement, enfin quelles sont les fonctions remplies par les passages sur le courant de conscience dans l’argument de James. (shrink)

Does a privileged frame of reference exist? Part of Einstein’s success consisted in eliminating Bergson’s objections to relativity theory, which were consonant with those of the most important scientists who had worked on the topic: Henri Poincaré, Hendrik Lorentz and Albert A. Michelson. In the early decades of the century, Bergson’s fame, prestige and influence surpassed that of the physicist. Once considered as one of the most renowned intellectuals of his era and an authority on the nature (...) of time, The Stanford Encyclopedia of Philosophy (2010) does not even include him under the entry of “time.” How was it possible to write off from history a figure that was once so prominent? Through an analysis of behind-the-scenes of science correspondence, this article traces the ascendance of Einstein's views of time at the expense of Bergson’s. (shrink)

This paper asks how perception becomes racializing and seeks the means for its critical interruption. My aim is not only to understand the recalcitrant and limitative temporal structure of racializing habits of seeing, but also to uncover the possibilities within perception for a critical awareness and destabilization of this structure. Reading Henri Bergson and Maurice Merleau-Ponty in dialogue with Frantz Fanon, Iris Marion Young and race-critical feminism, I locate in hesitation the phenomenological moment where habits of seeing can (...) be internally fractured. Hesitation, I claim, makes visible the exclusionary logic of racializing and objectifying perception, countering its affective closure and opening it to critical transformation. (shrink)

Conventional ethics of how humans should eat often ignore that human life is itself a form of organic activity. Using Henri Bergson’s notions of intellect and intuition, this chapter brings a wider perspective of the human organism to the ethical question of how humans appropriate life for nutriment. The intellect’s tendency to instrumentalize living things as though they were inert seems to subtend the moral failures evident in practices such as industrial animal agriculture. Using the case study of (...) Temple Grandin’s sympathetic cattle technologies, this chapter moves beyond animal welfare concerns to ground food ethics on the phenomenal character of food that is obscured by human activities of fabrication. (shrink)

Most see having their individuality stifled as equivalent to the terrible forced conformity found within speculative fiction like George Orwell's 1984. However, the oppression of others by those in power has often been justified through ideologies of individualism. If we look to animistic traditions, could we bridge the gap between these extremes? What effect would such a reevaluation of identity have on the modern understanding of selfhood? The term ' in-dividual' suggests an irreducible unit of identity carried underneath all of (...) our titles and experiences—the real self. By linking Marilyn Strathern's elaboration of dividualism and Nurit Bird-David's relational epistemology , a clear contrast forms between the animistic sense of self and that of the West. This system of selfhood more readily encourages a life lived in Henri Bergson's sense of duration and sets up a state of dialogical discourse , as seen in Mikhail Bakhtin's work. These concepts challenge the traditional praise for individuality and exposes how individualism can be used as a tool of marginalization as seen in Michel Foucault's critique of authorship. I argue that pursuing a sense of self rooted in these concepts instead of individualism mitigates this marginalization via a more socially aware cultural environment that the traditional Western sense of self fails to create. (shrink)

The first section of this article focuses on the treatment of “time travel” in science-fiction literature and film as presented in the secondary literature in that field. The first anthology I will consider has a metaphysical focus, including (a) relating the time travel of science fiction to the banal time travel of all living beings, as we move inexorably toward the future; and (b) arguing for the filmstrip as the ultimate metaphor for time. The second anthology I will consider has (...) a more political focus, arguing that the “special effects” form of science-fiction films, rather than the visual or narrative content of science-fiction-films, is truly imaginative and futural. The second section of this article ties together a variety of concepts and insights between time-travel cinema and Deleuze’s Cinema 1, suggesting (among other things) that (c) time-traveling characters in cinema function as a redoubled phenomenon of the “mobile sections” of Bergsonian duration (in reference to Henri Bergson), and (d) time-travel cinema vividly illustrates the imagistic nature of the entire world. (shrink)

