This paper traces some historical and contemporary instances in which sporting and other bodies naked physiques have been utilized to affect religious, social, ideological, or political agendas. We argue inherent aesthetic values of performative flesh have been lost in recent times which have, intentionally or otherwise, degraded, and objectified the naked body. To satisfy society’s insatiable consumer needs and desires, bodies, especially sporting bodies, have been sexualized to the extreme. This overt sexualization is symptomatic of a wider porno-ization of Western (...) culture and cultural products. Porno-ization has limited our contemporary readings, and respect for, the body and its educational, transformative, artistic, and emancipatory potential. Tentative though our theorization may be, we call readers to appreciate athletic nudity anew; to reimagine the eroticism of sporting bodies in cultural and aesthetic terms, akin to artistic appreciation, rather, than as provocative objects of sports’ capitalistic desires. (shrink)

In this essay a selection of images of women Olympians who have opted to pose nude in calendars, in Playboy magazine and in mainstream men's magazines is critically analysed. It is argued that when women athletes pose nude, their talent and incredible skill are trivialised because they are sexually objectified. Based on Nussbaum's theory of objectification, a continuum is developed to analyse the said images. The analysis highlights theories of sexualisation, heteronormative culture, and homophobia which are entangled within the apparent (...) justifications for posing nude. These are rejected in favour of the objectification critique. (shrink)

In this paper, we examine the case of Ronda Rousey, a high profile female Mixed Martial Arts fighter in the Ultimate Fighting Championship. We argue that Rousey represents a female athlete who can be considered a gender transgressor yet simultaneously a Glamazon. The case of Rousey will be applied to gender transgressor theories to demonstrate that Rousey counters traditional discourse which holds that exhibiting stereotypically masculine traits implies not being an authentic woman. Female fighters face criticisms for being “unfeminine” or (...) “manly” because they participate in such an aggressive sport. Despite her gender divergent behaviour, as much as she transgresses, Rousey is also pinned by sporting and societal sexist culture that reinforces sex binaries and exposes pressures to adhere to hyperfemininity and heterosexual ideals. Finally, using the notions of self and power found in Michel Foucault’s later work as a springboard, we examine whether Rousey’s embrace of the Glamazon identity is an act of autonomy or evidence of false consciousness. (shrink)

The main aims of the paper are to explain how objectification admits of degrees and why a significant portion of the objectification of women in contemporary Western society - objectification that contributes to their oppression - is what I call "partial objectification." To acknowledge the full range of objectification in women's lives, feminists need a theory of how objectification can be degreed. They need to be able to say that women can be both bosom and legitimate job candidate, both breeder (...) and health care patient, both sex object and intimate partner. (shrink)