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Rich perceptual content and aesthetic properties

In Anna Bergqvist & Robert Cowan (eds.), Evaluative Perception. Oxford University Press (2018)

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  1. Perceptual plasticity and theoretical neutrality: A reply to Jerry Fodor.Paul M. Churchland - 1988 - Philosophy of Science 55 (June):167-87.
    The doctrine that the character of our perceptual knowledge is plastic, and can vary substantially with the theories embraced by the perceiver, has been criticized in a recent paper by Fodor. His arguments are based on certain experimental facts and theoretical approaches in cognitive psychology. My aim in this paper is threefold: to show that Fodor's views on the impenetrability of perceptual processing do not secure a theory-neutral foundation for knowledge; to show that his views on impenetrability are almost certainly (...)
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  • Perception and the Reach of Phenomenal Content.Tim Bayne - 2009 - Philosophical Quarterly 59 (236):385-404.
    The phenomenal character of perceptual experience involves the representation of colour, shape and motion. Does it also involve the representation of high-level categories? Is the recognition of a tomato as a tomato contained within perceptual phenomenality? Proponents of a conservative view of the reach of phenomenal content say ’No’, whereas those who take a liberal view of perceptual phenomenality say ’Yes’. I clarify the debate between conservatives and liberals, and argue in favour of the liberal view that high-level content can (...)
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  • Towards a consequentialist understanding of cognitive penetration.Dustin Stokes - 2015 - In A. Raftopoulos & J. Ziembekis (eds.), Cognitive Effects on Perception: New Philosophical Perspectives.
    Philosophers of mind and cognitive scientists have recently taken renewed interest in cognitive penetration, in particular, in the cognitive penetration of perceptual experience. The question is whether cognitive states like belief influence perceptual experience in some important way. Since the possible phenomenon is an empirical one, the strategy for analysis has, predictably, proceeded as follows: define the phenomenon and then, definition in hand, interpret various psychological data. However, different theorists offer different and apparently inconsistent definitions. And so in addition to (...)
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  • Senses for senses.Brad Thompson - 2009 - Australasian Journal of Philosophy 87 (1):99 – 117.
    If two subjects have phenomenally identical experiences, there is an important sense in which the way the world appears to them is precisely the same. But how are we to understand this notion of 'ways of appearing'? Most philosophers who have acknowledged the existence of phenomenal content have held that the way something appears is simply a matter of the properties something appears to have. On this view, the way something appears is simply the way something appears to be . (...)
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  • Categories of Art.Kendall L. Walton - 1970 - Philosophical Review 79 (3):334-367.
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  • Aesthetic and nonaesthetic.Frank Sibley - 1965 - Philosophical Review 74 (2):135-159.
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  • Top-down modulation: bridging selective attention and working memory.Adam Gazzaley & Anna C. Nobre - 2012 - Trends in Cognitive Sciences 16 (2):129-135.
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