As all philosophical concepts, also the concept of person constitutes itself referring to a particular problem. The analysis drafted by Marcel Mauss regarding the genesis of the aforementioned category permits to analyse the problematic nucleus to which such concept refers to, disclosing that it responds to the necessity of solving the ancient problem of the link between mind and body in a specific perspective. In this respect, Bergsonian theory of images represents a solid attempt of passing not only the habitual (...) solution of the problem represented by the concept of person, but also the problem itself whereto refers. The deleuzian reading of Henri Bergson’s theory leads him to define the impersonal and pre-individual field sketched out by Bergson as a plane of immanence, and this last as “a life”. The ultimate aim of this paper is to analyse the nature of such plane and to suggest an interpretation of the latest Gilles Deleuze’s piece of writing, "L’immanence: une vie..." that unveils its profound Bergsonism. (shrink)

Regardless of the metaphysics that inspires them, theories of perception invariably end up in the trap of subjectivism. Thus, idealism argues that the world can be nothing more than a representation of the mind. As to dualism and materialism, despite fundamental differences, they share the common assumption that perception is a subjective replica of external objects. Opposed to these theories is common sense with its tenacious belief that an external world exists and that things are perceived where they are and (...) as they are. This paper contends that Bergson’s theory of perception should be approached from the question of what the relationship between matter and mind must be for perception to retain an objective character. It shows that only its emergence from things themselves rather than from the subject can provide objectivity to perception. In thus grounding objectivity in the impersonal character of perception, whose implication is that it precedes the subject, which is then posteriorly formed, Bergson’s theory constitutes, so the paper argues, a radical reversal of the traditional position, including that of phenomenology. (shrink)

Neo-Darwinism, through the combination of natural selection and genetics, has made possible an explanation of adaptive phenomena that claims to be devoid of metaphysical presuppositions. What Bergson already deplored and what we explore in this paper is the implicit finalism of such evolutionary explanations, which turn living beings into closed and static systems rather than understanding biological evolution as a process characterized by its interactions and temporal openness. Without denying the heuristic efficiency of the explanation resting upon natural selection, (...) we analyze what it leaves out and what remains to be explored: the unpredictability of the evolutionary process. We will therefore study the role of contingency in evolution, as Stephen J. Gould proposed, but we will also consider the causality specific to the living world that makes it impossible to reduce it to a simple algorithm, as proposed by Daniel Dennett among others, but that it is really a creative causation, or dialectical spiral. (shrink)

Henri Bergson developed an extensive analysis of duration, which consists of the subjective perception of changing situations in a fluid and continuous perspective, distinct from the notion of chronological time. From this starting point, he defined consciousness by this criterion of temporal continuity, as accumulated memory. Jean Schneider presented a formalization of the self-referential characteristic of duration. In this paper, a parallel will be drawn between these models and the theory of self-reference from causal superposition. Some extensions of (...) this theory will be presented, especially an approach to the problem of experience, and a generalization of referential properties to other types of information perspectives. -/- . (shrink)

This paper argues that 'duality' accounts of time, as exemplified by Henri Bergson's, Edmund Husserl's, and John McTaggart's ideas, parallel the decomposition of temporal experience in depressive psychosis into objective and subjective dimensions of time. The paper also proposes to comprehend the full-fledged depressive temporal delusion, in which the subjective flow of time comes to a standstill, via the idea of a double orientation to reality characteristic of schizophrenic delusions. In the depressive temporal delusion a person claims that (...) time is not moving while simultaneously her cognitive orientation in temporal surroundings remains largely unaffected, hence the double orientation. The juxtaposition of temporal experience in depression with the temporal disorientation in dementia enables us to situate the depressive delusion regarding the flow of time in the middle of a proposed scale of the disintegration of normal temporal experience. (shrink)

