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  1. An Inter-Action: Rembrandt and Spinoza.Dimitris Vardoulakis & Mieke Bal - 2011 - In Spinoza Now. Minneapolis: University of Minnesota Press. pp. 277-303.
    Spinoza and Rembrandt were contemporaries and in fact they were neighbours in Amsterdam. Even though there is no record that they ever met, it is hard to imagine that they never crossed paths. This article seeks to explore common ideas that we can find in the philosopher and the painter. This contributes both to a philosophical examination of Rembrandt and examines the possibility of an aesthetics in Spinoza.
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  • The Collected Works of Spinoza, Volume Ii.Benedictus de Spinoza - 2016 - Princeton University Press.
    The second and final volume of the most authoritative English-language edition of Spinoza's writings The Collected Works of Spinoza provides, for the first time in English, a truly satisfactory edition of all of Spinoza's writings, with accurate and readable translations, based on the best critical editions of the original-language texts, done by a scholar who has published extensively on the philosopher's work. The centerpiece of this second volume is Spinoza’s Theological-Political Treatise, a landmark work in the history of biblical scholarship, (...)
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  • (1 other version)Explicable Explainers: the Problem of Mental Dispositions in Spinoza's Ethics.Ursula Renz - 2009 - In Gregor Damschen, Robert Schnepf & Karsten Stüber (eds.), Debating Dispositions: Issues in Metaphysics, Epistemology and Philosophy of Mind. Berlin/New York: de Gruyter. pp. 79-98.
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  • Collective Imaginings: Spinoza, Past and Present.Moira Gatens & Genevieve Lloyd - 2001 - Philosophical Quarterly 51 (203):257-258.
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  • Mark Sacks Lecture 2013: Spinoza on Goodness and Beauty and the Prophet and the Artist.Moira Gatens - 2015 - European Journal of Philosophy 23 (1):1-16.
    Some critics have claimed that Spinoza's philosophy has nothing to offer aesthetics. I argue that within his conception of an ars vivendi one can discern a nascent theory of art. I bring the figure of the prophet in relation to that of the artist and, alongside a consideration of Spinoza's views on goodness and beauty, show that the special talent of the artist should be understood in terms of the entirely natural expression of the conatus.
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  • The eyes of the mind : proportion in Spinoza, Swift, and Ibn Tufayl.Anthony Uhlmann - 2018 - In Beth Lord (ed.), Spinoza’s Philosophy of Ratio. Edinburgh: Edinburgh University Press. pp. 155-168.
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  • (1 other version)Explicable explainers: The problem of mental dispositions in Spinoza’s Ethics.Ursula Renz - 2009 - In . pp. 79-98.
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  • Beyond Good and Evil.Friedrich Nietzsche & Helen Zimmern - 1908 - International Journal of Ethics 18 (4):517-518.
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