In a Different Voice is the little book that started a revolution, making women's voices heard, in their own right and with their own integrity, for virtually the first time in social scientific theorizing about women. Its impact was immediate and continues to this day, in the academic world and beyond.

Nel Noddings argues that hers is not an ethics of agape. I want to argue, on the contrary, that it is, and that this is a problem. My central thesis is that the unidirectional nature of the analysis of one-caring reinforces oppressive institutions.

In this article, we explore the potential contribution of care ethics to the field of media ethics. In the first part of this article, we discuss the theoretical and philosophical background of the ethics of care. In the second part, we suggest some specific avenues for theoretical, critical, and practical applications of care ethics to the field of journalism and media ethics.

Private information about individuals contained in computerized data bases is readily available to journalists, who have a moral obligation to inform the masses as a means of redistributing power in society. The journalist's duty to inform, however, conflicts with the duty to respect the privacy of individuals. Because legislation is largely ineffective in protecting individual privacy, the journalist's moral responsibility assumes additional weight. However, the journalist should not allow the claim of privacy to keep him or her from investigating matters (...) in which the public has a legitimate interest. To determine the extent of legitimate interest, the journalist must be able to distinguish between a right to knowledge and a curious interest in knowing. The journalist is offered a 5-point test to assist in determining when an invasion of privacy via data-base research and subsequent publication is warranted. (shrink)

Everyone knows a picture is worth a thousand words. But sometimes, especially in journalism, a picture can be worth much, much more. This added value isn't always positive. Pictures can inflict lasting pain on victims of grief and tragedy. This paper by an undergraduate journalism student explores the ethical dilemmas photographers face when capturing such traumatic incidents on film and explores the lack of professional guidelines available to guide them.