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  1. Sweet Anticipation: Music and the Psychology of Expectation.William Benjamin - 2007 - Journal of Aesthetics and Art Criticism 65 (3):333-335.
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  • Improvisation and the self-organization of multiple musical bodies.Ashley E. Walton, Michael J. Richardson, Peter Langland-Hassan & Anthony Chemero - 2015 - Frontiers in Psychology 6:1-9.
    Understanding everyday behavior relies heavily upon understanding our ability to improvise, how we are able to continuously anticipate and adapt in order to coordinate with our environment and others. Here we consider the ability of musicians to improvise, where they must spontaneously coordinate their actions with co-performers in order to produce novel musical expressions. Investigations of this behavior have traditionally focused on describing the organization of cognitive structures. The focus, here, however, is on the ability of the time-evolving patterns of (...)
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  • Conversation and Coordinative Structures.Kevin Shockley, Daniel C. Richardson & Rick Dale - 2009 - Topics in Cognitive Science 1 (2):305-319.
    People coordinate body postures and gaze patterns during conversation. We review literature showing that (1) action embodies cognition, (2) postural coordination emerges spontaneously when two people converse, (3) gaze patterns influence postural coordination, (4) gaze coordination is a function of common ground knowledge and visual information that conversants believe they share, and (5) gaze coordination is causally related to mutual understanding. We then consider how coordination, generally, can be understood as temporarily coupled neuromuscular components that function as a collective unit (...)
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  • Sensorimotor Grounding of Musical Embodiment and the Role of Prediction: A Review.Pieter-Jan Maes - 2016 - Frontiers in Psychology 7.
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  • Spontaneous preferences and core tastes: embodied musical personality and dynamics of interaction in a pedagogical method of improvisation.Julien Laroche & Ilan Kaddouch - 2015 - Frontiers in Psychology 6.
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  • Toward a dynamical theory of body movement in musical performance.Alexander P. Demos, Roger Chaffin & Vivek Kant - 2014 - Frontiers in Psychology 5.
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  • The self organization of human interaction.Rick Dale, Riccardo Fusaroli, Nicholas Duran & Daniel Richardson - 2013 - Psychology of Learning and Motivation 59.
    We describe a “centipede’s dilemma” that faces the sciences of human interaction. Research on human interaction has been involved in extensive theoretical debate, although the vast majority of research tends to focus on a small set of human behaviors, cognitive processes, and interactive contexts. The problem is that naturalistic human interaction must integrate all of these factors simultaneously, and grander theoretical mitigation cannot come only from focused experimental or computational agendas. We look to dynamical systems theory as a framework for (...)
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  • Empathy, enaction, and shared musical experience.Joel Krueger - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus Scherer (eds.), The Emotional Power of Music: Multidisciplinary Perspectives on Musical Expression, Arousal and Social Control. Oxford University Press. pp. 177-196.
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  • The 'shared manifold' hypothesis: From mirror neurons to empathy.Vittorio Gallese - 2001 - Journal of Consciousness Studies 8 (5-7):33-50.
    My initial scope will be limited: starting from a neurobiological standpoint, I will analyse how actions are possibly represented and understood. The main aim of my arguments will be to show that, far from being exclusively dependent upon mentalistic/linguistic abilities, the capacity for understanding others as intentional agents is deeply grounded in the relational nature of action. Action is relational, and the relation holds both between the agent and the object target of the action , as between the agent of (...)
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  • Dialog as interpersonal synergy.Riccardo Fusaroli, Joanna Raczaszek-Leonardi & Kristian Tylén - 2013 - New Ideas in Psychology.
    What is the proper unit of analysis in the psycholinguistics of dialog? While classical approaches are largely based on models of individual linguistic processing, recent advances stress the social coordinative nature of dialog. In the influential interactive alignment model, dialogue is thus approached as the progressive entrainment of interlocutors' linguistic behaviors toward the alignment of situation models. Still, the driving mechanisms are attributed to individual cognition in the form of automatic structural priming. Challenging these ideas, we outline a dynamical framework (...)
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  • Sensorimotor Empathy.Anthony Chemero - 2016 - Journal of Consciousness Studies 23 (5-6):138-152.
    The role of knowledge has long been seen as problematic in the sensorimotor approach to experience. I offer an amended version of the sensorimotor approach, which replaces knowledge with what I call 'sensorimotor empathy'. Sensorimotor empathy is implicit, sometimes unintentional, skilful perceptual and motor coordination with objects and other people. I argue that sensorimotor empathy is the foundation of social coordination, and the key to understanding our conscious experience. I also explain how sensorimotor empathy can be operationalized and studied in (...)
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