In this essay, I draw on Henri Bergson and Maurice Merleau-Ponty to interrogate what philosophy is and how it can continue to think. Though my answer is not reducible to the views of either philosopher, what joins them is an attempt to elaborate philosophy as a different way of seeing. In this light, I propose a view of philosophy as prosthesis—as a means and a way for seeing differently. Rather than a simple tool, philosophy as prosthesis is a (...) transformative supplement, one that our bodily perception calls for and wherein that perception is recast. Rather than a fixed or assured view, this prosthesis holds open the interval in which thinking can take place. Philosophy, I argue, must wait. It sees and thinks hesitatingly, for the temporality it inscribes is not a foreseeable development but the unfolding of life as tendency, as that which creates its own possibility as it comes into existence. (shrink)

Time’s arrow is necessary for progress from a past that has already happened to a future that is only potential until creatively determined in the present. But time’s arrow is unnecessary in Einstein’s so-called block universe, so there is no creative unfolding in an actual present. How can there be an actual present when there is no universal moment of simultaneity? Events in various places will have different presents according to the position, velocity, and nature of the perceiver. Standing against (...) this view is traditional common sense since we normally experience time’s arrow as reality and the present as our place in the stream of consciousness, but we err to imagine we are living in the actual present. The present of our daily experience is actually a specious present, according to E. Robert Kelly (later popularized by William James), or duration, according to Henri Bergson, an habitus, as elucidated by Kerby (1991), or, simply, the psychological present (Adams, 2010) – all terms indicating that our experienced present so consists of the past overlapping into the future that any potential for acting from the creative moment is crowded out. Yet, for philosophers of process from Herakleitos onward, it is the philosophies of change or process that treat time’s arrow and the creative fire of the actual present as realities. In this essay, I examine the most well known but possibly least understood process cosmology of Alfred North Whitehead to seek out this elusive but actual present. In doing so, I will also ask if process philosophy is itself an example of the creative imagination and if this relates to doing science. I conclude Whitehead's process philosophy falls short of allowing for the actual creative spontaneity of a dynamic (eternal) present. (shrink)

Nosso objetivo é mostrar como Bachelard edifica a noção de vida em sua filosofia ao esboçar uma reflexão sobre o problema filosófico do tempo junto às noções de instante e duração. O livro A intuição do instante (1932), obra dedicada a esta reflexão metafísica sobre o tempo confluindo, quatro anos mais tarde, para A dialética da duração (1936), obra que, por sua vez, define o conceito de duração a partir das várias temporalidades superpostas constitutivas da própria existência, são as referências (...) privilegiadas deste estudo. Ressaltaremos a importância da filosofia de Henri Bergson nesta discussão ao estabelecermos um contraponto entre suas teses sobre a vida e a duração às mesmas teses conceituais bachelardianas, sobretudo a partir da oposição entre as seguintes noções: vida vivida (circunscrita ao tempo comum/tempo transitivo em Bergson) e vida pensada (circunscrita ao tempo do espírito/tempo imanente em Bachelard). Partimos da hipótese a ser debatida de que é porque o espírito pode chocar-se com a vida vulgar, escorregadia e homogênea que a vida superior, ou seja, do próprio espírito, deve ser entendida nesta filosofia bachelardiana como sendo uma construção racional ancorada em uma dialética pluralista de saberes sobre o tempo. (shrink)

This paper examines Maurice Merleau-Ponty’s later philosophy of time in light of his critique and reconceptualization of Edmund Husserl’s early time-analyses. Drawing on The Visible and the Invisible and lecture courses, I elaborate Merleau-Ponty’s re-reading of Husserl’s time-analyses through the lens of Rudolf Bernet’s “Einleitung” to this work. My question is twofold: what becomes of the central Husserlian concepts of present and retention in Merleau-Ponty’s later work, and how do Husserl’s elisions, especially of the problem of forgetting, become generative moments (...) for Merleau-Ponty’s thought on time? The answer passes through the logic of institution as the “retrograde movement of the true” (Henri Bergson) and through unconsciousness as disarticulation of the perceptual field, as Merleau-Ponty attempts to detach Husserlian concepts from the philosophy of consciousness and rehabilitate them within an ontology of time. (shrink)

