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  1. Metaphors We Live By.George Lakoff & Mark Johnson - 1980 - Ethics 93 (3):619-621.
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  • Visual Culture: An Introduction.John Albert Walker & Sarah Chaplin - 1997 - St. Martin's Press.
    It is the only guide to the subject written specifically for undergraduates.. The authors draw upon many years of teaching experience in this field.. The coverage is systematic, and the writing accessible.
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  • More Than Cool Reason: A Field Guide to Poetic Metaphor.George Lakoff & Mark Turner - 1990 - Journal of Aesthetics and Art Criticism 48 (3):260-261.
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  • (1 other version)The Contemporary Theory of Metaphor.George Lakoff - 1993 - In Andrew Ortony (ed.), Metaphor and Thought. Cambridge University Press. pp. 202-251.
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  • Metaphors we live by.George Lakoff & Mark Johnson - 1980 - Chicago: University of Chicago Press. Edited by Mark Johnson.
    The now-classic Metaphors We Live By changed our understanding of metaphor and its role in language and the mind. Metaphor, the authors explain, is a fundamental mechanism of mind, one that allows us to use what we know about our physical and social experience to provide understanding of countless other subjects. Because such metaphors structure our most basic understandings of our experience, they are "metaphors we live by"--metaphors that can shape our perceptions and actions without our ever noticing them. In (...)
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  • Conceptual metaphor in everyday language.George Lakoff & Mark Johnson - 1980 - Journal of Philosophy 77 (8):453-486.
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  • (1 other version)Image, music, text.Roland Barthes & Stephen Heath - 1978 - Journal of Aesthetics and Art Criticism 37 (2):235-236.
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  • Argumentation, the Visual, and the Possibility of Refutation: An Exploration.Randall A. Lake & Barbara A. Pickering - 1998 - Argumentation 12 (1):79-93.
    Taking the possibility of visual argumentation seriously, this essay explores how refutation might proceed. We posit three ways in which images can refute and be refuted in a mixed-media environment: (1) dissection, in which an image is broken down discursively; (2) substitution, in which one image is replaced within a larger visual frame by a different image; and (3) transformation, in which an image is recontextualized in a new visual frame. These strategies are illustrated in an analysis of three American (...)
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