In this provocative book, Susan Bordo untangles the myths, ideologies, and pathologies of the modern female body. Bordo explores our tortured fascination with food, hunger, desire, and control, and its effects on women's lives.

In this provocative and original work, Slavoj Zizek takes a look at the question of human agency in a postmodern world. From the sinking of the Titanic to Hitchcock's Rear Window, from the operas of Wagner to science fiction, from Alien to the Jewish Joke, the author's acute analyses explore the ideological fantasies of wholeness and exclusion which make up human society. Linking key psychoanalytical and philosophical concepts to social phenomena such as totalitarianism and racism, the book explores the political (...) significance of these fantasies of control. In so doing, The Sublime Object of Ideology represents a powerful contribution to a psychoanalytical theory of ideology, as well as offering persuasive interpretations of a number of contemporary cultural formations. -- Back cover. (shrink)

Powers of Horror is an excellent introduction to an aspect of contemporary French literature which has been allowed to become somewhat neglected in the current emphasis on para-philosophical modes of discourse.".

Moira Gatens investigates the ways in which differently sexed bodies can occupy the same social or political space. Representations of sexual difference have unacknowledged philosophical roots which cannot be dismissed as a superficial bias on the part of the philosopher, nor removed without destroying the coherence of the philosophical system concerned. The deep structural bias against women extends beyond metaphysics and its effects are felt in epistemology, moral, social and political theory. The idea of sexual difference is contextualised in _Imaginary (...) Bodies_ and traced through the history of philosophy. Using her work on Spinoza, Gatens develops alternative conceptions of power, new ways of conceiving women's embodiment and their legal, political and ethical status. (shrink)

This revised edition includes a New Intergalactic Introduction by the Author. Mary Daly's New Intergalactic Introduction explores her process as a Crafty Pirate on the Journey of Writing Gyn/Ecology and reveals the autobiographical context of this "Thunderbolt of Rage" that she first hurled against the patriarchs in 1979 and no hurls again in the Re-Surging Movement of Radical Feminism in the Be-Dazzling Nineties.

This book evaluates the major debates around which the discipline of international relations has developed in the light of contemporary feminist theories. The three debates (realist versus idealist, scientific versus traditional, modernist versus postmodernist) have been subject to feminist theorising since the earliest days of known feminist activities, with the current emphasis on feminist, empiricist standpoint and postmodernist ways of knowing. Christine Sylvester shows how feminist theorising could have affected our understanding of international relations had it been included in the (...) three debates. She elaborates a feminist method of empathetically cooperative conversation which challenges the identity politics of IR, and illustrates that method with reference to the Greenham Common Women's Peace Camp and the efforts of Zimbabwean women to negotiate international funding for their local producer cooperatives. (shrink)

Engendered insecurities : feminist perspectives on international relations - Man, the state, and war : gendered perspectives on National security - Three models of man : gendered perspectives on global economic security - Man over nature : gendered perspectives on ecological security - Toward a nongendered perspective on global security.

This Bridge Called My Back: Writings by Radical Women of Color, edited by Chicana writers Cherríe Moraga and Gloria Anzaldúa, was intended as a collection of essays, poems, tales and testimonials that would give voice to the contradictory experiences of “women of color.” In fact, the editors state: -/- We are the colored in a white feminist movement. We are the feminists among the people of our culture. We are often the lesbians among the straight. -/- By giving voice to (...) such experiences, each according to her style, the editors and contributors believed they were developing a theory of subjectivity and culture that would demonstrate the considerable differences between them and Anglo-American women, as well as between them and Anglo-European men and men of their own culture. As speaking subjects of a new discursive formation, many of Bridge's writers were aware of the displacement of their subjectivity across a multiplicity of discourses: feminist/lesbian, nationalist, racial, socioeconomic, historical, etc. The peculiarity of their displacement implies a multiplicity of positions from which they are driven to grasp or understand themselves and their relations with the real, in the Althusserian sense of the word. Bridge writers, in part, were aware that these positions are often incompatible or contradictory, and others did not have access to the maze of discourses competing for their body and voice. (shrink)