The article presents Erwin W. Straus’ unpublished manuscript “Temporal Horizons” from 1952. In the paper, in addition to an extensive philosophical discussion with St. Augustine, Henri Bergson and Sigmund Freud, Straus elaborates on his idea of a unified view of temporal experience, comprising both the personal and the impersonal dimensions of time. The manuscript also contains an interview with a psychotic patient, which is supposed to exemplify Straus' core idea on the psychotic temporal experience, according to which the (...) break of the invisible bond between immanent or personal, and clock or impersonal time leads to a loss of a sense of reality. (shrink)

O objetivo da presente dissertação é mostrar como Bachelard edifica a noção de vida em sua filosofia por meio de uma reflexão sobre o problema filosófico do tempo e das noções de instante e duração. Ao refletirmos sobre o instante descontínuo associando-o a outros conceitos que perpassam seus escritos, tanto epistemológicos, quanto poéticos, estabeleceremos de que maneira o pressuposto teórico de complementariedade entre as duas vertentes de seu pensamento é alcançado. Destacaremos também que em sua metafísica o ser do homem (...) busca sua referência autosincrônica por meio da experiência descontínua do instante verdadeiramente dinâmico, onde o tempo não corre, jorra. O livro A intuição do instante (1932), obra dedicada a esta reflexão metafísica sobre o tempo conflui, quatro anos mais tarde, para A dialética da duração (1936), obra que, por sua vez, define o conceito de duração a partir das várias temporalidades superpostas constitutivas da própria existência, ambas apresentam os fundamentos de uma filosofia do repouso e são as referências privilegiadas deste estudo. Não é necessário ressaltar a importância da filosofia de Henri Bergson nesta discussão: é a partir de um contraponto com suas teses, tanto sobre a vida como sobre a duração, que Bachelard irá forjar sua própria compreensão do conceito de vida por meio de uma oposição que é sublinhada ao longo de suas duas obras temporais, ou seja, entre vida vivida (circunscrita ao tempo comum/tempo transitivo) e vida pensada (circunscrita ao tempo do espírito/tempo imanente). Partimos da hipótese de que é porque o espírito pode chocar-se com a vida vulgar, escorregadia e homogênea que a vida superior, ou seja, do próprio espírito, deve ser entendida nesta filosofia como sendo uma construção racional apoiada em uma dialética pluralista de saberes sobre o tempo. No final deste trabalho tentaremos esboçar alguns apontamentos relativos à valorização da vida pelo pensamento bachelardiano que a torna ritmicamente variada e harmônica. (shrink)

A proposta deste trabalho é investigar a contribuição da filosofia de Henri Bergson para as discussões atuais sobre a memória. Atualmente, o debate concentra-se entre as teorias causalistas e as teorias simulacionistas acerca da memória. O primeiro grupo defende que entre a representação atual de uma experiência passada e esta experiência, há uma conexão causal. Por outro lado, o segundo grupo entende que a principal contribuição para as representações atuais a respeito de eventos passados surge das condições do (...) momento presente, dispensando a necessidade de uma relação entre a experiência e a representação atual. Henri Bergson, no final do século XIX, apresentou a memória como uma faculdade prática, cuja função é auxiliar na tomada de decisões a partir das informações adquiridas anteriormente. De modo que são as condições do sujeito no momento presente que indicarão quais lembranças serão evocadas. Os conteúdos destas lembranças não são idênticos aos conteúdos do momento em que foram apreendidos, pois as lembranças, na sua concepção, alteram-se ao longo do tempo conforme novas informações são obtidas. Até este ponto, parece haver uma grande aproximação entre a filosofia bergsoniana acerca da memória e a compreensão simulacionista. Contudo, Bergson também entende que a lembrança retida depende da percepção, ocasionando uma representação, que o sujeito teve no momento da experiência, afirmando a existência de uma relação causal entre a representação no momento passado e a representação no momento em que a lembrança é evocada. Portanto, podemos reconhecer aspectos da memória na concepção bergsoniana tanto no modelo causalista, quanto no modelo simulacionista apresentados no debate contemporâneo. A nossa pretensão é, a partir da verificação sobre quais aspectos a filosofia de Bergson se aproxima e se afasta das teorias atuais, reconhecer a quais objeções ela está exposta, bem como que vantagens tem na pesquisa contemporânea em filosofia da memória. Assim como todo estudo relacionado à mente, o trabalho em torno da memória trouxe diversas descobertas e hipóteses no último século, ou seja, o conhecimento a respeito do tema avançou significativamente desde as considerações realizadas por Bergson. Acreditamos que o resgate histórico é importante para evitar a possibilidade de que elementos inclusos em constatações filosóficas mais antigas, e que podem ser de interesse para a pesquisa atual, não sejam vistos. Dividiremos a apresentação deste trabalho em três seções: na primeira, abordaremos as teorias causalista e simulacionista da memória; na segunda, exporemos a filosofia da memória de Bergson; por fim, relacionaremos a compreensão bergsoniana acerca da memória com o debate atual para detectarmos quais aspectos foram derrotados e quais têm se mantido ao longo de todos estes anos após a publicação de Bergson. (shrink)

