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  1. A Theory of Semiotics.Robert Scholes - 1977 - Journal of Aesthetics and Art Criticism 35 (4):476-478.
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  • La perception de la musique.Robert Francès - 1958 - Paris: Librairie philosophique J. Vrin.
    Depuis la premiere edition de cet ouvrage en 1958, l'interet porte a la perception de la musique n'a cesse de croitre. Le domaine de recherche tel qu'il se presente aujourd'hui est, heureusement, degage des clivages institutionnels. Il associe psychologues, acousticiens, theoriciens de la musique, informaticiens, neuro-scientifiques et tous ceux qui contribuent au progres de cette discipline [...] L'ouvrage de R. Frances, par l'influence qu'il a exerce, est devenu un classique. Il analyse de maniere detaillee, entre autre, les effets de l'harmonie (...)
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  • Musikpsychologie und Musikästhetik: Grundriss der systematischen Musikwissenschaft.Albert Wellek - 1975 - Bonn: Bouvier.
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  • The tuning of the world: toward a theory of soundscape design.R. Murray Schafer - 1977 - Philadelphia: University of Pennsylvania Press.
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  • The aesthetics of rock.Richard Meltzer - 1970 - New York: Da Capo.
    This infamous book has enjoyed a lively underground reputation since its first publication in 1970. Richard Meltzer (a.k.a. R. Meltzer) took his training as a young philosopher and applied it with unalloyed enthusiasm to the lyrics, sound, and culture of rock and roll. Never before had anyone noticed the relationship between the philosophy of Heidegger and a tune by Little Anthony and the Imperials, heard the cries of agony in the Shangri Las' “Remember (Walkin' in the Sand)”, or transcribed every (...)
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  • Introduction.David Middleton - 2006 - Res Publica 12 (1):1-7.
    According to John Rawls, self-respect is the most important of the primary goods and is essential for the construction of the just society. Self-respect, however, remains a concept which is inadequately theorised, being closely linked to other concepts such as dignity, shame, pride, autonomy and security. Most usually self-respect is considered to be just the self-reflection of the respect we receive from others. In this paper I argue that self-respect consists of both a self-evaluative and a social reflexive element. Using (...)
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  • La perception de la musique.R. Francès - 1961 - Revue Philosophique de la France Et de l'Etranger 151:387-388.
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  • A Theory of Semiotics.Umberto Eco - 1977 - Philosophy and Rhetoric 10 (3):214-216.
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  • Music and the Bourgeois; Music and the Proletarian.Rose Rosengard Subotnik, Janos Marothy & Eva Rona - 1975 - Journal of Aesthetics and Art Criticism 33 (3):356-358.
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  • Versuch über die Wiener Klassik: die Tanzszene in Mozarts "Don Giovanni".Albrecht Riethmüller & Archiv für Musikwissenschaft - 1972 - Wiesbaden: Franz Steiner Verlag Wiesbaden.
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  • Jonas Cohn.[author unknown] - 1947 - Zeitschrift für Philosophische Forschung 1 (2):408-408.
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