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  1. The dynamic architecture of emotion: Evidence for the component process model.Klaus R. Scherer - 2009 - Cognition and Emotion 23 (7):1307-1351.
    Emotion is conceptualised as an emergent, dynamic process based on an individual's subjective appraisal of significant events. It is argued that theoretical models of emotion need to propose an architecture that reflects the essential nature and functions of emotion as a psychobiological and cultural adaptation mechanism. One proposal for such a model and its underlying dynamic architecture, the component process model, is briefly sketched and compared with some of its major competitors. Recent empirical evidence in support of the model is (...)
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  • Language as context for the perception of emotion.Maria Gendron Lisa Feldman Barrett, Kristen A. Lindquist - 2007 - Trends in Cognitive Sciences 11 (8):327.
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  • The Karolinska Directed Emotional Faces: A validation study.Ellen Goeleven, Rudi De Raedt, Lemke Leyman & Bruno Verschuere - 2008 - Cognition and Emotion 22 (6):1094-1118.
    Although affective facial pictures are widely used in emotion research, standardised affective stimuli sets are rather scarce, and the existing sets have several limitations. We therefore conducted a validation study of 490 pictures of human facial expressions from the Karolinska Directed Emotional Faces database (KDEF). Pictures were evaluated on emotional content and were rated on an intensity and arousal scale. Results indicate that the database contains a valid set of affective facial pictures. Hit rates, intensity, and arousal of the 20 (...)
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  • Inherently Ambiguous: Facial Expressions of Emotions, in Context.Ran R. Hassin, Hillel Aviezer & Shlomo Bentin - 2013 - Emotion Review 5 (1):60-65.
    With a few yet increasing number of exceptions, the cognitive sciences enthusiastically endorsed the idea that there are basic facial expressions of emotions that are created by specific configurations of facial muscles. We review evidence that suggests an inherent role for context in emotion perception. Context does not merely change emotion perception at the edges; it leads to radical categorical changes. The reviewed findings suggest that configurations of facial muscles are inherently ambiguous, and they call for a different approach towards (...)
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  • Faces in Context: A Review and Systematization of Contextual Influences on Affective Face Processing.Matthias J. Wieser & Tobias Brosch - 2012 - Frontiers in Psychology 3.
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  • Identification and inferential processes in dispositional attribution.Yaacov Trope - 1986 - Psychological Review 93 (3):239-257.
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  • Do readers mentally represent characters' emotional states?Morton Ann Gernsbacher, H. Hill Goldsmith & Rachel R. W. Robertson - 1992 - Cognition and Emotion 6 (2):89-111.
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  • The representation of characters' emotional responses: Do readers infer specific emotions?Pascal Gygax, Jane Oakhill & Alan Garnham - 2003 - Cognition and Emotion 17 (3):413-428.
    This paper argues that emotional inferences about characters in a text are not as specific as previously assumed.
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