Journal Name: Cognitive Linguistics Issue: Ahead of print.

Most research on metaphors that construe time as motion (motion metaphors of time) has focused on the question of whether it is the times or the person experiencing them (ego) that moves. This paper focuses on the equally important distinction between metaphors that locate times relative to ego (the ego-based metaphors Moving Ego and Moving Time) and a metaphor that locates times relative to other times (sequence is relative position on a path). Rather than a single abstract target domain TIME, (...) these two kinds of temporal metaphor metaphorize different kinds of temporal concept—perspective-specific vs. perspective-neutral temporal concepts. Recognition of this distinction enhances the explanatory potential of conceptual metaphor theory (Lakoff and Johnson 1980). An example involves the interaction of deixis and the temporal reference crosslinguistically of vocabulary with the spatial meanings in-front and behind. More generally, this approach refines our ability to describe the temporal concepts involved in motion metaphors of time. Such temporal concepts are present not only in the target domains, but also in the source domains of motion metaphors of time, where we find space-to-time metonymy, which may play a role in motivating the metaphors. In order to distinguish such metonymy from metaphor, we need to characterize metaphor as a mapping across frames rather than domains. (shrink)

Introduction: Time travel and the mechanics of narrative -- Macrological fictions: evolutionary utopia and time travel (1887-1905) -- Historical interval I: the first time travel story -- Relativity, psychology, paradox: Wertenbaker to Heinlein (1923-1941) -- Historical interval II: three phases of time travel--the time machine -- The big time: multiple worlds, narrative viewpoint, and superspace -- Paradox and paratext: picturing narrative theory -- Theoretical interval: the primacy of the visual in time travel narrative -- Viewpoint-over-histories: narrative conservation in Star Trek (...) -- Oedipus multiplex, or, the subject as a time travel film: Back to the future -- Conclusion: The last time travel story. (shrink)

Drawing on findings in psychology, neuroscience, and utilising the perspective of cognitive linguistics, this work argues that our experience of time may...

Reexamines the Western philosophical tradition, looking at the basic concepts of the mind, time, causation, morality, and the self.

This work offers a comprehensive picture of the dynamic natures of language and consciousness that will interest linguists, psychologists, literary scholars,...

This paper proposes an approach to narrative deixis which offers a coherent analysis of the respective roles of proximal and distal deictic expressions. The paper starts by arguing that fictional narratives require an approach to deixis which modifies a number of broadly held assumptions, especially as regards the interaction between tense and other deictic forms. It then considers the widely discussed instance of the temporal adverb now in the context of Past Tense. The second part of the paper gives special (...) focus to demonstratives in narrative fiction, showing their role in temporal construals. It argues that both temporal and demonstrative expressions are primarily used to serve narrative viewpoint construction. Examples from several novels are then used to show how the proximal and distal choices of demonstratives, temporal adverbs and locative adverbs structure narrative viewpoint, including narrative representation of character experience. The paper concludes by proposing that in the context of fictional narratives the proximal/distal contrast is more relevant to meaning emergence than individual aspects of deixis, and that the construal of time can be achieved through the whole spectrum of deictic forms, not just tense and temporal adverbs such as now and then. (shrink)

The expertise that has evolved in literary studies through the 20th century now finds applications in every corner of culture, wherever thought and representation operate in the mode of storytelling. This book is a summary of the often over-complex theories that have transformed the study of narrative in recent decades. In its theoretical discussions and critical readings, the book plots the connections between fiction, criticism and ideology that represent the contribution of narrative theory to an understanding of postmodern culture.