Nicholas Rescher’s way of understanding process philosophy reflects the ambitions of his own philosophical project and commits him to a conceptually ideal interpretation of process. Process becomes a transcendental idea of reflection that can always be predicated of our knowledge of the world and of the world qua known, but not necessarily of reality an sich. Rescher’s own taxonomy of process thinking implies that it has other variants. While Rescher’s approach to process philosophy makes it intelligible and appealing to mainstream (...) analytic philosophy, it leaves behind the more daring ideas of Bergson, James, and Whitehead, all of whom envisioned the primordial reality of process in a radical ontology of becoming. This variant of process thought can be construed as coherent and self-consistent, but not without relinquishing the correspondence theory of truth and embracing challenging ideas that bring us in close proximity to existentialism, apophatic theology, and Buddhism. (shrink)

This paper draws together as many as possible of the clues and pieces of the puzzle surrounding T. S. Eliot’s “infamous” literary term “objective correlative”. Many different scholars have claimed many different sources for the term, in Pound, Whitman, Baudelaire, Washington Allston, Santayana, Husserl, Nietzsche, Newman, Walter Pater, Coleridge, Russell, Bradley, Bergson, Bosanquet, Schopenhauer and Arnold. This paper aims to rewrite this list by surveying those individuals who, in different ways, either offer the truest claim to being the source (...) of the term, or contributed the most to Eliot’s development of it: Allston, Husserl, Bradley and Bergson. What the paper will argue is that Eliot’s possible inspiration for the term is more indebted to the idealist tradition, and Bergson’s aesthetic development of it, than to the phenomenology of Husserl. (shrink)

During the first quarter of the twentieth century, the French philosopher Henri Bergson became an international celebrity, profoundly influencing contemporary intellectual and artistic currents. While Bergsonism was fashionable, L. Susan Stebbing, Bertrand Russell, Moritz Schlick, and Rudolf Carnap launched different critical attacks against some of Bergson’s views. This book examines this series of critical responses to Bergsonism early in the history of analytic philosophy. Analytic criticisms of Bergsonism were influenced by William James, who saw Bergson as (...) an ‘anti-intellectualist’ ally of American Pragmatism, and Max Scheler, who saw him as a prophet of Lebensphilosophie. Some of the main analytic objections to Bergson are answered in the work of Karin Costelloe-Stephen. Analytic anti-Bergsonism accompanied the earlier refutations of idealism by Russell and Moore, and later influenced the Vienna Circle’s critique of metaphysics. It eventually contributed to the formation of the view that ‘analytic’ philosophy is divided from its ‘continental’ counterpart. (shrink)

ArgumentIn 1895 when the Lumière brothers unveiled their cinematographic camera, many scientists were elated. Scientists hoped that the machine would fulfill a desire that had driven research for nearly half a century: that of capturing the world in its own image. But their elation was surprisingly short-lived, and many researchers quickly distanced themselves from the new medium. The cinematographic camera was soon split into two machines, one for recording and one for projecting, enabling it to further escape from the laboratory. (...) The philosopher Henri Bergson joined scientists, such as Etienne-Jules Marey, who found problems with the new cinematographic order. Those who had worked to make the dream come true found that their efforts had been subverted. This essay focuses on the desire to build a cinematographic camera, with the purpose of elucidating how dreams and reality mix in the development of science and technology. It is about desired machines and their often unexpected results. The interplay between what “is”, what “ought”, and what “could” be drives scientific research. (shrink)

