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  1. Kritik Der Urteilskraft.Immanuel Kant & Karl Vorlander - 1924 - Andesite Press.
    This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...)
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  • Die Idee der absoluten Musik.Carl Dahlhaus - 1978 - München: Deutscher Taschenbuch-Verlag.
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  • Philosophie und Psychologie: Trennungsgeschichte, Dogmen und Perspektiven.Nicole D. Schmidt - 1995 - Rowohlt Taschenbuch Verlag.
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  • Las tres culturas: la sociología entre la literatura y la ciencia.Wolf Lepenies - 1994
    An lisis de la relaci n llena de tensiones entre ciencias naturales, literatura y sociolog a en tres fuentes culturales: Francia (primitivo positivismo, literatura y sociolog a a fines de siglo XX); Inglaterra (John Stuart Mill, Beatris Webb, la novela ut pica como sustituto de la sociolog a: H. G. Wells y la critica literaria en los siglos XIX y XX) y Alemania (W. H. Riehl, contradicci n entre poes a y literatura, sociolog a y ciencia de la historia), cuyo (...)
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  • Music, science, philosophy: models in the universe of thought.Jamie Croy Kassler - 2001 - Burlington, VT: Ashgate.
    This book provides instances of what the technology and semantic field of music have contributed to the development of epistemology, logic and the early modern sciences of developmental biology, continuum mechanics anatomy and physiological psychology, as well as what some other domains have given back to the philosophy and theory of music.
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  • Postmodern Postures: Literature, Science and the Two Cultures Debate.Daniel Cordle - 1999 - Routledge.
    In 1996, physicist Alan Sokal placed a hoax article in Social Text mimicking the social constructionist view of science popular in the humanities and sparking the science wars which had rumbled throughout the 90s. This book puts the controversy into the context of earlier debates about the two cultures, between F.R. Leavis and C.P. Snow, and Mathew Arnold and T.H. Huxley.
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