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  1. The associative basis of the creative process.Sarnoff Mednick - 1962 - Psychological Review 69 (3):220-232.
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  • The hedonic marking of processing fluency: Implications for evaluative judgment.Piotr Winkielman, Norbert Schwarz, Tetra Fazendeiro & Rolf Reber - 2003 - In Jochen Musch & Karl C. Klauer (eds.), The Psychology of Evaluation: Affective Processes in Cognition and Emotion. Lawerence Erlbaum.
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  • Play it again Sam: Repeated exposure to emotionally evocative music polarises liking and smiling responses, and influences other affective reports, facial EMG, and heart rate.Charlotte Vo Witvliet & Scott R. Vrana - 2007 - Cognition and Emotion 21 (1):3-25.
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  • Exploring "fringe" consciousness: The subjective experience of perceptual fluency and its objective bases.Rolf Reber, P. Wurtz & Thomas E. Zimmermann - 2004 - Consciousness and Cognition 13 (1):47-60.
    Perceptual fluency is the subjective experience of ease with which an incoming stimulus is processed. Although perceptual fluency is assessed by speed of processing, it remains unclear how objective speed is related to subjective experiences of fluency. We present evidence that speed at different stages of the perceptual process contributes to perceptual fluency. In an experiment, figure-ground contrast influenced detection of briefly presented words, but not their identification at longer exposure durations. Conversely, font in which the word was written influenced (...)
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  • Facilitating the Furrowed Brow: An Unobtrusive Test of the Facial Feedback Hypothesis Applied to Unpleasant Affect.Randy J. Larsen, Margaret Kasimatis & Kurt Frey - 1992 - Cognition and Emotion 6 (5):321-338.
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