This paper draws upon the work of three different philosophers, from America (Thomas Nagel), France (Henri Bergson) and Britain (Alfred North Whitehead), to argue for (i) the reality of subjectivity, (ii) the nonphysical nature of subjective consciousness that is dependent upon but not determined by the physical nature of the body, and (iii) the potential unity of a new concept of nature-on-the-move, as distinct from the bifurcation of nature that views only the objective as real. It then presents (...) arguments for new understandings of positivism, interpretivism and the critical stance, in a unified and more coherent frame, going beyond Habermas, Foucault and Bourdieu, to a more fundamental understanding of the philosophical context, situating IS within a more inclusive concept of nature. (shrink)

In this paper, I will argue with Ernst Cassirer that anticipation plays an essential part in the constitution of time, as seen from a transcendental perspective. Time is, as any transcendental concept, regarded as basically relational and subjective and only in a derivative way objective and indifferent to us. This entails that memory is prior to history, and that anticipation is prior to prediction. In this paper, I will give some examples in order to argue for this point. Furthermore, I (...) will also argue, again with Cassirer and contra Henri Bergson, that time should be seen as a functional unity, and not as a collection of three different things-in-themselves (past, present and future). (shrink)

According to Gabriel Marcel, no task is more important and more complex than looking for ways of confronting and overcoming despair. Therefore, the search for the essence of hope is the objective of this paper. Reference is made to the theme of the open soul in Henri Bergson’s, Gabriel Marcel’s, and Jan Patočka’s works. Such a soul is not centred in itself; moreover, according to Marcel, hope and soul are intrinsically linked together. Hope opens people towards the future. (...) The concept of hope in the biblical context is shown briefly, according to which hope is in God (Ps 62:5), while God is coming to man. At the same time, biblical texts sketch a pathway to hope, setting out from suffering through endurance and character (Rom 5:3–4). The paper stresses that hope takes root in dialogue and that a person is empowered to adopt hope as a gift. (shrink)

The image of the “mirror” (鏡kagami) appears frequently in the philosophical texts of Nishida Kitaro (西田幾多郎1870-1945), where it assumes various functions. Mirror references first occur in meditations on the philosophies of Josiah Royce (1855-1916) and Henri Bergson (1859-1941). The most fascinating evocation here corresponds to the idea of a “self-enlightening mirror”, used to probe the philosophical ground for self-illumination. This idea seems to point back to Buddhist meaning that intervenes in Japanese intellectual history. We take this as our (...) warrant for establishing here, firstly, how Nishidean philosophical speculation can be critically related to the thought of Dogen (道元1200-1253); and, secondly, in what sense it has stimulated some contemporary approaches in Japanese philosophy (for example, those of Nitta, Ohashi, and Sakabe). (shrink)

The primary goal of this article is point out certain close parallels between some ideas of the radical feminist theorist Mary Daly and those of the French philosopher Henri Bergson. These similarities are particularly striking regarding distinctions made by both authors between two fundamentally contrasting types of cognitive faculty, of time and temporal experience, and of self and emotion. Daly departs from Bergson inasmuch as she employs these distinctions in her own way. She does not—like Bergson—employ (...) them to depict the result of a natural process of consciousness or life, and the dangers for human freedom and thought of not properly respecting these differences. Rather, she locates these differences within a more liberatory, ethical perspective to ground a sharp, inimical contrast between feminist creative movement on the one hand, and static, fixing, and “fixating” patriarchy, with its “technocratic” pretensions, on the other. My hope is that highlighting the similarities between Daly and Bergson will open new paths of appreciation and critique of Daly’s work. (shrink)

