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  1. Three Sorts of Naturalism.Hans Fink - 2008-03-17 - In Jakob Lindgaard (ed.), John McDowell. Blackwell. pp. 52–71.
    This chapter contains sections titled: 1. 2. 3. 4. Notes References.
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  • The Theory of the Novel.Robert D'Amico - 1975 - Philosophy and Phenomenological Research 35 (3):429-430.
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  • Kierkegaard: Construction of the Aesthetic.Robert L. Perkins - 1990 - Journal of Aesthetics and Art Criticism 48 (3):262-263.
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  • Three Sorts of Naturalism.Hans Fink - 2006 - European Journal of Philosophy 14 (2):202-221.
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  • The Idea of Natural History.T. W. Adorno - 1984 - Telos: Critical Theory of the Contemporary 1984 (60):111-124.
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  • The Origin of German Tragic Drama.Walter Benjamin - 1978 - Journal of Aesthetics and Art Criticism 37 (1):103-104.
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  • Natural history: The life and afterlife of a concept in Adorno.Max Pensky - 2004 - Critical Horizons 5 (1):227-258.
    Theodor Adorno's concept of 'natural history' [Naturgeschichte] was central for a number of Adorno's theoretical projects, but remains elusive. In this essay, I analyse different dimensions of the concept of natural history, distinguishing amongst (a) a reflection on the normative and methodological bases of philosophical anthropology and critical social science; (b) a conception of critical memory oriented toward the preservation of the memory of historical suffering; and (c) the notion of 'mindfulness of nature in the subject' provocatively asserted in Max (...)
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  • The origin of negative dialectics: Theodor W. Adorno, Walter Benjamin and the Frankfurt Institute.Susan Buck-Morss - 1977 - Hassocks, Eng.: Harvester Press.
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  • Three sorts of naturalism.Hans Fink - 2006 - European Journal of Philosophy 14 (2):202–221.
    In "Two sorts of Naturalism" John McDowell is sketching his own sort of naturalism in ethics as an alternative to "bald naturalism". In this paper I distinguish materialist, idealist and absolute conceptions of nature and of naturalism in order to provide a framework for a clearer understanding of what McDowell’s own naturalism amounts to. I argue that nothing short of an absolute naturalism will do for a number of McDowell's own purposes, but that it is far from obvious that this (...)
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  • Adorno's practical philosophy: Living Less Wrongly.Fabian Freyenhagen - 2010 - New York: Cambridge University Press.
    Adorno notoriously asserted that there is no 'right' life in our current social world. This assertion has contributed to the widespread perception that his philosophy has no practical import or coherent ethics, and he is often accused of being too negative. Fabian Freyenhagen reconstructs and defends Adorno's practical philosophy in response to these charges. He argues that Adorno's deep pessimism about the contemporary social world is coupled with a strong optimism about human potential, and that this optimism explains his negative (...)
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  • Aesthetic Theory.Theodor W. Adorno, Gretel Adorno, Rolf Tiedemann & C. Lenhardt - 1986 - Journal of Philosophy 83 (12):732-741.
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  • Aesthetic Theory.Henry L. Shapiro - 1986 - Philosophical Review 95 (2):288.
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  • The Positivist Dispute in German Sociology.[author unknown] - 1983 - British Journal for the Philosophy of Science 34 (2):173-175.
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  • Adorno on Nature.Deborah Cook - 2011 - Routledge.
    Decades before the environmental movement emerged in the 1960s, Adorno condemned our destructive and self-destructive relationship to the natural world, warning of the catastrophe that may result if we continue to treat nature as an object that exists exclusively for our own benefit. "Adorno on Nature" presents the first detailed examination of the pivotal role of the idea of natural history in Adorno's work. A comparison of Adorno's concerns with those of key ecological theorists - social ecologist Murray Bookchin, ecofeminist (...)
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  • Negative Dialectics. [REVIEW]Raymond Geuss - 1975 - Journal of Philosophy 72 (6):167-175.
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  • Clarification.[author unknown] - 1957 - Philosophical Studies (Dublin) 7:244-244.
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