This article argues that we can construct a complex interpretation of the nature of time by linking Aciman’s gnostic thread to aspects of twentieth century theory, from philosophy and psychoanalysis. In brief, it attempts to demonstrate the roles of dislocation, deferral, and Otherness in constituting human temporality. The essay begins by surmising the conceptual history of time, touching on key ideas put forward by Augustine and Bergson. The second section takes a psychoanalytic turn after exploring Homo Irrealis to describe (...) the significance of desire and fantasy. Thirdly, we develop a unique and temporal application of difference and deferral, building off of Deleuze and Derrida. The fourth section will consider how the psychoanalytic concept of the Other is inhered within time. We conclude that an Acimanic analysis of time is the means by which we can understand existence not as a series of moments, but a rich progression of dissimilitude and Otherness defined moreso by its lack of cohesion and directness of being than by a unified and self-identifying subject. (shrink)

One of the chief virtues of Gutting’s book is its ambition to tell the “relatively self-contained and coherent story” (xi) of French philosophy in this century, not just the parts of the story that American academics have seized upon as distinctive and interesting. Alongside analyses of well-known philosophers like Sartre, Merleau-Ponty, Foucault, and Derrida (a 30-40 page chapter is devoted to each), Gutting provides excellent chronological summaries of early figures like Félix Ravaisson, Jules Lachelier, Léon Brunschvicg, Henri Bergson, (...) and Gaston Bachelard who are infrequently read or discussed in English. (shrink)

It is, without a doubt, a difficult task to address at once the state of philosophy as embodied by the Society for Phenomenology and Existential Philosophy and the place of one’s own thought within it. This is the task that a co-director’s address tries to fill. Whether with a critical reexamination of the phenomenological mode of seeing distinctive of SPEP, of philosophical progress, or of the place of transcontinental philosophy, prior co-directors found ways to subtly chart the windings and turns (...) of the many streams that assemble to form this society.We seem to be, however, at a different juncture, so that another... (shrink)

This paper presents the proof of the apparent nature of relative simultaneity originally derived from Einstein’s Special Theory of Relativity (STR). The proof does not challenge the validity of the STR but uncovers fundamental and widespread error in understanding of practical implications of Lorentz transformations. It is demonstrated that more than a century long debates generally miss the point. This results in counterintuitive claims of coexisting multiple time realities by mere equivalence of equal clock indications and simultaneity. Such claims have (...) little empirical significance but they are substantial in education and philosophy which has become utterly confused after universal acceptance of the STR and rejections of Henri Bergson’s challenge. There is nothing more to “relative simultaneity” other than the effect of identical clocks being shifted by an offset which depends on synchronisation method. (shrink)

This chapter argues that the space of the thermal pool is central to Tarkovsky’s exploration of the mystery of sacrifice and the pain of exile in Nostalghia. Spatially, the geometry and textures of the pool are echoed throughout the film’s interiors, in hotel corridors and cathedrals. I propose that we can see Tarkovsky’s aesthetic in Nostalgia as one of overflow. The water that initially fills the pool overflows into nearly every scene, as interiors of houses are flooded in dream-like visions, (...) and the echoing sound of dripping water is omnipresent. Thematically, the film explores the way in which past and present, memory and dream, and the spaces of home and exile flow into each other, using techniques of superimposition. I argue that such overflowing, in both theme and aesthetic, can be productively read in conjunction with Henri Bergson’s theories of duration, in which variegated temporal rhythms continually bleed into each other. Nostalgia’s pool forms a space of becoming, where place and identity is continually in flux. (shrink)

The modernization of Burgundy during the late nineteenth and early twentieth centuries drew on the coordinated efforts of numerous industrial and cultural sectors. Among these innovative developments, new tourism industries played a prominent role in providing new opportunities for the consumption of local products while redefining existing conceptions of Burgundian landscapes. This entailed collaboration of a variety of cultural intermediaries ranging from local boosters to politicians and from merchants to academics. Geographers contributed by incorporating symbolic, subjective, and performative practices into (...) the existing regional concepts of terroir and genres-de-vie. The result was newly scripted roles for tourists and locals to participate in gastronomic activities that, by virtue of the experience, altered participants’ experience of time, space, and themselves. Rapidly institutionalized in Burgundy, these developments illustrate how contemporary commercial interests influenced geographic notions of place in the French provinces. (shrink)

On the current fashion to look after a previous universe to explain the laws of our Universe.Esperando al nuevo Aristóteles, regreso a Henri Bergson y el "Parménides", el otro universo de Plotino. In Spanish.

Il principale obiettivo teoretico di questo lavoro consiste nel tentativo di verificare, attraverso un’indagine storico-genealogica e concettuale, come nella filosofia di Gilles Deleuze si assista ad un radicale mutamento del paradigma relativo alla nozione di trascendentale. Si tratta, in altre parole, di ripercorrere alcune delle tappe fondamentali che conducono il filosofo parigino a “purificare” il trascendentale da ogni riferimento ad una coscienza soggettiva egologica che si fondi in quanto principio genetico del mondo. Si riterrà utile procedere analizzando, in primo luogo, (...) il rapporto che Deleuze intrattiene con le istanze originarie del soggettivismo trascendentale kantiano, ove il trascendentale stesso, nel pensiero del filosofo tedesco, è strettamente connesso all’Io penso in quanto facoltà appercettiva dell’intelletto che incarnerebbe le condizioni di possibilità dell’esperienza. In secondo luogo, si tratterà di orientarsi nel dibattito critico che Deleuze intrattiene con la fenomenologia di Edmund Husserl, ed in particolar modo con la lettura husserliana della Critica della Ragion Pura di Kant, ove il padre fondatore dell’indirizzo fenomenologico novecentesco è colui che fa leva sullo stretto rapporto che sussiste tra il trascendentale e la coscienza. Nonostante il percorso storico, tracciato dal concetto di trascendentale, abbia inizio con l’opera di Kant, ritengo non sia possibile evitare un pur breve confronto con il ruolo che l’ego ha avuto nella formulazione cartesiana del cogito; si dovrà, per ciò stesso, considerare la particolare lettura deleuziana che riconosce nel cogito cartesiano il “luogo” in cui confluiscono tutte le facoltà del soggetto, permettendo di identificare il cogito stesso con una forma embrionale di piano di immanenza, seppur non adeguatamente radicalizzata nella misura in cui il cogito cartesiano resta saldamente ancorato al soggetto. Ritengo, tuttavia, che il più considerevole obiettivo di questa proposta d’indagine non si risolva in una ricostruzione meramente storico-genealogica. Si tratterà, al contrario, di verificare come l’importanza degli esiti raggiunti da Deleuze mediante l’opera di purificazione della nozione di trascendentale sia da individuare su due fronti: 1. La teorizzazione del concetto di campo trascendentale permette a Deleuze di disegnare una forma di temporalità non psicologica e non cronologica fondata sul paradosso secondo cui il tempo costituirebbe un’interiorità non psicologica, o per meglio dire, una dimensione autenticamente trascendentale nella quale il soggetto vive e diviene. 2. In antitesi ai proponimenti della fenomenologia husserliana, l’esito autentico del progetto di purificazione del trascendentale da ogni istanza egologica consiste nell’interruzione della correlazione a priori tra il soggetto e il mondo, nella destituzione della filosofia da ogni pregiudizio antropocentrico, e nella rideterminazione dell’umano niente più che come un effetto, o un caso, del mondo. (shrink)

Nel suo "Il canone minore", Rocco Ronchi descrive il tentativo compiuto da quelle figure, sovente eretiche del pensiero rispetto a quello che l’autore individua come canone maggiore, che nel corso della storia della filosofia hanno pensato davvero l'immanenza dell’assoluto o, che è lo stesso, l’univocità dell’essere sul piano degli enti di natura. Nell’esigenza fondamentalmente speculativa e per ciò stesso anti-moderna della filosofia, ciò che si dà a vedere quale dato immediato dell’intuizione è un'equivalenza solo apparentemente innocua, ma in realtà profondamente (...) perturbante e traumatica: immanenza assoluta = natura. (shrink)